查询词典 lay down

A little after Noon I found the Sea very calm, and the Tyde ebb'd so far out, that I could come within a Quarter of a Mile of the Ship; and here I found a fresh renewing of my Grief, for I saw evidently, that if we had kept on board, we had been all safe, that is to say, we had all got safe on Shore, and I had not been so miserable as to be left entirely destitute of all Comfort and Company, as I now was; this forc'd Tears from my Eyes again, but as there was little Relief in that, I resolv'd, if possible, to get to the Ship, so I pull'd off my Clothes, for the Weather was hot to Extremity, and took the Water, but when I came to the Ship, my Difficulty was still greater to know how to get on board, for as she lay a ground, and high out of the Water, there was nothing within my Reach to lay hold of; I swam round her twice, and the second Time I spy'd a small Piece of a Rope, which I wonder'd I did not see at first, hang down by the Fore-Chains so low, as that with great Difficulty I got hold of it, and by the help of that Rope, got up into the Forecastle of the Ship; here I found that the Ship was bulg'd, and had a great deal of Water in her Hold, but that she lay so on the Side of a Bank of hard Sand, or rather Earth, that her Stern lay lifted up upon the Bank, and her Head low almost to the Water; by this Means all her Quarter was free, and all that was in that Part was dry; for you may be sure my first Work was to search and to see what was spoil'd and what was free; and first I found that all the Ship's Provisions were dry and untouch'd by the Water, and being very well dispos'd to eat, I went to the Bread-room and fill'd my Pockets with Bisket, and eat it as I went about other things, for I had no time to lose; I also found some Rum in the great Cabbin, of which I took a large Dram, and which I had indeed need enough of to spirit me for what was before me: Now I wanted nothing but a Boat to furnish my self with many things which I forsaw would be very necessary to me.

午后不久，海面风平浪静，潮水也已远远退去。我只要走下海岸，泅上几十米，即可到达大船。这时，我心里不禁又难过起来。因为我想到，倘若昨天我们全船的人不下小艇，仍然留在大船上，大家必定会平安无事。这时就可安抵陆地；我也不会像现在这样，孤苦伶仃孑然一身了。而现在，我既无乐趣，又无伴侣。想到这里，我忍不住流下泪来。可是，现在悲伤于事无济，我即决定只要可能就先上船去。当时，天气炎热，我便脱掉衣服，跳下水去。可是，当我泅到船边时，却没法上去，因为船已搁浅，故离水面很高；我两臂所及，没有任何可以抓住的东西。我绕船游了两圈，忽然发现一根很短的绳子。我惊异自己先前竟没有看见这根绳子。那绳子从船头上挂下来，绳头接近水面；我毫不费力地抓住绳子往上攀登，进入了船上的前舱。上去后发现船已漏水，舱底进满了水。因为船搁浅在一片坚硬的沙滩上，船尾上翘，船头几乎都浸在水里，所以船的后半截没有进水。可以想像，我急于要查看一下哪些东西已损坏，哪些东西还完好无损。首先，我发现船上的粮食都还干燥无恙。这时，我当然先要吃些东西，就走到面包房去，把饼干装满了自己的衣袋，同时边吃边干其他活儿，因为我必须抓紧时间才行。我又在大舱里找到了一些甘蔗酒，就喝了一大杯。此时此刻，我极需喝点酒提提神。我这时只想有一只小船，把我认为将来需要的东西，统统运到岸上去。

The paper bases on the conservation and renewal planning of old-city which is along the Xiangjiang River and in the west of that in Xiangtan,and discusses how to protect and keep history and culture in old-city renewal from material-lay and immaterial-lay,so that the city memory and historic contexture will go down.

结合湘潭市河西沿江旧城保护与更新项目，从物质和精神层面来探讨旧城更新中历史文化的保护和延续问题，以期保存城市记忆，延续城市历史文脉。

And watch em dollar bills come sprinkling down girl bend over pick it from the ground, and toss it up! Everybody on a thing like damn thing Everybody dont die in the same game Homie dont stand on the campaign Lay back like it's not you who's champion Lay back, we won, one time, we get all high, to the b like close to We go, we ride, we go, we fly, we're perfect from the heat we go to.. Convict, we're not sick less, getting everybody to launch sickness then the hole game popped yo pretty dick.. Fly high, Flipsyde and evolution.. you need that treat that clean that we step we fly get em up and we got to and feel that day and we come your way wait dead, and brotha i got you It's been a long time coming so we're here to wake the dead.

