查询词典 know well

Well, yes, sir. I know. But, you see, Merrick can't walk very well. He needs help.

"是的，先生，我知道，但是，您看，麦里克走不好，他需要别人帮他"。

Nurse: Well, I don't know you, but I do know his girlfriend.

好吧，我不认识你，但我认识他的女朋友。

Oh!'' said i, 'I shall not forestall jane; I left her dancing with mr. george otway; she will love to tell you all about it herself to-morrow: her first partner was mr. elton, I do not know who will ask her next, perhaps mr. william cox.'' my dear sir, you are too obliging.- is there nobody you would not rather?- I am not helpless. sir, you are most kind. upon my word, jane on one arm, and me on the other!- stop, stop, let us stand a little back, mrs. elton is going; dear mrs. elton, how elegant she looks!- beautiful lace!- now we all follow in her train. quite the queen of the evening!- well, here we are at the passage. two steps, jane, take care of the two steps. oh! no, there is but one. well, I was persuaded there were two.

我告诉她，'在简没亲口告诉你之前我不会说的，我离开时她在陪乔治，奥特威先生跳舞，明天她愿意亲口给你讲述的，首先请她跳舞的是埃尔顿先生*我无法预知第二支舞她陪谁来跳，可能是威廉，考克斯先生吧，亲爱的先生，你真好，你应该去搀扶其他人，我自己还能走，先生，你太好了，说实在话，一边搀扶简，一边搀扶我，等一等，等一等，让我们靠后一些，让埃尔顿太太过去，亲爱的埃尔顿太太，看起来是多么温文尔雅呀--美丽的花边，如今，大家都在她后边，真是今晚的主角。

Fernando : Quite difficult to know, but er I hope as many people as possible because it will be a great show, people will love that day as I will do as well, and I think hopefully more than 100,000, but we'll see, Oviedo is quite small, so er idontknow, maybe they come from other cities as well.

费尔南多：很难知道，但希望尽可能多人来，因为这将是一场很大很棒路演，人们会喜欢那天的，我也会一样，我想可能会多于10万，我们会到时看的，奥维耶多挺小的，所以呃……我不知道，也许他们还会来自其他城市。

Chapter one is "Introduction". On the basis of summarizing the history of the study of the pictophonetic characters, we suppose some theoretical principle, such as the principle of the correspondence between the form and the meaning of the individual graph of Chinese characters, the principle of the total graphs of Chinese characters being a character-formation system, and the principle of the optimum development of the character -formation system in the history, and som analytic methods, such as the methods of structrue-function analysis, form-position analysis and meaning factor analysis, in the study of the pictophonetic characters. Chapter two is titled"General knwledge of the pictophonetic character." We discuss their origins, nature and some standards of distingnishing them, introduce the knowledge about the editions of SHUO WEN JIE ZI, analyse the functions of the modules of pictophonetic characters in detail, discuss concretely the function of phonetic graphs showing origins and pronunciations, the function of meaning graphs showing meanings and analogies, and the function of distinguishment when the two kinds of graphs are conbined. Chapter three is"The system of meaning graphs of Xiao Zhuan system."After we describe the structure of the meaning graph system, the relations between meaning graphs, the distributions of the function of meaning graphs showing meanings, and the frequency of all this kind of graphs, we get a table of all meaning graphs, a table of the frequency. Chapter four is"The system of phonetic graphs of Xiao Zhuan system."We describe the structure of the phonetic graph system, the relations between phonetic graphs, and between their function showing origins and their function showing pronunciations, and their frequency, then we get ageneral table of phonetic graphs and table of their frequency. Chapter five is "conclusion". We think that systematical methodology is useful in describing and analysing the formation system of Chinese characters. The methodology is adaptable in describing the formation system of modern Chinese characters as well as the historical character systems, adaptable in describing horizontally as well as comparing vertically. Only when we finish the systematical vertical compare on the base of systematical horizontal decription, could we know the true history of the system of Chinese characters, recover the rule of the system's development, and supply the theoretical supports for the scientifical arrangement of modern Chinese characters.

