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"Any more than it's proper to wear all your bonnets and gownsand ribbons at once, that folks may know you've got them," addedJo, and the lecture ended in a laugh.

&诚如一个人没有必要将所有的衣服首饰一次性全穿戴在身上，人们也知道你有这些东西&，乔接着说，大家全笑了，安米的一课就在这笑声中结束了。

In ten years, you'll look back at your childhood dairies and laugh.

十年后，你会笑着看你小时候写的日记。

It is rather a relief and disburdening of the mind; it seems to have been a holiday time with us then; we were not called to appear upon the stage of life, to wear robes or tatters, to laugh or cry, be hooted or applauded; we had lain perduall this while, sung out of harm's way; and had slept out our thousands of centuries without wanting to be waked up; at peace and free from care, in a long nonage, in a sleep deeper and calmer than that of infancy, wrapped in the softest and finest dust.

相反，我们都可以释放心灵，缓解忧愁。我们仿佛在度假一般，我们没有被传唤至人生舞台上，穿着华丽的衣服或破旧的衣衫，大笑不止，或痛哭流涕，被人训斥或者赞美；然而对此，我们却隐藏了许久，安详悠闲，而远离伤害，我们仿佛沉睡了千百个世纪，不愿被人唤醒，安逸而无忧虑，总处于孩童时期，而且比婴孩还睡的还要深沉，还要平静，被裹挟于最轻柔最细密的灰尘之中。

Jinpei grabbed a pillow from the couch and lobbed it at him, and Ryu fended it off with a laugh.

/ Jinpei 在他抓取了来自长椅的一个枕头而且打高而慢的球了它，而且 Ryu 以一声笑避开它。

In the works of this genre, viewers may see the subject of a work commit suicide with a gun, be bogged down in a state of faithlessness, lawless and lost in bewildering reality and in the magnetic field of power; and in some corner along the street waiting for the expected as well as the unexpected appearance of 'you'. With one hundred bricks on his back, and luggage in hand, he heads to the railway station, leaving his hometown, fully loaded, for his unknown destiny - an experience we Chinese are most familiar with. The sorrowful National Experience is shared in a clinical manner … See the situation in the shoes of the subjects, where everything seems so ridiculous and yet at the same time not without reason - one does not know if one should cry or laugh.

所以，在各种形式的作品中，观众会看到她在失落信仰、缺少权威、迷失于现实的年代，在权力磁场举枪自轰；会在街道某个角落等待意料之外，又在意料之内的你的出现；会看见他背上一百块板砖，手持行李，徒步走向火车站，背负重担离开原居城巿，藉此表达中国人最是熟悉不过的离乡背井，作者以简洁有力的方式与观众分享让人心生哀愁的&国情&……。

A good stand up comedian may evoke a few titters on the way (he might pull faces, speak in a funny voice, fall over, etc.) but the really worthwhile laugh always comes at the end.

一个好的个人喜剧可能有几个小笑（表演者可能拉长了脸，用搞笑的声音说话，摔倒等等），但真正有意义的笑总是放在最后，如果生效，就是一个好的表演。

The barber gave me a bright, scolding laugh, his dark eyes narrowing above winkles that suggest he had at least sixty fallen yeallo leaves himself.

理发匠对着我灿烂地笑了（scolding？，眼睛眯缝在一堆皱纹上，他肯定至少有六十岁了。

I found them sorta superficial, a little sad, but still, the sort of things I do laugh about with my college girlfriends over wine at our periodic dinners --amusing though and, as the blurbs promised, Erma Bombeckish..

我发现他们八九不离十肤浅，有点难过，但是，那种笑的事情，我现在与我的大学，不要过度葡萄酒女朋友在我们的定期聚餐-虽然有趣，并为利润率的承诺，尔玛Bombeckish 。。。

At first glance Jack seemed fair enough with his curly hair and quick laugh, but for a small man he carried some weight in the haunch and his smile disclosed buckteeth, not pronounced enough to let him eat popcorn out of the neck of a jug, but noticeable.

乍一看，杰克长得很好看，一头卷发，笑声轻快活泼，对一个小个子来说腰粗了点，一笑就露出一口小龅牙，他的牙虽然没有长到足以让他能从茶壶颈里吃到爆米花，不过也够醒目的。

At first glance Jack seemed fair enough with his curly hair and quick laugh, but for a small man he carried some weight in the haunch and his smile disclosed buckteeth, not pronounced enough to let him eat popcorn out of the neck of a jug, but noticeable.

杰克头发卷曲，笑声利落，乍看上去很是白皙干净，不过对于像他这样个儿矮的人来说，臀部略胖了些；他一笑就露出一口龅牙，不会显著到可以吃罐子颈部的爆米花，不过能让人注意到。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。