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lay into相关的网络例句

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与 lay into 相关的网络例句 [注:此内容来源于网络,仅供参考]

There were stores within of wheat and barley and vegetables, and wine made from barley in great big bowls; the grains of barley malt lay floating in the beverage up to the lip of the vessel, and reeds lay in them, some longer, some shorter, without joints; when you were thirsty you must take one of these into your mouth, and suck.

有商店内的小麦和大麦和蔬菜,葡萄酒从大麦非常大碗;的谷物大麦麦芽奠定漂浮在饮料到嘴唇的船只,以及芦苇在於他们,一些较长,有些较短,没有接头;当你渴了你必须考虑的一个这些到你的嘴,并吸吮。

To sb's notice bring/call to mind bring to a halt bring into action catch one's breath call down / lay a curse upon sb. cast a shadow over catch at shadows catch sb's eye catch fire catch / get a glimpse of catch sight of come to sb's knowledge come to sb's notice come to a point come /go into effect come into a fortune come into fashion come to a halt combination with commander in chief communication with commit a crime commit / make an error come into possession of sth. come / go into operation come to one's senses come to / arrive at a decision come to / arrive at an agreement with reach / make an agreement with come to sb.'s assistance complaint about/of competition with / against sb.

do a threat to do damage to do/try one's best 与----接触不平衡与-----保持友好与----一致对----负责违背诺言实施,使生效给某人带来羞辱使某人注意----想起使停止采取行动喘息诅咒某人蒙上阴影捕风捉影引人注目着火,烧着对----瞥一眼看见被某人知道引起某人的注意到紧要关头实施,生效继承一笔财产开始流行停止与------结合总司令与-----交流,与----通信犯罪犯错误占有某物实行,生效恢复理性,苏醒过来做出决定与-------达成一致与-------达成一致帮助某人对------抱怨与某人竞争对----有威胁损害-----尽力,努力

For example, too much work may cut into student's study time when they should get the best out of their college llfe and lay a good foundation of knowledge for their college life and lay a good foundation of knowledge for their future work.

举例来说,太多的工作会减少到学生的学习时间时,他们应该得到最好的离开自己的大学生生命和奠定良好的基础知识的大学生活,并奠定良好的基础知识为他们今后的工作。

But when they were come to the Brow of the Hill, where they could see a great way into the Valleys and Woods, which lay towards the North-East Part, and where the Island lay lowest, they shouted, and hollow'd, till they were weary; and not caring it seems to venture far from the Shore, nor far from one another, they sat down together under a Tree, to consider of it: Had they thought fit to have gone to sleep there, as the other Party of them had done, they had done the Jobb for us; but they were too full of Apprehensions of Danger, to venture to go to sleep, though they could not tell what the Danger was they had to fear neither.

在小山顶上,他们可以看见那些山谷和森林远远地向东北延伸,那是岛上地势最低的地方。他们一上山顶,就一个劲地齐声大喊大叫,一直喊得喊不动为止。看来他们不想远离海岸,深入小岛腹地冒险,也不愿彼此分散。于是,他们就坐在一棵树下考虑办法。如果他们也像前一批人那样,决定先睡一觉,那倒成全了我们的好事。可是,他们却非常担心危险,不敢睡觉,尽管他们自己也不知道究竟有什么危险。

Place the hot coffee in a large bowl; dip a ladyfinger into the coffee, lay it in baking dish. Repeat and lay ladyfingers side by side to cover the bottom, spread half of the cream mixture on top of soaked ladyfingers, dust the layer with cocoa powder that fully covers the cream, and then sprinkle the Kahlua.

把热咖啡倒入一个大碗中;将手指饼乾浸透咖啡后平列排放,挨个铺在烤盘底层,然后将一半的奶油混合物均匀铺在手指饼乾上,洒满可可粉盖住奶油部分,最后淋上卡鲁瓦甜酒。

She is not in the washroom and then stopping, because it is finally his own point of view that he cares about and not hers, and with this firmly in mind, and a light, confident step, such as you might find in the works of Bulwer-Lytton, he enters the space she occupies so prettily and, taking her by the hand, proceeds to tear off the stiff white hospital gown (but no, we cannot have that kind of pornographic merde in this majestic and high-minded sentence, which will probably end up in the Library of Congress)(that was just something that took place inside his consciousness, as he looked at her, and since we know that consciousness is always consciousness of something, she is not entirely without responsibility in the matter) so, then, taking her by the hand, he falls into the stupendous white puree of her abyss, no, I mean rather that he asks her how long it has been since her last visit, and she says a fortnight, and he shudders, and tells her that with a condition like hers (she is an immensely popular soldier, and her troops win all their battles by pretending to be forests, the enemy discovering, at the last moment, that those trees they have eaten their lunch under have eyes and swords)(which reminds me of the performance, in 1845, of Robert-Houdin, called The Fantastic Orange Tree, wherein Robert-Houdin borrowed a lady's handkerchief, rubbed it between his hands and passed it into the center of an egg, after which he passed the egg into the center of a lemon, after which he passed the lemon into the center of an orange, then pressed the orange between his hands, making it smaller and smaller, until only a powder remained, whereupon he asked for a small potted orange tree and sprinkled the powder thereupon, upon which the tree burst into blossom, the blossoms turning into oranges, the oranges turning into butterflies, and the butterflies turning into beautiful young ladies, who then married members of the audience), a condition so damaging to real-time social intercourse of any kind, the best thing she can do is give up, and lay down her arms, and he will lie down in them, and together they will permit themselves a bit of the old slap and tickle, she wearing only her Mr.