第一部分—绪论，在总结形声字研究历史状况的基础上，提出了研究形声系统的理论原则和分析方法，即汉字个体字符形义统一的思想，汉字字符集合构形系统的思想，汉字构形系统历史演变系统优化的思想等三项理论原则和结构功能分析法，形位分析法，义素分析法等三种分析方法，还扼要地介绍了具体的工作程序和论文的主要内容；第二部分—形声字概述，论述了形声字的来源、性质和鉴别标准，介绍了对《说文解字》正篆形声字说解中的传抄讹误，版本异文，说解错误校勘和考证的经过，详细分析了形声字构件的功能，具体讨论了声符的示源功能与示音功能，义符的示意功能与类化功能以及声符与义符组合中的相互区别功能；第三部分—小篆字系的义符系统，从义符系统的构成、义符间的相互关系，义符示意功能的分布及义符的构字频度等不同侧面，对义符系统进行了全面的描写，产生了义符总表、义符间意义关系总表和义符构字频度总表；第四部分—小篆字系形声字的声符系统，从声符系统的构成、声符间的相互关系，声符的示源功能与示音功能的关系以及声符的构字频度等不同侧面，对声符系统进行了全面描写，产生了声符总表和声符构字频度总表；第五部分—结束语，在全面测查小篆字系形声字的基础上，对研究汉字的方法和现代汉字发展方向的问题提出了一些看法，认为系统论的方法是描写和分析汉字构形系统行之有效的方法，系统论方法，不仅适用于历史上文字系统的描写，也适用于现代汉字构形系统的描写，不仅适用了断代描写，也适用于历史比较，只有在对汉字断代系统描写的基础上进行系统的历史比较，才能认清汉字系统历史演变的真相，揭示汉字系统发展的客观规律，为科学地整理现代汉字提供理论上的依据。

Naturally, you cannot possibly know me, but I think I know you pretty well.

当然，你不可能认识我，但是我像我太了解你了。

We hung about the stadium, we've got no place to stay We hung about the tenderloin and tenderly you tell About the saddest book you ever read that always makes you cry The statue's crying too and well he may I love you I've a drowning grip on your adoring face I love you my responsibility has found a place Beside you and strong warnings in the guise of gentle words Come wave upon me from the family wider net absurd "You'll take care of her, I know it, you will do a better job" Maybe, but not what she deserves Elope with me Miss Private and we'll drink ourselves awake We'll taste the coffee houses and award certificates A privy seal to keep the feel of 1960 style We'll comment on the decor and we'll help the passer by And at dusk when work is over we'll continue the debate In a borrowed bedroom virginal and spare The catcher hits for .318 and catches every day The pitcher puts religion first and rests on holidays He goes into cathedrals and lies prostrate on the floor He knows the drink affects his speed he's praying for a doorway Back into the life he wants and the confession of the bench Life outside the diamond is a wrench I wish that you were here with me to pass the dull weekend I know it wouldn't come to love, my heroine pretend A lady stepping from the songs we love until this day You'd settle for an epitaph like "Walk Away, Renee" The sun upon the roof in winter will draw you out like a flower Meet you at the statue in an hour Meet you at the statue in an hour

我们红约大球场，我们已经准备好没有住宿地点我们红关于tenderloin和温柔，你告诉关于最悲惨的书，你读总是让你哭雕像的哭声太以及他可能我爱你我已经一溺水掌握在您的崇拜面对我爱你，我有责任找到一个地方旁边的你和强烈的警告，假借温柔的话来波后，把我从更广泛的家庭净荒谬"你可以照顾她，我知道它，你会做的更好"也许，但不是什么值得她 elope与我错过私人，我们会喝自己清醒我们将品尝到咖啡的房屋和颁授证书 1枢密院密封，以保持觉得1960年的作风我们会发表评论装潢和我们将帮助途由和黄昏时的工作是超过我们将继续辩论在借来的卧室处女和备件捕手安打为0.318和捕捞的渔获，每一天投手把宗教首先在于对假期他进入大教堂和谎言前列腺在地板上他知道酒后影响他的速度，他的祈祷一大门口回到生活，他希望和认罪的板凳生活以外的钻石是一个扳手我希望你在这里跟我通过平淡的周末我知道它不会来的爱，我的女主人公假装一位加强从我们热爱的歌曲，直到这一天您想要解决为墓志铭一样，"走开，蕾妮"太阳后，屋顶在冬季将以此为你喜欢的花满足你的雕像在一个小时满足你的雕像在一个小时

And, you know, his response was well, Jesus would be smart enough not to run for public office, you know?

而且你知道，他的回答非常好，耶稣非常聪明，所以不会竞选的，你知道吗？

You know I can read very well, and I am never so well pleased as when I can get some of the troubadour songs, or some old chronicle, to puzzle over.

您知道我是认得字的，还有，我弄明白那些行吟诗歌还有历史长诗的时候，我多快活呀！

But…well, I think you know as well as the registrar office knows that I don't even understand any Japanese!

但是……好吧，我想，你和都很清楚……我甚至一点日文都不懂！

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