查询词典 leave of

With the help of firemen, they get to leave that firing house.

在消防队员的帮助下，他们得以离开了那座着火的房子。

With the help of the firemen,they could leave the burning house.

在消防队员的帮助下，他们得以离开了那座着火的房子。

I'll leave to others the question of who knew or should have known that the bonus firestorm was coming; but it's part of a pattern.

我把这个问题留给大家去辨别：谁早就知道或者应该早就知道奖金危机即将袭来；但是那只是故事的一部分而已。

We were able to leave the firing house with the help of the fire fighters.

在消防队员的帮助下，他们得以离开了那座着火的房子。

With the help of firefighters, they managed to leave that firing house.

在消防队员的帮助下，他们得以离开了那座着火的房子。

A little fish is near the shore of a lake. But a duck makes that fish leave.

一只小鱼在湖边玩耍，可一只鸭子过来把它赶走了。

Some chefs will choose to leave a minute amount of poison in the fish to cause a tingling sensation on the tongue and lips as fugu can be quite bland.

有些厨师会选择离开一分钟数额毒药的鱼引起刺痛的感觉舌头和嘴唇的河豚可以相当乏味。

Mothers, the world's most beautiful name, my mother, you leave more than two years, and usually did not dare to open Flanagan miss your heartstrings, because you know, I will think of your tears, I fear you will hear crying, Afraid my tears you will see me at the bottom of my heart, I do not believe you have left me to return to familiar home, I can feel your presence and feel of your kind words and feel you in every possible way of love.

母亲，世界上最美的称呼，母亲您离开我已两年多了，平时根本不敢打开思念你的那根心弦，因为你知道，想起你我会泪流满面，我的哭泣害怕你会听见，我的眼泪害怕你会看见，在我的心底，我还不相信你已经离开了我，回到熟悉的家，我还能感受到你的存在，感受到你的亲切话语，感受到你无微不至的爱。

Being personally consequential and shocking, they are likely to evoke intensely vivid memories, known as "flashbulb memory"( Cognition , vol 5, p 73) of the kind experienced by people with post-traumatic stress disorder. They also leave participants struggling to make sense of the experience, and so constructing elaborate personal meanings for what has happened.

由于其本身有着巨大影响，使人震惊，它们可能会唤起非常生动的记忆，这种记忆被称为"闪光灯记忆"（《认知》，第5卷，第73页），处于受伤痛之后抑郁状态下思维混乱的人会产生这种记忆，通过这种形式构建了关于以前发生过的事情的复杂的个人意义。

When your job is to explain things to the audience (and there's an awful lot that needs explaining episode to episode) that doesn't leave room for much else. It can make fleshing out the character and grounding his emotional life in some kind of reality a real challenge.

当你的工作是向观众阐明并没有太多空间给其他事物的某一件事（并且许多都需要一集集地解释）时，它能够让你思索出对于角色的认知，同时要把对于他情感生活的演绎基于某种程度的现实上，这是个真正的挑战。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。