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lay down arms相关的网络例句

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与 lay down arms 相关的网络例句 [注:此内容来源于网络,仅供参考]

In the United Nation's 2008 Vesak day celebration, delegates from all over the world, came to the agreement that internet has already been the important tool for information, exchange, dialogue and education between monastic community and lay Buddhist community, monastic community and non-Buddhist community, inter-communication within lay Buddhist community, and lay-Buddhist community and non-Buddhist community.

在2008年的联合国庆祝卫塞节大会上,与会代表一致认为,因特网的发展已经成为佛教僧侣和信众之间、僧侣和非信众之间、信众和信众之间、信众和非信众之间交流思想、对话、搜集数据、查询信息、开展网络教学等方面的重要工具。

With this Resolution I enter'd the Wood, and with all possible Waryness and Silence, Friday following close at my Heels, I march'd till I came to the Skirt of the Wood, on the Side which was next to them; only that one Corner of the Wood lay between me and them; here I call'd softly to Friday, and shewing him a great Tree, which was just at the Corner of the Wood, I bad him go to the Tree, and bring me Word if he could see there plainly what they were doing; he did so, and came immediately back to me, and told me they might be plainly view'd there; that they were all about their Fire, eating the Flesh of one of their Prisoners; and that another lay bound upon the Sand, a little from them, which be said they would kill next, and which fir'd all the very Soul within me; he told me it was not one of their Nation; but one of the bearded Men, who he had told me of, that came to their Country in the Boat: I was fill'd with Horror at the very naming the white-bearded Man, and going to the Tree, I saw plainly by my Glass, a white Man who lay upon the Beach of the Sea, with his Hands and his Feet ty'd, with Flags, or Things like Rushes; and that he was an European, and had Cloaths on.

这样决定之后,我就进入了树林。星期五紧随我身后,小心翼翼、悄然无声地往前走。我们一直走到树林的边缘,那儿离他们最近,中间只隔着一些树木,是树林边沿的一角。到了那里后,我就悄悄招呼星期五,指着林角上最靠外的一棵大树,要他隐蔽在那树后去观察一下,如果能看清楚他们的行动,就回来告诉我。他去了不大工夫,就回来对我说,从那儿他看得很清楚,他们正围着火堆吃一个俘虏的肉,另外还有一个俘虏,正躺在离他们不远的沙地上,手脚都捆绑着。照他看来,他们接着就要杀他了。我听了他的话,不禁怒火中烧。他又告诉我,那躺着的俘虏不是他们部落的人,而是他曾经对我说过的坐小船到他们部落里去的那种有胡子的人。

The bending load by method of hand lay-up was better than one by method of SCRIMP, the fatigue strength by method of hand lay-up was better, the impact behavior by method of hand lay-up was also better, but ductility by method of SCRIMP was better. The test data may useful for structure design of marine engineer.

同时在冲击试验从能量的观点来出发,从实验方法,到比较单位面积冲击能量、单位宽冲击能量,依照4种不同的冲击能量来做一个比较,以知道哪种工法可以吸收较多的冲击能量,以及何种工法制做出的试片属於脆性破坏,剩余强度较高。

The soldiers of 101 division prepare to board the planeAirborne arms makes final inspectionLarge quantities of airlineses fly to NormandyDe Jun inserts these log into sand to use an organization to attack landing craft arrive at beachBear down on beach headAmerican dogface goes before the hardship in wave, they cross a flat comrade-in-arms, between the enemy's gunfire do all one can bears down on beachU.S.

101师的士兵们准备登机空降兵做最后的检查大批飞机飞向诺曼底这些原木是德军插进沙子里用来组织进攻登陆艇到达海滩的冲向滩头美国步兵在波浪中艰难前行,他们越过一位倒下的战友,在敌人的炮火之间奋力冲向海滩美军第4步兵师第8团士兵在抢占了犹他海滩滩头一道混凝土防御。。。。。。