大家对这样的事情该死的东西大家不要死在同一个游戏不要站在外面静如不是你的冠军躺下，我们赢了，有一段时间，我们得到了高、喜欢接近我们走吧，我们骑，我们走到哪里，我们便如飞，我们是完美的热，我们去……罪犯，我们没有生病，得到大家开展少生病的洞比赛出现哟漂亮的迪克…飞得很高，与进化…你需要治疗，爱干净，我们一步我们飞得凝结在一起，我们必须和感觉的日子，我们来您的方式等死，和我懂你的意思这是很长一段时间了，于是我们来叫醒死去的人。

It is the spin of the molecules along each lay line of grid work that pushes some of the chi and new information from the regeneration chakras down the lay lines of the grid work.

正是分子及晶格层每一条层线的旋转，将来自再生脉轮的一些气和新信息推动到晶格层的层线之中。

Time to lay claim to the evidence fingerprints sell me out but our footprints washed away from the docks downtown it's been getting late for days and i feel myself deserving of a little time off we can kick it here for hours and just mouth off about the world and how we know it's going straight to hell pass me another bottle, honey the jaeger's so sweet but if it keeps you around, then i'm down meet me on thames street i'll take you out though i'm hardly worth your time in the cold, you look so fierce but i'm warming up because the tension's like a fire we'll hit south broadway in a matter of minutes and like a bad movie, i'll drop a line fall in the grave i've been digging myself but there's room for two six feet under the stars i should have known better than to call you out (on a night like this, a night like this) if not for you, i know i'd tear this place to the ground (but i'm all right like this, all right like this) i'm gonna roll the dice before you sober up and get gone i'm always in over my head thames street i'll take you out though i'm hardly worth your time in the cold, you look so fierce but i'm warming up because the tension's like a fire we'll hit south broadway in a matter of minutes and like a bad movie, i'll drop a line fall in the grave i've been digging myself but there's room for two six feet under the stars time to lay claim to the evidence fingerprints sell me out but our footprints washed away i'm guilty, but i'm safe for one more day overdressed and underage do you really need see an id?

时间觊觎的证据指纹出卖我但我们的足迹冲走从市区码头它已经很晚了天我觉得自己一个小假值得我们可以在这里踢了几个小时和公正的嘴把对世界的以及我们如何知道这将直接进入地狱通过我的另一瓶，蜂蜜在耶格的如此甜蜜但如果它使你周围，那我下我会晤泰晤士街我会带你出去虽然我不值得你的时间在寒冷的，你看看如此激烈但我升温因为像火紧张的我们会击中在几分钟内南百老汇像一个糟糕的电影，我将下降1线下降的严重我一直在挖掘自己但是有两个房间六英尺下的星星我应该知道比给你打电话了（在这样的夜晚，这样的夜晚）如果不是你，我知道我会撕这个地方到地面（但我这样的权利，都喜欢这样的权利）我要去滚骰子在你清醒过来，得到了我总是在我头上泰晤士街我会带你出去虽然我不值得你的时间在寒冷的，你看看如此激烈但我升温因为像火紧张的我们会击中在几分钟内南百老汇像一个糟糕的电影，我将下降1线下降的严重我一直在挖掘自己但是有两个房间六英尺下的星星时间觊觎的证据指纹出卖我但我们的足迹冲走我有罪，但我一个更安全的一天打扮和未成年你真的需要看到一个ID？

But when they were come to the Brow of the Hill, where they could see a great way into the Valleys and Woods, which lay towards the North-East Part, and where the Island lay lowest, they shouted, and hollow'd, till they were weary; and not caring it seems to venture far from the Shore, nor far from one another, they sat down together under a Tree, to consider of it: Had they thought fit to have gone to sleep there, as the other Party of them had done, they had done the Jobb for us; but they were too full of Apprehensions of Danger, to venture to go to sleep, though they could not tell what the Danger was they had to fear neither.

