查询词典 lay to

You know when to spritz. You know when to lay back.

你太让人吃惊了你的表演是那样张弛有度

You know when to spritz, when to lay back.

你表现的收放自如。

You know when to spritz, when to lay back.

你知道什么时候应该兴奋，什么时候应该放松。

You know when to spritz, when to lay back.

你知道什么时候需要动，什么时候需要静。

You know when to spritz, when to lay back.

你的表演是那样张弛有度。

To spritz. You know when to lay back.

你的表演是那样张弛有度。

I'm serious.You're amazing.You know when to spritz,when to lay back.

你太让人吃惊了，你的表演是那样张弛有度，我是说真的。

She can drop creep tumors into the ground to extend the zerg's filthy ground slime, lay clutches of eggs in creep that hatch and attack when the base is in danger, and drop down structures called shriekers that work to detect enemy units and extend the range of the defenders that spawn from the eggs.

最初她不过是个强大的防御单位，可以对地对空；之后她可以放下creep tumor菌毯肿瘤来扩大菌毯（译者注：这是原版的creep colony的替代加强版），生下可以在基地受到攻击时孵化并防御的蛋，而且能放下名为shrieker警报器的反隐建筑——这个建筑还能加大那些从蛋中孵化的防御建筑的射程。

A dozen of these sectaries of Tingou lay flat upon their backs, while others, dressed to represent lightning-rods, came and frolicked on their noses, jumping from one to another, and performing the most skilful leapings and somersault s

首先是有十二三个这种&天狗神派&的演员仰卧在台上，接着又来了另一些长鼻子伙伴跳到他们那些象避雷针一样竖立着的鼻子上，他们在这些鼻子尖上蹦跳，飞跃，从这个鼻子到那个鼻子来回表演着各种令人难以相信的绝技。

A dozen of these sectaries of Tingou lay flat upon their backs, while others, dressed to represent lightning-rods, came and frolicked on their noses, jumping from one to another, and performing the most skilful leapings and somersaults

首先是有十二三个这种&天狗神派&的演员仰卧在台上，接着又来了另一些长鼻子伙伴跳到他们那些象避雷针一样竖立着的鼻子上，他们在这些鼻子尖上蹦跳，飞跃，从这个鼻子到那个鼻子来回表演着各种令人难以相信的绝技。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。