She is not in the washroom and then stopping, because it is finally his own point of view that he cares about and not hers, and with this firmly in mind, and a light, confident step, such as you might find in the works of Bulwer-Lytton, he enters the space she occupies so prettily and, taking her by the hand, proceeds to tear off the stiff white hospital gown (but no, we cannot have that kind of pornographic merde in this majestic and high-minded sentence, which will probably end up in the Library of Congress)(that was just something that took place inside his consciousness, as he looked at her, and since we know that consciousness is always consciousness of something, she is not entirely without responsibility in the matter) so, then, taking her by the hand, he falls into the stupendous white puree of her abyss, no, I mean rather that he asks her how long it has been since her last visit, and she says a fortnight, and he shudders, and tells her that with a condition like hers (she is an immensely popular soldier, and her troops win all their battles by pretending to be forests, the enemy discovering, at the last moment, that those trees they have eaten their lunch under have eyes and swords)(which reminds me of the performance, in 1845, of Robert-Houdin, called The Fantastic Orange Tree, wherein Robert-Houdin borrowed a lady's handkerchief, rubbed it between his hands and passed it into the center of an egg, after which he passed the egg into the center of a lemon, after which he passed the lemon into the center of an orange, then pressed the orange between his hands, making it smaller and smaller, until only a powder remained, whereupon he asked for a small potted orange tree and sprinkled the powder thereupon, upon which the tree burst into blossom, the blossoms turning into oranges, the oranges turning into butterflies, and the butterflies turning into beautiful young ladies, who then married members of the audience), a condition so damaging to real-time social intercourse of any kind, the best thing she can do is give up, and lay down her arms, and he will lie down in them, and together they will permit themselves a bit of the old slap and tickle, she wearing only her Mr.

然后阻止,因为到最后那是他自己的关心的观点而不是她的,在他的脑子里根深蒂固,他自信地走了一步,这就像你也许会在布尔沃?里顿的作品中看到的一样,他进入兴高采烈地进入她占有的空间,抓住她的手,开始撕开他白色僵直的病号衣(但是我们没有在他冠冕堂皇的充满智慧的语句中发现那种带有色情的废话,那也许会在国会图书馆中绝迹)(在他的意识中有一些东西正在被替代,当他看她的时候,就如我们知道的意识始终是意识,她在这个事情中不是完全没有责任的),所以,然后抓起她的手,他掉进了她深渊的巨大白色水中,不,我想他问她自从她上回来已经多久了,她说有两个星期了,他战栗着告诉她她现在的情况(她是一个非常受欢迎的女兵,她的部队通过埋伏在森林里赢得了所有的战斗,在最后的时刻敌人发现了,那些他们吃掉他们午餐的树有了眼睛和剑)(这使我想起了一八四五年罗伯特?乌丹的演出,叫做《奇幻橘子树》,在其中罗伯特?

She is not in the washroom and then stopping, because it is finally his own point of view that he cares about and not hers, and with this firmly in mind, and a light, confident step, such as you might find in the works of Bulwer-Lytton, he enters the space she occupies so prettily and, taking her by the hand, proceeds to tear off the stiff white hospital gown (but no, we cannot h39e that kind of pornographic merde in this majestic and high-minded sentence, which will probably end up in the Library of Congress)(that was just something that took place inside his consciousness, as he looked at her, and since we know that consciousness is always consciousness of something, she is not entirely without responsibility in the matter) so, then, taking her by the hand, he falls into the stupendous white puree of her abyss, no, I mean rather that he asks her how long it has been since her last visit, and she says a fortnight, and he shudders, and tells her that with a condition like hers (she is an immensely popular soldier, and her troops win all their battles by pretending to be forests, the enemy discovering, at the last moment, that those trees they h39e eaten their lunch under h39e eyes and swords)(which reminds me of the performance, in 1845, of Robert-Houdin, called The Fantastic Orange Tree, wherein Robert-Houdin borrowed a lady's handkerchief, rubbed it between his hands and passed it into the center of an egg, after which he passed the egg into the center of a lemon, after which he passed the lemon into the center of an orange, then pressed the orange between his hands, making it 56aller and 56aller, until only a powder remained, whereupon he asked for a 56all potted orange tree and sprinkled the powder thereupon, upon which the tree burst into blossom, the blossoms turning into oranges, the oranges turning into butterflies, and the butterflies turning into beautiful young ladies, who then married members of the audience), a condition so damaging to real-time social intercourse of any kind, the best thing she can do is give up, and lay down her arms, and he will lie down in them, and together they will permit themselves a bit of the old slap and tickle, she wearing only her Mr.

