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language analysis相关的网络例句

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与 language analysis 相关的网络例句 [注:此内容来源于网络,仅供参考]

The analysis showed that there was more use of verisimilar representations of time in Chinese than in English and this was due to the fact that Chinese language is more iconicity oriented while English is more bounded by gram...

操汉语的人是基于客观真实时间顺序和主观想象时间顺序来构建其句子和概念的,其时间表征多为似真表征方式,英语里虽也有某种程度的似真表征,但说英语的人更多的是依据形态语法和抽象原则来表征时间关系的;时间的隐喻表征在两种语言中既有相同之处也有很大差别,这主要源于不同文化的价值观和认知方式

This issue in order to focus on "post-colonial criticism"(Yi Xiao-bin ,2004:64-68) for perspective, from a historical and cultural background to be, as well as the characterization of discourse analysis,"Robinson Crusoe" set up by the The sovereign state / colony, his master / slave, white / color, cultural center / edge of culture, civilization / barbarity, Christian / tribal people, such as food dualistic system of colonial discourse deconstruction, revealing the implication of colonialism in the works Awareness and to explain how the guns Robinson backed in a planned way from the language of religious belief and two of the "Friday" naked colonial culture, it lost its original cultural identity, resulting in self-identity Loss of the dilemma.

本课题着重以"后殖民主义批评"(易小斌,2004:64-68)为视角,拟从历史文化背景、人物刻画以及话语分析入手,对《鲁滨逊漂流记》中所建立起的宗主国/殖民地,奴隶主/奴隶,白种人/有色人,中心文化/边缘文化,文明/野蛮,基督教/食人部族等二元对立的殖民话语体系进行解构,揭示蕴涵在作品中的殖民主义意识,并阐释鲁滨逊如何以枪炮为后盾,有计划地从语言和宗教信仰两方面对"星期五"进行赤裸裸的文化殖民,使其丧失了原有的民族文化身份,从而造成自我身份丧失的窘境。

From the important status of the hue in the woodprint to the effects caused to the tableau by the subjective thoughts of the artists, then to the study of the hue in the balanced impact on the tableau and the use of hue in the traditional woodprint, and last to the analysis of the difference between the hue of the woodprint and the hue of the other paintings, all these are for our better use of these elements of the hue language, and to enable us not to completely lose it which has been part essence of the traditional culture because of our confusion.

从色彩在木版画中的重要地位,到艺术家主观色调对画面的作用,再到研究色彩在画面中的平衡关系和传统木版画中的色彩运用,最后到分析木版画色彩和其它绘画色彩的区别,这一切都是为了我们在今天的木版画创作中能更好的运用这些语言元素;使这些作为传统文化精髓中的一份子,不因我们这一代人的迷茫而遗失殆尽;也希望我们这一代人在利欲薰心的社会转型期,能够从历史的根源性上挖掘深层次的本原,而不被潮流所左右。

This paper is mainly about the research of the structure and principle of the aerostatic bearings, and gives a method of engineering calculation; two calculating programs of bearing load, stiffness and gas flow are written in C language, then detailed analysis is made according to the results.

本论文讲述了气体轴承的工作原理和结构,给出了气体轴承工程计算的方法;用C语言编程进行工程计算并分析了各几何参数和气体参数对性能参数的影响,根据分析和计算结果确定了气浮轴承的参数;利用三维造型软件Pro/ENGINEER进行了气浮台整体的结构设计。

And by means of this some mis-understanding on myths are clarified, such as the legends of Buddha were not composed by specific authors, but were narratives about the sacred history symbolizing connotative meanings behind the literal senses of the words. Then work on analysis along topics such as, the symbolised connotation, the assistance from supernatural power, the structure of sacred time and space, and the transformation to cosmic events from historical events. Finally, concluding culture, religious language, and behavioristic effects are the three points that should be held as principle on hermeneutics of myths.

并以此对佛传神话做一些澄清,分别的点出佛传神话是&没有一个固定的作者&,它所&述说的是神圣的历史&,并&以象征的方式,传达深层的蕴含&;接着,抽离出&象征的蕴含&、&超自然的力量的帮助&、&神圣时间与空间的建构&与&从历史事件转变为宇宙事件&等主题,对佛传神话做分析;最后,以&文化&、&宗教语言&与&行果&三方面,来作为信仰者在诠释神话时所应掌握的原则。

In addition, we still test the division between categorematic terms and syncategorematie terms that philosophers made in Middle ages and the analysis of the signification of syncategorematic terms, and judge thought of language philosophy of Bacon and Hobbes in modem times.

鉴于洛克的语言哲学思想内容十分丰富,所以本文从第二部分开始分四个方面:意义理论、命题学说、真理理论以及语言和实在的关系四方面对其进行了具体的分析考察。

Therefore, unlike contrastive analysis, EA emphasizes the importance of learners errors in the process of language learning.

因此,错误分析不同于对比分析,它强调学习者的错误在语言习得过程中的作用。

The thesis states the importance of fabric and colour to man wear design and makes emphatic analysis on the relationship between fabric, colour selection and match of man wear to definitize the abundant art language of man wear ended by fabric and colour .

从设计的角度,阐述服装面料与色彩在男装设计上的重要性,着重分析男装面料与色彩的精心选择与巧妙搭配的关系,从而明确了面料与色彩赋于男装设计无尽的艺术语言。

The diverse meanings discovered through the dialogical analysis of language promote the author to take a dialogical approach to reading.

本文通过对语言及篇章的分析,验证了篇章的语境、语用等含义要在与作者、篇章、文化及其语境的对话中才可以深刻领悟。

In terms of methodology I emphasize dissective analysis, cutting open language structure slice by slice, releasing and expanding through my own experience.

方法论上我强调解剖分析法,语言结构一刀一刀切开,通过自身体验释放,放大。

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