然后阻止,因为到最后那是他自己的关心的观点而不是她的,在他的脑子里根深蒂固,他自信地走了一步,这就像你也许会在布尔沃?里顿的作品中看到的一样,他进入兴高采烈地进入她占有的空间,抓住她的手,开始撕开他白色僵直的病号衣(但是我们没有在他冠冕堂皇的充满智慧的语句中发现那种带有色情的废话,那也许会在国会图书馆中绝迹)(在他的意识中有一些东西正在被替代,当他看她的时候,就如我们知道的意识始终是意识,她在这个事情中不是完全没有责任的),所以,然后抓起她的手,他掉进了她深渊的巨大白色水中,不,我想他问她自从她上回来已经多久了,她说有两个星期了,他战栗着告诉她她现在的情况(她是一个非常受欢迎的女兵,她的部队通过埋伏在森林里赢得了所有的战斗,在最后的时刻敌人发现了,那些他们吃掉他们午餐的树有了眼睛和剑)(这使我想起了一八四五年罗伯特?乌丹的演出,叫做《奇幻橘子树》,在其中罗伯特?

She is not in the washroom and then stopping, because it is finally his own point of view that he cares about and not hers, and with this firmly in mind, and a light, confident step, such as you might find in the works of Bulwer-Lytton, he enters the space she occupies so prettily and, taking her by the hand, proceeds to tear off the stiff white hospital gown (but no, we cannot h39e that kind of pornographic merde in this majestic and high-minded sentence, which will probably end up in the Library of Congress)(that was just something that took place inside his consciousness, as he looked at her, and since we know that consciousness is always consciousness of something, she is not entirely without responsibility in the matter) so, then, taking her by the hand, he falls into the stupendous white puree of her abyss, no, I mean rather that he asks her how long it has been since her last visit, and she says a fortnight, and he shudders, and tells her that with a condition like hers (she is an immensely popular soldier, and her troops win all their battles by pretending to be forests, the enemy discovering, at the last moment, that those trees they h39e eaten their lunch under h39e eyes and swords)(which reminds me of the performance, in 1845, of Robert-Houdin, called The Fantastic Orange Tree, wherein Robert-Houdin borrowed a lady's handkerchief, rubbed it between his hands and passed it into the center of an egg, after which he passed the egg into the center of a lemon, after which he passed the lemon into the center of an orange, then pressed the orange between his hands, making it 56aller and 56aller, until only a powder remained, whereupon he asked for a 56all potted orange tree and sprinkled the powder thereupon, upon which the tree burst into blossom, the blossoms turning into oranges, the oranges turning into butterflies, and the butterflies turning into beautiful young ladies, who then married members of the audience), a condition so damaging to real-time social intercourse of any kind, the best thing she can do is give up, and lay down her arms, and he will lie down in them, and together they will permit themselves a bit of the old slap and tickle, she wearing only her Mr.

然后阻止,因为到最后那是他自己的关心的观点而不是她的,在他的脑子里根深蒂固,他自信地走了一步,这就像你也许会在布尔沃?里顿的作品中看到的一样,他进入兴高采烈地进入她占有的空间,抓住她的手,开始撕开他白色僵直的病号衣(但是我们没有在他冠冕堂皇的充满智慧的语句中发现那种带有色情的废话,那也许会在国会图书馆中绝迹)(在他的意识中有一些东西正在被替代,当他看她的时候,就如我们知道的意识始终是意识,她在这个事情中不是完全没有责任的),所以,然后抓起她的手,他掉进了她深渊的巨大白色水中,不,我想他问她自从她上回来已经多久了,她说有两个星期了,他战栗着告诉她她现在的情况(她是一个非常受欢迎的女兵,她的部队通过埋伏在森林里赢得了所有的战斗,在最后的时刻敌人发现了,那些他们吃掉他们午餐的树有了眼睛和剑)(这使我想起了一八四五年罗伯特?乌丹的演出,叫做《奇幻橘子树》,在其中罗伯特?

