查询词典 lay-out

It takes several steps to make it: firstly soak soybeans in well water; secondly grind it to make soya bean milk; thirdly filter it with a piece of gauze; fourthly boil the soya bean milk in a pot until it becomes thick; fifthly lay a piece of fine gauze in a container; sixthly ladle the soya bean milk over the gauze; seventhly lay another piece and repeat again many times until the container is full; then press them to get rid of water.

用上好井水浸泡黄豆，再用石磨推成浆，再用纱布过浆去渣，舀浆入锅内烧开至稠。在一容器内铺一层细纱布，将烧稠的豆浆舀在纱布上，然后再在上面铺一层细纱布，再舀豆浆，装满后在上面加木板上榨，去掉水分，揭去纱布即可获得薄如纸、白如雪的千张。

It's most wrong for you along to lay down the lay on so important a matter.

这么重要的事情你一人说了算，这是不正确的。

Daniel answered the king and said, No wise men, enchanters, magicians, or astrologers can show to the king the mystery that the king has asked, [28]but there is a God in heaven who reveals mysteries, and he has made known to King Nebuchadnezzar what will be in the latter days. Your dream and the visions of your head as you lay in bed are these: [29]To you, O king, as you lay in bed came thoughts of what would be after this, and he who reveals mysteries made known to you what is to be.

丹尼尔回答了国王和说：没有智者， enchanters ，魔术师，或占星家可以显示向国王的奥秘说，国王问， [ 28 ]但有一个上帝在天上谁揭示奥秘，他取得了众所周知的国王布恰德内扎尔会是怎样在后者的天，您的梦想和愿景，在你的头上，因为你奠定在床上是： [ 29 ]给你，澳景，正如你奠定在床上来思考会有什么在此之后，他揭示的奥秘，谁知道你是什么。

Calibration tool storage cabinet rolling rack w/lights statu go rack rolling rack w/hardhats.tool.rarts metal work station office chairs 7"miter band saw fiberglass backing plates 12"band saw filing cabinets 7 air conditioners 6 humidifiers 2 grinders 2-carts w/testing equipment golf cart 6 utility carts left upper wing right upper wing 4 rolls of final bagging disassembled lay up room lexan 4*8*9/8 3 roof top air ducts preforming core fuselage to wing part non conforming steel/alominum insulation tubes left lower wing right lower wing horizontal upper tail 2 sheets of 1honeycomb core office cubicles cabin door frame template 1 medium size cabinet 2 small cabinets flammable container L.H.boom inboard flap hinge(2) R.H.boom inboard flap hinge(1) L.H.outboard nacelle little fuse CSL mold AFT keelgusset mold LH boom inboard mold RH boom outboard mold LH upper fuel tank mold RH lower fuel tank mold universal safety mats(13) aileron bond/drill jigs metal saw hooses 5-lay up tables safety mat trim kit empty rack office chairs left assembled boom right assembled boom utility carts small file cab bagging material black med.

标定工具储藏柜轧制机架瓦特/灯 statu去机架轧制机架瓦特/ hardhats.tool.rarts 金属工作站办公椅 7 &字带锯玻纤板支持 12 &带锯档案柜 7空调 6加湿器 2磨床 2 ，车瓦/测试设备高尔夫球车 6实用车左上翼右上翼 4卷最后套袋拆卸积储室聚碳酸酯4 * 8 * 9月8日 3天台冷气槽预成形核心机身的一部分，以翼不符合钢铁/ alominum 保温管左下翼右下翼横向上尾 2张1 蜂窝芯办公室隔间舱门框模板 1中型内阁 2小柜易燃集装箱 L.H.boom内侧襟翼铰链（ 2 ） R.H.boom内侧襟翼铰链（ 1 ） L.H.outboard发动机舱小保险丝CSL的模具霉菌毒素keelgusset 黄体生成素臂船模生殖健康繁荣舷外模具激素上油箱模具相对湿度较低的燃料箱模具普遍安全垫（ 13 ）副翼债券/钻夹具金属看到hooses 5 -奠定表安全垫装饰盒空架办公椅离开组装繁荣正确组装繁荣实用工具车小档案驾驶室套袋材料黑色med。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

Direction of wire rope, from left to right for right-lay wire rope, from right to left for left-lay wire rope. Wind the wire

Incorrect （2）钢丝绳在卷筒上的排列：钢丝绳在卷筒上缠绕方向必须根据钢丝绳的捻向，右捻绳从左到右，左

Go a lot of chicken farms have been inspected,"to let many Silkies lay eggs, some chicken farms in the evening also driving high-power light bulbs, a reminder chickens lay eggs, some chickens were so tired limp I think they have looked at the poor."

