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This thesis studies each structural layer's feature:(1) structural layer of basement:it is a Paleozoic folded basement,whose tectonic deformation and magma intrusion is fiercely,and it is affected by the early Hercynian tectonic movement and related to the underthrust and closure (C1) of Zhungaer ocean basin and the areal pressing of continents (C2-3);(2) structural layer of Permian:due to the regional extending and fault depression role in mid-Hercynian,it occurred to the combinations of structure and magma in Santanghu basin and it's periphery area,such as A-granite's stock,batholiths and diabase's dike.

二叠系构造层：受中海西区域性伸展断陷作用的影响，盆地及其周缘地区发育与伸展构造有关的构造-岩浆组合，如呈岩株、岩基状侵位的A型花岗岩以及呈岩墙状侵位的辉绿岩等。

On the mental side, it is the storehouse of memory; it harbors the wonderful thought messengers, who work, unhampered by time or space; it is the fountain of the practical initiative and constructive forces of life: It is the seat of habit.

从精神的层面讲，潜意识是记忆的仓库；它是港湾，庇护著伟大奇妙的思想旅客，让他们的劳作不受时间和空间的限制；它是生命中实践主动性和建设性力量的源泉，它是习惯的策源地。

Andy Harries, controller of drama, comedy and films for ITV Productions, called much of ITV1''s offerings "unwatchable" and said the channel was overdue for fresh programming."It is clear that ITV has lost its way," he told the British newspaper the Guardian."The key to it is that it has lost its focus on programming ... I''m not angry, I''m disappointed that the channel is not as good as it should be." Variety (free to NATPE dailyLead subscribers) 8/21

自力电视制片公司情节剧，喜剧和电影总监Andy Harries说ITV1的多数节目"都不克不及看了"，而且频道新颖节目内容匮乏"很显然，ITV已经迷掉了方向，"他对《卫报》说"问题的关键在于它没有了节目的重点…我没有生气，只是觉得频道没有达到本身应有的标准挺掉望的"

L: It is Verdi's Aida. Since it is an opera in Italian, I guess it is appropriate to say it will be a "primo" experience.

H： 我听说过，威尔第的《阿依达》是一部很有名的意大利歌剧，但是我从来没看过。

It advocated the verifiability criterion of meaning, according to which no statement is even meaningful unless either it is in principle possible to empirically verify it or else it is analytic.

按照此原则，只有原则上可给予经验证实或分析的命题才是真实有意义的，其它一切命题都是空洞无意义的。

It exists, it is visible, it is, it is.

它存在着，可见，它在，它在。

Our project is based on Cenozoic volcanic rocks and deep seated xenoliths in it to reconstruct the source composition and ctructure. We did field investigation, collection of samples, determination of age and composition characteristics of selected samples. The new achievements are following. 1 recognized a potassic metasomatic source of the Cenozoic volcanic rocks through an integrated research of volcanic rocks and their sources. 2 analysis of TM images suggests the Tuoyun basin is a basin with a volcano group instead of a simple volcano-tectonic basin. We found several volcanic craters and cone, and detected three such craters. 3 systematic reseach of volcanic sections and collection of samples both of volcanic rocks and xenoliths, the later includes peridotite, granulite, gneiss and variety of megacrysts. This is propitious to our further research at this rigion. We would like to point that we collected some peridotite large than 20cm in diameter. It could used to variety of analysis and end the history without mantle chemistry records in the region. 4 we got a U-Pb SHRIMP age of 3.87 Ma for the Kangxiwa basalt.It is the youngest record of U-Pb SHRIMP age in China and provide a chronology restriction for last uplifting of Tibet plateau. 5 the investigation of alkali syenite-synogranite in Taxkogan suggests that the origin of Parmir syntex is related to the Cenozoic magmatism.

本项目立足于从火山岩属性和深源捕掳体反演源区成分与结构两个途径，利用火山岩综合研究成果对地幔源区进行了初步反演，提出源区经受过强烈钾质交代的观点；对重点工作区TM图像进行了初步解译，新发现若干了火山口，并对其中三个火山口作了实地查验，为进一步全面深入开展该区的火山地质学及相关科学问题打下了良好基础，认为托云盆地是一个火山群，而不是一个单一的火山构造盆地；系统测制了火山岩剖面，新采集了一批重要的火山岩和深源岩石捕虏体样品，为下一步工作打下基础，特别是采集到了直径打20cm的幔源橄榄岩包体，可用于各种测试，将可以结束西部造山带没有地幔岩化学分析结果的历史；对康西瓦玄武岩进行了测年分析，取得了我国目前最年轻的锆石U-Pb SHRIMP年龄，对青藏高原挽近地质时期的隆升提供了年代学约束；对帕米尔东缘塔什库尔干碱性岩体的动力学意义进行了探讨，提出青藏高原西部构造结的形成与岩浆活动有关的观点。

If you can hold something up and put it down, it is called weight-lifting; if you can hold something up but can never put it down,it's called burden-bearing. it is a pity, most of people are bearing heavy burdens when they are in love.

我们每个人都生活在各自的过去中，人们会用一分钟的时间去认识一个人，用一小时的时间去喜欢一个人，再用一天的时间去爱上一个人，到最后呢，却要用一辈子的时间去忘记一个人。

The fourth, directed against the concrete conditions of three metropolises in our country in the present stage, we propose: [1] Recommend the sports view of quality": In the idea , we should change "strengthen health opinion" to "strengthen health-promote qualityopinion; [2] Pay attention to the transformation of the need motive: From the start with meeting the participant's inside motive and need, adopting different methods to the person of different demand levels, making the outside regulating activities which influence people to participate in the sports activities turn into the inside motive; [3] Upgrade the idea of sports of the school: According to the development in era, the existing sports ideas should be changed, and be carried on overall, systematic coordinated reform; [4] Orient the value of worker's sports again: Worker's sports is the investment of the social manpower capital, it is the main part of the corporate culture and enterprising spirit, it is not merely the worker's welfare , it is the welfare of the enterprise; [5] The society which develops masses' sports collects a group of quality : Interdynamic mass's sports is one of the important reasons why people insist on doing exercises.

第四，针对现阶段我国三大都市的具体情况，我们提出：（1）提倡"素质"体育观：在观念认识上，要把现行的"强身观"向"强身一提升素质"体育观念转变；（2）注重需要动机的转换：从适应参与者的内部动机和需要入手，对不同需求层次的人采用不同的方式方法，使影响人们参与体育活动的外部调节转化为内部动机；（3）更新学校体育的观念：根据时代的发展，改变现有的体育观念，进行全面的、系统的配套改革：（4）重新定位职工体育的价值：职工体育是社会人力资本的投资，是企业文化和企业精神的主要组成部分，它不仅是职工的福利，更是企业的福利；（5）开发群众体育的社会集群性：群体互动是人们坚持锻炼的重要原因之一。

Perhaps it is caused by the rate of acceleration of the speed of the hammers; perhaps it is the way the damper stops the sound when it descends on the strings; perhaps it is the spacing of notes, the agogic qualities of the playing, or the flexibility of metric units-these and many other factors may influence tone quality.

也许它起因于琴槌加速度的比率；也许它因断音的弹奏方式去敲击琴弦从而阻止了声音；也许还是音符的间距的问题，弹奏活跃性，或公制化的可变性－这些和那些许多因素都影响到音的质量。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。