查询词典 learned

There they fished and learned to swim. There they made bows and arrows and learned to throw the tomahawk as well as old Simon Kenton himself or any of the redskins who sought to take his scalp.

他们在那里钓鱼和学游泳，在那里，他们做弓和箭，学习掷斧头，掷的跟老赛门肯特或者是那些寻找猎人头的印地安人一样好，在那里，他们学习跟踪和森林知识，有这些知识，有时候激发了那些对森林不是很精通者的敬畏和想像。

From Apollonius I learned freedom of will and undeviating steadiness of purpose; and to look to nothing else, not even for a moment, except to reason; and to be always the same, in sharp pains, on the occasion of the loss of a child, and in long illness; and to see clearly in a living example that the same man can be both most resolute and yielding, and not peevish in giving his instruction; and to have had before my eyes a man who clearly considered his experience and his skill in expounding philosophical principles as the smallest of his merits; and from him I learned how to receive from friends what are esteemed favors, without being either humbled by them or letting them pass unnoticed.

从阿珀洛尼厄斯，我懂得了意志的自由，和目标的坚定不移；懂得了在任何时候都要依赖理性，而不依赖任何别的东西；懂得了在失子和久病的剧烈痛苦中镇定如常；从他，我也清楚地看到了一个既坚定又灵活，在教导人时毫不暴躁的活的榜样；看到了一个清醒地不以他解释各种哲学原则时的经验和艺术自傲的人；从他，我也学会了如何从值得尊敬的朋友那里得到好感而又丝毫不显得卑微，或者对他们置若罔闻。

Form Apollonius I learned freedom of will and undeviating steadiness of purpose; and to look to nothing else, not even for a moment, except to reason; and to be always the same, in sharp pains, on the occasion of the loss of a child, and in long illness; and to see clearly in a living example that the same man can be both most resolute and yielding, and not peevish in giving his instruction; and to have had before my eyes aman who clearly considered his experience and his skill in expounding philosophical principles as the smallest of his merits, and from him I learned how to receive from friends what are esteemed favours, without being either humbled by them or letting them pass unnoticed.

从阿珀洛尼厄斯，我懂得了意志的自由和目标的坚定不移；懂得了在任何时候都要依赖理性，而不依赖任何别的东西；懂得了在失子和久病的剧烈痛苦中镇定如常；从他，我也清楚地看到了一个既坚定又灵活，在教导人时毫不暴躁的活的榜样；看到了一个清醒地不以他解释各种哲学原则是的经验和艺术自傲的人；从他，我也学会了如何从值得尊敬的朋友那里得到好感而又丝毫不显得卑微，或者对他们置若罔闻。

From my brother Severus, to love my kin, and to love truth, and to love justice; and through him I learned to know Thrasea, Helvidius, Cato, Dion, Brutus; and from him I received the idea of a polity in which there is the same law for all, a polity administered with regard to equal rights and equal freedom of speech, and the idea of a kingly government which respects most of all the freedom of the governed; I learned from him also consistency and undeviating steadiness in my regard for philosophy; and a disposition to do good, and to give to others readily, and to cherish good hopes, and to believe that I am loved by my friends; and in him I observed no concealment of his opinions with respect to those whom he condemned, and that his friends had no need to conjecture what he wished or did not wish, but it was quite plain.

从我的兄弟西维勒斯，我懂得了爱我的亲人，爱真理，爱正义；从他，我知道了思雷西亚、黑尔维蒂厄斯、加图、戴昂、布鲁特斯；从他我接受了一种以同样的法对待所有人、实施权利平等和言论自由平等的政体的思想，和一种最大范围地尊重被治者的所有自由的王者之治的观念；我也从他那里获得一种对于哲学的始终一贯和坚定不移的尊重，一种行善的品质，为人随和，抱以善望，相信自己为朋友所爱；我也看到他从不隐瞒他对他所谴责的那些人的意见，他的朋友无需猜测他的意愿；这些意愿是相当透明的。

An officer who led the wagon train said he learned more about the horrors of war on that one trip than he had learned in all of his battles.

北军中带队军官叹言，仅他所带的一支队伍中的遭受战争蹂躏的惨象，就比他经历所有战役中的景象还要惨重得多。

This is because nobody has ever learned the whole set of Taiwanese step by step aw we learned Chinese Mandarin in the school.

这是因为所有的人都没有机会在学校里学华语那样，步步学习到整套的台语。

Ming-Ling M U, who has learned the piano from her auntie Li-Fen MU when she was 4 years old. 1997, Ming-Ling has passed the examination of Tainan University of Technology, Department of Music, majors in piano, minor course is flute, and has been taught by Zhen-Zhen LIU, Nei-Wen WANG, Li-Li ZHOU and Li-Min CHEN. During the school, Ming-Ling has been asked to be the accompanist for Tainan city Phoenix City children's choir. 2003 she has passed the examination from Conservatoire de Reuil Malmaison-senior class of piano performer with the teacher CHANTAL RIOU. In year 2006, Ming-Ling has brought herself to the senior class of piano accompanist and learned with teacher PONDEPEYRE ANGELINE, who made her graduated as the first-rate in the next year from Conservatoire de Reuil Malmaison.

穆明伶四岁开始其音乐养成教育，启蒙於姑姑穆丽芬。1997年考上台南女子技术学院音乐系，主修钢琴副修长笛，师事於刘珍珍、王乃雯、周理俐以及陈丽明老师；在学期间曾应邀加入台南凤凰城儿童合唱团担任伴奏一职。2003年考取法国玛尔梅松市立音乐院(Conservatoire de Reuil Malmaison)钢琴演奏高级班，师事 Chantal RIOU.2006 年进入同音乐院钢琴伴奏高级班，师事於Angrline PONDEPEYRE 。2007年以第一奖文凭毕业於法国玛尔梅松市立音乐院，师事Angeline PONDEPEYRE 。

I once thought our exchanges way, I learned English but sorry, Kai I learned of very good

我曾经想过我们的交流办法，我去学英语可是对不起，凯我没有学的很好

If most children you knew learned to read at the same time as they learned to speak, there would be no need to consider whether their brains were sufficiently myelinated to handle the task.

如果大部分的孩子你知道据悉，改为在同一时间，因为他们学会了说话，便无须考虑是否开动脑筋，足以髓处理的任务。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Summary In copyright infringement cases,if the alleged infringer uses or even plagiarizes the copyrighted works or parts thereof,which causes no substantially adverse effect on the normal exploitation of the work,nor does it inflict any substantial damages to the right owner,the de minis doctrine should be applied to exempt the liabilities of the defendant and seek the balance of interests between the right owner and the general public embodied by the copyright law.

在侵犯著作权案件中，如果被控侵权行为人虽未经著作权人的同意，使用甚至抄袭了受著作权保护的作品或作品的片段，但若情节轻微，未对该作品的正常使用产生任何实质不利的影响，亦未对权利人的权利造成实质性的损害，则应适用&不计琐细原则&，免除行为人的责任，以寻求在权利人利益与著作权法所体现的社会公共利益之间的平衡。

This new product will become our best seller.

这个新产品会成为我们最畅销的产品。