去了很多鸡场视察了&，让许多乌骨鸡产卵，在傍晚的一些农场也驾驶大功率灯泡，提醒鸡下蛋，有鸡只累得瘫软我认为他们已经看过了贫困。&

All the indexes were tested in 2 -. 4 .. 6 weeks of operative intervals respectively. Results:(1) The general observation in the experimental group ,such as spirit, hair, body weight and activity ,was superior to that in the control group.(2) The recovery rate of sciatic nerve functional index (SF1) was statistically significantly higher in the experimental group than in the control group .(3) electrophysciological indexes: m the experimental group ,the tardy rate of induced motorius action potential ,recovery rates of the amplitude of compound muscle action potential and twitch tension and tetanic tension of triceps surae muscle ,were significantly higher than in the control group.(4) Compared with the control group ,the triceps surae muscle wet weight was significantly greater in the experimental group.(5) histomorphological indexes: the count of myelinated nerve fibers ,diameter of regenerated axon, thickness of nerve myelin sheath and area of capillary were much more in the experimental group than in the control group.(6) observation of ultrastructure with the transmission election microscope: more abundant organell a and maturer myelin sheath lay in the injured peripheral nerve of the experimental group, while not lay in the control group.

分别在木后第2、4、6周时进行各项指标的检测，结果发现：（1）实验组SD大鼠在整个实验过程中，其精神、毛发、体重，运动灵活性等一般情况优于对照组；（2）实验组的坐骨神经功能指数恢复率显著优于对照组，P＜0.01；（3）神经电生理指标：实验组运动神经诱发电位潜伏期的延迟率显著优于对照组，P＜0.05；复合肌肉动作电位振幅的恢复率显著高于对照组，两组比较第2周时P＜0.01，第4、6周时，P＜0.05；小腿三头肌单收缩力和强直收缩力的恢复率实验组显著高于对照组，P＜0.01；（4）小腿三头肌湿重的恢复率，第2、4周时实验组高于对照组，差异非常显著，P＜0.01；第6周时，差异仍显著，P＜0.05；（5）组织形态学指标：有髓种经轴突计数、再生轴突直径的恢复率，毛细血管面积，实验组均显著大于对照组，P＜0.01、P＜0.05、P＜0.001；实验组髓鞘厚度的恢复率也显著高于对照组，第2周时P＜0.01，第4、6周时，P＜0.05；（6）透射电镜超微结构观察：实验组再生轴突中细胞器丰富，髓鞘结构成熟，神经再生情况优于对照纽。

Filling stop forks may be placed in the center of the lay, in which case it is known as a center fork, or at the side of the lay between the shuttle box and the reed , in which case it is known as a side fork.

纬纱叉可以安置在筘座的中部，称为中央纬纱叉；也可以安置在筘座的一侧，位于梭箱和钢筘之间，称为边侧纬纱叉。

Folk song has special charm of using "lay-folk poem" language. This paper discusses the characteristics of folk song's language from stylistic perspective in three parts. The first part discusses the concept of folk songs, the context type and its style belonging, confining the researching, analyzing the producing context of folk songs and introducing its style belonging simply. The second part analyzes the characteristics of 'lay-folk poem' language by using a number of examples, which includes the aspects of orallisition of its vocabulary application, the concision and deviation of its grammar, its regular rhetoric technique, the foil word and rhyme. The third part emphasizes the folk songs' function that different from other styles in emotion expressing, aesthetic views and practical aspects.

本文从语体角度分三个部分来探讨民歌语言的特色：第一部分阐述了民歌的定义、民歌语体的语境类型及语体归属，对本文的研究范围做出了界定，对民歌语体语言的生成语境做了分析，对民歌的语体归属做了简单的说明；第二部分从词汇运用的口语化、生活化，语法的简洁性与偏离性，常用的修辞手法，衬词及押韵五个方面来分析民歌语体的&平民诗歌&的特征，通过大量例证突出了民歌语言的特点；第三部分从表情、审美、实用三个方面对民歌的功能作了阐述，突出民歌语体有别于其它语体的特征。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。