然后阻止,因为到最后那是他自己的关心的观点而不是她的,在他的脑子里根深蒂固,他自信地走了一步,这就像你也许会在布尔沃?里顿的作品中看到的一样,他进入兴高采烈地进入她占有的空间,抓住她的手,开始撕开他白色僵直的病号衣(但是我们没有在他冠冕堂皇的充满智慧的语句中发现那种带有色情的废话,那也许会在国会图书馆中绝迹)(在他的意识中有一些东西正在被替代,当他看她的时候,就如我们知道的意识始终是意识,她在这个事情中不是完全没有责任的),所以,然后抓起她的手,他掉进了她深渊的巨大白色水中,不,我想他问她自从她上回来已经多久了,她说有两个星期了,他战栗着告诉她她现在的情况(她是一个非常受欢迎的女兵,她的部队通过埋伏在森林里赢得了所有的战斗,在最后的时刻敌人发现了,那些他们吃掉他们午餐的树有了眼睛和剑)(这使我想起了一八四五年罗伯特?乌丹的演出,叫做《奇幻橘子树》,在其中罗伯特?

I kept my Piece in my Hand still, without firing, being willing to keep my Charge ready; because I had given the Spaniard my Pistol, and Sword; so I call'd to Friday, and bad him run up to the Tree, from whence we first fir'd, and fetch the Arms which lay there, that had been discharg'd, which he did with great Swiftness; and then giving him my Musket, I sat down my self to load all the rest again, and bad them come to me when they wanted: While I was loading these Pieces, there happen'd a fierce Engagement between the Spaniard, and one of the Savages, who made at him with one of their great wooden Swords, the same Weapon that was to have kill'd him before, if I had not prevented it: The Spaniard, who was as bold, and as brave as could be imagin'd, though weak, had fought this Indian a good while, and had cut him two great Wounds on his Head; but the Savage being a stout lusty Fellow, closing in with him, had thrown him down and was wringing my Sword out of his Hand, when the Spaniard, tho' undermost wisely quitting the Sword, drew the Pistol from his Girdle, shot the Savage through the Body, and kill'd him upon the Spot; before I, who was running to help him, could come near him.

当星期五向那批逃到独木舟上的野人开火时,我拔出刀子,把那可怜的家伙身上捆着的菖蒲草割断,把他的手脚松了绑,然后把他从地上扶起来。我用葡萄牙话问他是什么人。

Now Friday, says I, laying down the discharg'd Pieces, and taking up the Musket, which was yet loaden; follow me, says I, which he did, with a great deal of Courage; upon which I rush'd out of the Wood, and shew'd my self, and Friday close at my Foot; as soon as I perceiv'd they saw me, I shouted as loud as I could, and bad Friday do so too; and running as fast as I could, which by the way, was not very fast, being loaden with Arms as I was, I made directly towards the poor Victim, who was, as I said, lying upon the Beach, or Shore, between the Place where they sat, and the Sea; the two Butchers who were just going to work with him, had left him, at the Suprize of our first Fire, and fled in a terrible Fright, to the Sea Side, and had jump'd into a Canoe, and three more of the rest made the same way; I turn'd to Friday, and bid him step forwards, and fire at them; he understood me immediately, and running about forty Yards, to be near them, he shot at them, and I thought he had kill'd them all; for I see them all fall of a Heap into the Boat; though I saw two of them up again quickly: However, he kill'd two of them, and wounded the third; so that he lay down in the Bottom of the Boat, as if he had been dead.

我把放过了的鸟枪放下来,把那支装好弹药的短枪拿在手里,对星期五说

Trying to lay down a personal sense is like trying to lay down a piece of flypaper.

试着去放下个人的感觉没就像放下一张捕蝇纸,你越是努力去放,它就越往上飘。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述,分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观,并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点:一,勋柏格对于音乐历史的认识:通过德奥音乐界前辈给予他的创作启示,以及勋伯格对自己几个创作阶段的发展历程的总结,阐述了他对于艺术中的传统与革新之间的关系的辩证认识,并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系;二,勋柏格的民族主义音乐观:通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识,总结了他的&重艺术音乐,轻民间音乐&、&重西欧音乐,轻非西欧音乐&的观点,从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&,这是一个浸润着浓厚的西欧文化中心论色彩的观点,也是贯串他毕生的音乐思想的重要观点之一;三,勋柏格对音乐教育问题的见解:勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养;四,勋柏格对当代音乐批评家与音乐批评方法提出的要求:音乐批评家必须具备作为一名音乐家的专业修养,要以真实、客观的态度对待音乐批评这门神圣的职业,充分运用内心的艺术联想向公众再现作曲家的意图,而不是将个人见解强加于受众;同时,批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测,在音乐批评的具体范畴中,应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

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