查询词典 know better

Last came a little feeble, squeaking voice,('That's Bill,' thought Alice,) 'Well, I hardly know--No more, thank ye; I'm better now--but I'm a deal too flustered to tell you--all I know is, something comes at me like a Jack-in-the-box, and up I goes like a sky-rocket!

最后传来的是一个微弱的尖细声"唉，我一点也不知道……再不要，谢谢你，我已经好多了……我太紧张了，没法说清楚，我所知道的就是……不知什么东西，就像盒子里的玩偶人（西方小孩经常玩一种玩偶盒，一打开盒盖即弹出小玩偶来。）一样弹过来，于是，我就像火箭一样飞了出来！"

Time to lay claim to the evidence fingerprints sell me out but our footprints washed away from the docks downtown it's been getting late for days and i feel myself deserving of a little time off we can kick it here for hours and just mouth off about the world and how we know it's going straight to hell pass me another bottle, honey the jaeger's so sweet but if it keeps you around, then i'm down meet me on thames street i'll take you out though i'm hardly worth your time in the cold, you look so fierce but i'm warming up because the tension's like a fire we'll hit south broadway in a matter of minutes and like a bad movie, i'll drop a line fall in the grave i've been digging myself but there's room for two six feet under the stars i should have known better than to call you out (on a night like this, a night like this) if not for you, i know i'd tear this place to the ground (but i'm all right like this, all right like this) i'm gonna roll the dice before you sober up and get gone i'm always in over my head thames street i'll take you out though i'm hardly worth your time in the cold, you look so fierce but i'm warming up because the tension's like a fire we'll hit south broadway in a matter of minutes and like a bad movie, i'll drop a line fall in the grave i've been digging myself but there's room for two six feet under the stars time to lay claim to the evidence fingerprints sell me out but our footprints washed away i'm guilty, but i'm safe for one more day overdressed and underage do you really need see an id?

时间觊觎的证据指纹出卖我但我们的足迹冲走从市区码头它已经很晚了天我觉得自己一个小假值得我们可以在这里踢了几个小时和公正的嘴把对世界的以及我们如何知道这将直接进入地狱通过我的另一瓶，蜂蜜在耶格的如此甜蜜但如果它使你周围，那我下我会晤泰晤士街我会带你出去虽然我不值得你的时间在寒冷的，你看看如此激烈但我升温因为像火紧张的我们会击中在几分钟内南百老汇像一个糟糕的电影，我将下降1线下降的严重我一直在挖掘自己但是有两个房间六英尺下的星星我应该知道比给你打电话了（在这样的夜晚，这样的夜晚）如果不是你，我知道我会撕这个地方到地面（但我这样的权利，都喜欢这样的权利）我要去滚骰子在你清醒过来，得到了我总是在我头上泰晤士街我会带你出去虽然我不值得你的时间在寒冷的，你看看如此激烈但我升温因为像火紧张的我们会击中在几分钟内南百老汇像一个糟糕的电影，我将下降1线下降的严重我一直在挖掘自己但是有两个房间六英尺下的星星时间觊觎的证据指纹出卖我但我们的足迹冲走我有罪，但我一个更安全的一天打扮和未成年你真的需要看到一个ID？

I know you better than you know yourself.

我比你更了解你自己。

Because you know me better than anyone else, I think you know I love you.

因为你比任何人都了解我，你知道我爱你。

Let me know, I want to know you better

告诉我，我想更好的了解你

I know I will get better, and I know I am a strong person .

我知道我一定会好起来的，我知道我是个坚强的人。

Now, I don't want to give you the impression that I'm a great musicologist, but I'm a lot better than what I was described as for a long, long time; you know, people said I only knew three chords when I knew five…I feel that, you know, the enormous luck I've had in being able to make a living, and to never have had to have written one word that I didn't want to write, to be able to have satisfied that dictum I set for myself, which was not to work for pay, but to be paid for my work-just to be able to satisfy those standards that I set for myself has been an enormous privilege.

现在我可不想给一个我是伟大音乐家的映象，很长时间以来，我就一直比我被别人形容的要强太多了。比如当他们说我只知道三和弦的时候，我已经知道五个和弦了。。。。。。我觉得我非常幸运，可以演现场、对我不想写的歌一字不写、可以对我为我自己设定的要求感到满意--不为了钱而工作，而是他们为我的工作而付钱。BBC Radio 1采访。1994

We hung about the stadium, we've got no place to stay We hung about the tenderloin and tenderly you tell About the saddest book you ever read that always makes you cry The statue's crying too and well he may I love you I've a drowning grip on your adoring face I love you my responsibility has found a place Beside you and strong warnings in the guise of gentle words Come wave upon me from the family wider net absurd "You'll take care of her, I know it, you will do a better job" Maybe, but not what she deserves Elope with me Miss Private and we'll drink ourselves awake We'll taste the coffee houses and award certificates A privy seal to keep the feel of 1960 style We'll comment on the decor and we'll help the passer by And at dusk when work is over we'll continue the debate In a borrowed bedroom virginal and spare The catcher hits for .318 and catches every day The pitcher puts religion first and rests on holidays He goes into cathedrals and lies prostrate on the floor He knows the drink affects his speed he's praying for a doorway Back into the life he wants and the confession of the bench Life outside the diamond is a wrench I wish that you were here with me to pass the dull weekend I know it wouldn't come to love, my heroine pretend A lady stepping from the songs we love until this day You'd settle for an epitaph like "Walk Away, Renee" The sun upon the roof in winter will draw you out like a flower Meet you at the statue in an hour Meet you at the statue in an hour

我们红约大球场，我们已经准备好没有住宿地点我们红关于tenderloin和温柔，你告诉关于最悲惨的书，你读总是让你哭雕像的哭声太以及他可能我爱你我已经一溺水掌握在您的崇拜面对我爱你，我有责任找到一个地方旁边的你和强烈的警告，假借温柔的话来波后，把我从更广泛的家庭净荒谬"你可以照顾她，我知道它，你会做的更好"也许，但不是什么值得她 elope与我错过私人，我们会喝自己清醒我们将品尝到咖啡的房屋和颁授证书 1枢密院密封，以保持觉得1960年的作风我们会发表评论装潢和我们将帮助途由和黄昏时的工作是超过我们将继续辩论在借来的卧室处女和备件捕手安打为0.318和捕捞的渔获，每一天投手把宗教首先在于对假期他进入大教堂和谎言前列腺在地板上他知道酒后影响他的速度，他的祈祷一大门口回到生活，他希望和认罪的板凳生活以外的钻石是一个扳手我希望你在这里跟我通过平淡的周末我知道它不会来的爱，我的女主人公假装一位加强从我们热爱的歌曲，直到这一天您想要解决为墓志铭一样，"走开，蕾妮"太阳后，屋顶在冬季将以此为你喜欢的花满足你的雕像在一个小时满足你的雕像在一个小时

We should have been better prepared. You know, i know my role. Everyone loves Dennis Rodman.

我们本该准备得更充分，我知道我的角色，人人都喜欢 Dennis Rodman 。

But I mean you to know I expected better of two creatures who were given minds: if not that you would actually care for each other at least that you would understand grief is distributed between you, among all your kind, for me to know you, as deep blue marks the wild scilla, white the wood violet.

可我的意思是让你知道我期望两个更好的生物被赋予了头脑；不然你们实际上会互相关照至少你们会理解悲伤被分摊在你俩之间，在你所有的仁慈里面，对于我去认识你，就如深蓝标记着野海葱，白色标记着木紫罗兰。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。