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Our study shows a contrastive results with Jun (1996), where atonal languages such as Korean, French, and English.

我们的结果与 Jun (1996)针对韩语、法语、与英语等非音调语言所做的研究相反。

It is based on an ideal, existentialism, from German philosopher, Martin Heidegger. The musical materials of the composition are inspired by the musical languages between the western tonality and atonality at the end of 19th and begin of 20th century.

主要是以德国哲学家海德格之「存在主义」为理念出发，结合十九世纪末二十世纪初，西方音乐中调性与非调性之间，新旧交迭所产生的和声语法为题材创作。

We also need people to help provide support for Audacity in different languages.

我们也需要人手以提供不同语言的Audacity的支援。

The Augsburg Confession has been translated into most major languages and many dialects and in its original form is part of the constitution of most Lutheran churches.

奥格斯堡供认已被翻译成最重要的语文和许多方言，并在其原来的形式是宪法部分内容的最路德会教堂。

Even beyond Augustus, Rome, and the empire that, across other nations and languages, is still the Empire.

甚至超越奥古斯都，罗马，和帝国的是，在其他国家和语言，仍然是帝国。

Any of the Austronesian languages of the Moro .

肌肉运动的协调；肌肉运动反射

Their purpose was to create an organisation that promotes the study of Austronesian languages from a formal perspective.

从1994年的第一次会议开始，任务就是鼓励语言学家或年轻学者研究南岛语言。

The Austronesian Family comprises up to 1000 different languages scattered over one third of the Southern Hemisphere.

澳斯特罗尼亚语系包括多达 1000 种语言，它们散布在南半球的三分之一以上的区域。

The branch of the Austronesian languages spoken from Madagascar to the central Pacific.

分布于马达加斯加岛到太平洋中心的一个南岛语语系分支。

Anthropologists and archaeologists have established that their languages belong to the Austronesian linguistic family.

人类学家和考古学家都认为他们原属南岛语族。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。