Meditation Alone/ firefly译 The Moon Is Mine The moon is mine And the sundries I home mail It's thin, cool and dark Like me under an unlucky star Who stay out straying, with a sadly sorrowful look When facing it You should feel esteem--in my opinion Also you could Weep when looking at it, and Be put in a tight spot, or Behold a man in it coming out Lay Open the Loneliness Lay open the loneliness, perhaps There be no loneliness Under the alone lamp, in the empty room The whole world's dyed orange with rays Everything represents nothing As someone been far away The deserted heart still misses Only lonely is still lonely Wine for one, when wine round three times for one Think of the drip drops, the fallen leaves, and Some time, some seasons, some persons, some Sundries when warm Like I lay open the loneliness Then nothing to keep lonely The Tree All the leaves in this tree fall Its loneliness falls into a face It's limpid and bright Where the sun shines There are blares of colored glaze Exclaim occasionally, or profoundly Stride one's line of sight, such height and weald Straying there --Why there is no wild Divide the Rain Drips Divide the dense rain drip Then you may see decaying scene-- A man in the sun walking with vigorous strides In the shallow puddle Immerges half his nose, spraying Continuous ripples It's simply a groundless guess at daytime Or rather a dream, yet that's it And that I see Sun's weak, and see The sun and water turns to be blank in the air Nov.

16th, 2007 原诗:《独想》《那些月光是我的》那些月光是我的是我寄给家里的物什它薄薄的,凉凉的,暗暗的就像我的薄命流浪在外,神情悲悯你们面对它应该感到高贵——这是我的想法你们也可以看着它流泪,看着它一筹莫展,或者看着一个人从里面走出来《把孤独摊开》把孤独摊开,或许就没有孤独了在孤灯下,空屋里万物都染着桔色的光万事都不代表什么就像远去了一个人心中空荡荡的,却总有惦念但孤独还是孤独的一个人的酒,一个人酒过三巡想想窗檐的滴水,想想落叶,想想一些时间,一些季节,一些人物,一些那时感到有温度的物什就如同把孤独摊开了没什么可继续孤独的《这棵树》这棵树落光了叶子它的孤独就成了一张脸它清澈与明亮太阳光照的地方,全然是时空中一簇琉璃的光泽偶尔让人惊叹,偶尔骨感地跨入人的视线,那样的旷野和高度停留在那里——为什么没有荒芜《把雨点分开》把稠密的雨点分开就可以看到颓废的景观——一个刚在太阳下健步如飞的男人在浅水坑中浸入了一半的鼻子,喷着连续不断的涟漪这只是我白日的一个臆念有点梦,但就是这样我才看到了阳光的软弱,看到了阳光和雨水原来就是一场空中之茫

Which action passed over, the poem hastes into the midist of things, presenting Satan with his angels now fallen into Hell, described here, not in the centra(for heaven and earth may be supposed as yet not made,certainly not yet accursed)but in a place of utter darkness, fitliest called Chaos:here Satan with his angels lying on the burning lake, thunder-struck and astonished, after a certain spaces recovers, as from confusion, calls up him who next in order and dignity lay by legions, who lay till then in the same manner confuounded; they rise, their numbers, array of battle, their chief leaders named, according to the idols known afterwards in Canaan and the countries adjoining.

本卷诗简略的描述事件的经过,直述事件的中心主题,现在撒旦和他的堕落天使们一起在地狱深渊,简单的说(并不在地心,当时地球与大地还没创造),但是是一个十足黑暗的地方,可以合宜的称为是「浑沌」之地;撒旦和他的堕落天使们躺在燃烧的火湖中,他们曾震惊的被迅雷击落地狱,经过一段时空的恢复,撒旦从昏厥中清醒,撒旦首先唤醒一个等次稍低的天使,然后唤醒所有堕落天使;而这群堕落天使中的首领们正符合迦南地的群魔偶像。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述,分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观,并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点:一,勋柏格对于音乐历史的认识:通过德奥音乐界前辈给予他的创作启示,以及勋伯格对自己几个创作阶段的发展历程的总结,阐述了他对于艺术中的传统与革新之间的关系的辩证认识,并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系;二,勋柏格的民族主义音乐观:通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识,总结了他的&重艺术音乐,轻民间音乐&、&重西欧音乐,轻非西欧音乐&的观点,从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&,这是一个浸润着浓厚的西欧文化中心论色彩的观点,也是贯串他毕生的音乐思想的重要观点之一;三,勋柏格对音乐教育问题的见解:勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养;四,勋柏格对当代音乐批评家与音乐批评方法提出的要求:音乐批评家必须具备作为一名音乐家的专业修养,要以真实、客观的态度对待音乐批评这门神圣的职业,充分运用内心的艺术联想向公众再现作曲家的意图,而不是将个人见解强加于受众;同时,批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测,在音乐批评的具体范畴中,应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

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