在小山顶上，他们可以看见那些山谷和森林远远地向东北延伸，那是岛上地势最低的地方。他们一上山顶，就一个劲地齐声大喊大叫，一直喊得喊不动为止。看来他们不想远离海岸，深入小岛腹地冒险，也不愿彼此分散。于是，他们就坐在一棵树下考虑办法。如果他们也像前一批人那样，决定先睡一觉，那倒成全了我们的好事。可是，他们却非常担心危险，不敢睡觉，尽管他们自己也不知道究竟有什么危险。

Sicken the mongness swing at i i beat show maker rule shake it shake it down i be the negro what a ha profa everybody come on we will be the shaker what'a crazy star so what everybody had enjoyed crazy wild look rock it in the sigh chilly women happy be the big down explaining the heart but super cheater baby baby come on you better rock with me i be the hasha blade for no what you may lay in XXX everybody scream XXX everybody dance i am the king of the swear or will you rock in dead cause when we in the place that we talk in shock in the world cause we will bullshit and speak makes it rocks in a city last night a jewel saved my life, now that all you want last night a jewel saved my life, there's a party going on last night a jewel saved my life, now is bergy time last night a jewel saved my life, there's a party going on now yo wow wrong wanna a chair super negro wanna said hanging out man negro show will love some of a faggot you are murd when i dread to make a connect to yo babies dont try helicopter pipe-check we'll be smoking a cigar so as bad as sharper rocking down somebody everywhere of a party over there man sweetie homie sot all the danstroll mad all train the city cause we the best droll size the rockies to flat by a squash like a super star try to right up at the top whoever say no way, check it out the quality's down whoever like it or moaning out turning our stuff around should get down jungle fibre getting tie boogy night smoothy is looking for kill we'll be the one and the male we'll be the top place wrong place raping the world cause we would have top place now start the pub we'll be the hard too, shaking everybody what a tough shit bar man rocks for its tale beating me in the dance my moving XXX everybody dance i'll be the dance keep surprising everybody with a jet and never tell mine too, my thingy got to swing it with me you taking over your mind cause where the jackets were the baseline checking it hard cause we'll be the place sudden start bald day damn number rare yo, yeah, come on ,come on ,come on, come on damn number rare yo moving out yo swing twenty fold pop yo fly yo

使mongness 摇摆厌恶在i 我摔打展示制作商规则震动它震动它击倒 i 是黑人ha profa 大家进展我们将是振动器what'a 疯狂的星如此什么大家享受疯狂的狂放的神色晃动它在叹气冷颤的妇女愉快是大下来解释心脏但超级骗子婴孩婴孩进展您改善岩石与我 i 是hasha 刀片为没有什么您可以放置 XXX 大家尖叫 XXX 大家舞蹈我是发誓的国王或您晃动在死者的意志起因当我们在我们谈在震动在世界上的地方导致我们意志胡说和讲牌子它岩石在城市昨晚珠宝拯救了我的生命，即然所有您要昨晚珠宝拯救了我的生命， there's 党继续昨晚珠宝拯救了我的生命，现在是bergy 时间昨晚珠宝拯救了我的生命， there's 党继续现在 yo 哇错误要对椅子超级黑人要对前述垂悬在人黑人展示之外将爱一些faggot 您是murd 当我畏惧做a 连接对yo 婴孩不尝试直升机管子检查 we'll 抽雪茄至于坏象更加锋利晃动在某人到处党下在那供以人员糖果homie sot 所有danstroll 疯狂所有训练城市起因我们最佳滑稽可笑估量罗基斯对舱内甲板由南瓜象一次超级星尝试在右边在上面谁不说方式，检查它在quality's 之外下来谁喜欢或呻吟在扭转我们的材料之外如果得到在密林纤维下得到领带 boogy 夜 smoothy 寻找杀害 we'll 是那个和男性 we'll 是顶面地方错误地方强奸世界起因我们现在会安排顶面地方开始客栈 we'll 是坚硬的，震动大家坚韧shit 酒吧供以人员岩石为它的传说把我难住在舞蹈我行动的XXX 大家舞蹈 i'll 是舞蹈保留惊奇大家与喷气机并且从未告诉我的，我thingy 被得到对摇摆它与我您接收您的头脑起因夹克是基础线的地方检查它坚硬起因we'll 是地方突然的起动秃头天数字罕见的yo，呀，进展，进展，进展，进展数字罕见的yo 行动在yo 之外摇摆二十折叠流行音乐yo 飞行yo

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

He was the good shepherd, he lay down his life for his sheep.

他是好牧人，他为他的羊舍命。

Lay down a layer of lucerne hay leaving no gaps, to a height of 10cm (about 4 inches).

放下了一层苜蓿干草，不留空白，在相当的高度10厘米（约4英寸）。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。