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ladyhood相关的网络例句

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与 ladyhood 相关的网络例句 [注:此内容来源于网络,仅供参考]

Appearances were enough, for the appearances of ladyhood won her popularity and that was all she wanted.

有了外表就行了,因为上等妇女身份的仪表会给她赢来好名声,而她所需要的也不过如此而已。

But Scarlett, child of Gerald, found the road to ladyhood hard.

可是郝思嘉,杰拉尔德的货真价实的孩子,却觉得那条当上等妇女的路实在太艰难了。

There are three very important women in the novel, Mrs. Compson who is tortured by the Southern traditional ladyhood, Caddy with the rebellious spirit, and the last one is Dilsey who symbolizes the future of human being.

在小说中福克纳着重刻画了三位女性形象,一个是被美国南方传统妇道观扭曲的康普生太太,一个是具有反叛精神的凯蒂,还有一个是象征人性复活的理想人物迪尔西。

In Chapter Two, the author attempts to set up the historical and cultural framework for the demystification of the myth of the South and the myth of Southern ladyhood in the special historical context, by the use of two influential theoretical terms in contemporary cultural studies, the concepts of myth in modern sense and Foucault's power relation.

第二章通过运用两个具有影响力的现代文学术语,神话和福柯的权利关系,为在特定历史条件下解构南方神话以及南方淑女神话构建出历史和文化框架。

Through the detailed analysis of Caroline Compson in The Sound and the Fury as a failing mother, it is attempted to argue that the mothers are the victims of the myth of the Southern ladyhood and lose all the feelings as women and the mothers. Their aloofness and inability harm their children and cause the families'disintegration.

通过对《喧哗与骚动》中的母亲形象凯瑟琳·康普生太太进行详细的分析,作者认为福克纳笔下的母亲们由于深受南方淑女神话与清教思想的双重毒害,几乎丧失了所有女性的感情和哺育子女的母性;她们的冷漠与失职不仅深深地伤害了孩子们的心灵,而且直接导致了家庭的解体。

Finally, in Chapter Five, by taking the history and culture of the South into account, the thesis points out the relationship between the women in the literary world of Faulkner and the myth of the South and the myth of Southern ladyhood. It makes it clear how Faulkner acquired the power to represent women in the bond of social and cultural forces and how he exerts his own power as a writer to write the historical progress of the South.

第五章结语部分在南方特定的历史与文化的背景下揭示了了福克纳文本中南方女性形象与南方神话、南方淑女神话的关系,总结了福克纳作为小说家如何从历史话语与文学话语中汲取力量,积极参与南方的历史进程,参与对二十世纪初叶南方现实的构塑。

In the 1960s, with the development of female liberation movement, the literary criticism of Feminism flourished. From then on, Faulkner's novels attracted the critics and became the objects of their research because of his reappearance of the myth of the South and the myth of Southern ladyhood in his novels.

上个世纪六十年代,伴随着妇女解放运动的风起云涌,女权主义文学批评展露峥嵘,也正是从那时起,威廉·福克纳小说因其史诗般再现了美国南方历史传奇和南方淑女神话,吸引了众多女权主义批评家,成为他/她们争相研究的对象。

From the point of view of the history and culture, with the Foucault's analysis of power relations and Lacan's psychoanalysis as the theory basis, this study begins with Faulkner's representation of female characters in the novel The Sound and the Fury (in this masterpiece, Faulkner concentrates on the expression of the repression on the female from the myth of the ladyhood and the serious result of it.) under scrutiny to decipher how the Southern women have been subjected to contending historical, social, and cultural forces to maintain the man-dominated society as the tool to serve the South and meet its political needs.

本文拟从历史与文化批评的角度出发,运用福柯的权利与话语理论、拉康的后结构主义精神分析等批评方法,通过重点分析福克纳的代表作《喧哗与骚动》(在这部杰作中,福克纳比较集中地描写了南方淑女神话对女性的压抑及由此造成的严重后果)中的南方女性形象,旨在揭示所谓南方淑女神话,只不过是服务于南方的活道具,是南方同北方进行政治斗争的产物,而南方的男权社会则借此"良机",运用传统、宗教、道德、舆论等手段,压抑南方女性的声音,抹杀女性的主体身份,从而达到巩固男性主导社会性别秩序的目的。

By the fashioning of the rebellious women figures, Faulkner expresses his negative attitude to the myth of Southern ladyhood and his complex feelings of sympathy and perplexity, understanding and contradiction, and sustaining and reservation.

福克纳通过对塑造的叛逆者形象的塑造,表明了他本人对南方淑女神话的强烈否定,以及对南方新女性挑战传统,并进而构建女性主体身份所抱有的既同情又困惑、既理解又矛盾、既支持又保留的复杂心态。

There is nothing more unbecoming than want of perception of the close of young-ladyhood.""

没有什么比更不相称的年轻贵妇之身份密切知觉想要的。""

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