查询词典 kithara

This information is not confirmed by what is known of the "lyra" or "kithara" of the Greeks.

这方面的资料是不是证实了什么是已知的"天琴座"或" kithara "的希腊人。

It was considered that the gods of music, the muses and Apollo, gave kithara players their gift to mesmerise listeners.

有人认为，音乐的神，阿波罗和缪斯，给他们的礼物kithara球员听众迷人的魅力。

The Romans gradually abandoned this instrument in favour of the more sophisticated kithara , a larger instrument with a box-type frame with strings stretched from the cross-bar at the top to the sounding box at the bottom; it was held upright and played with a plectrum.

罗马人逐渐放弃了我们在仪器底部赞成更复杂的探测框 kithara，最高的在用一个更大的仪器箱式结构与跨杆从字符串延伸，它举行了一身正气，一玩拨子。

From kithara comes our word guitar and though the guitar more directly evolved from the lute, the same mystique surrounds the guitar idols of today as it did for the virtuoso kithara players, the citharista, and popular singers of ancient Rome.

从kithara来我们的话吉他和吉他虽然更直接地从琵琶的演变，同时围绕今天的神秘性吉他偶像，因为它的演奏家kithara球员，citharista那样，和古罗马流行歌手。

This information is not confirmed by what is known of the "lyra" or "kithara" of the Greeks.

这方面的资料是不是证实了什么是已知的&天琴座&或& kithara &的希腊人。

This information is not confirmed by what is known of the "lyra" or "kithara" of the Greeks.

没有此信息证实了所谓的&天琴座&或& kithara &的希腊人。

The kithara was the premier musical instrument of ancient Rome and was played both in popular music and in serious forms of music.

该 kithara 是总理古罗马乐器，并发挥双方在流行音乐和严肃音乐形式。

The Roman lute had three strings and was not as popular as the lyre or the kithara, but was easier to play.

罗马琵琶有三个字符串，而并非像竖琴或kithara受欢迎，但更容易发挥。

Larger and heavier than a lyre, the kithara was a loud, sweet and piercing instrument with precision tuning ability.

更大，比七弦琴重，是一个响亮的kithara，甜，刺耳的精确调整能力的工具。

The chelys-lyra had the same kollopes and plektron as the kithara, but the plektron cord was attached to the base of the outer arms more often than to the base of the soundbox.

以下内容引用自Diane Touliatos-Miliotis的文献：Chelys-lyre的其他部件包括：一个donax，这可能是安置在两角之间为之起桥梁和支架作用的芦苇杆；pecheis，里拉琴从外部置入共鸣箱的部分；zugon或者crossbar，被刻上刻痕并架在两角上部的末端，里拉琴像萨基拉琴一样也有kollopes和琴拨，但固定琴拨的绳索常常栓在角外侧的底部而不是共鸣箱的底部。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。