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A gamelan is a musical ensemble from Indonesia, typically from the islands of Bali or Java, featuring a variety of instruments such as metallophone s, xylophone s, drums and gong s; bamboo flutes, bowed and pluck ed strings.

加麦兰是源自印度尼西亚的音乐组合形式，在巴厘岛和爪哇岛尤为典型。加麦兰有许多种乐器组成，包括金属木琴、木琴、锣鼓、竹笛和弓形绳索等。

Objective To conduct the global assessment of methylated DNA status of CpG islands.

目的 进行人类全基因组CpG岛甲基化谱分析。

Methylation of CpG Islands is one of the most important mechanisms in the epigenetic regulation of gene expression.

CpG岛的甲基化是表观遗传中基因表达调控的重要机制。

A group of coral islands in Micronesia southwest of Hawaii.

夏威夷以东南的密克罗尼西亚中的一组岛屿。

A group of coral islands in eastern Micronesia.

密克罗尼西亚东部的一组珊瑚群岛。

Our purpose is to assist the people of Micronesia in reflecting on life in their islands under the impact of change in recent years.

MicSem是1972年由天主教会发起的牧师研究机构，是一个私人非营利性、非政府组织，已经为了大众教育努力30多年。

An island in Micronesia west of the Gilbert Islands.

位于吉尔伯特群岛西部的密克罗尼西亚群岛中的一个岛屿。

A trust territory of the United States from 1947 until 1994, this Micronesian archipelago is made up of eight large islands and some 250 islets.

一个美国托管的领土从1947年直到1994年，这个密克罗尼西亚群岛多岛群岛是由八个大岛及约250个小岛组成。

At its peak, it stretched over the islands that bordered the western peninsula of Mindanao in the east, to the modern Malaysian state of Sabah in the west and south, and to Palawan in the north.

在高峰期，它伸展至超过群岛接壤，西半岛的棉兰老在东部地区，以现代的槟城州沙巴州，在西部和南部，并以巴拉望在北方。

It is the largest of the Dodecanese Islands and was colonized by Dorians from Argos before 1000b.c. and strongly influenced by the Minoan culture of Crete.

它是多德卡尼斯群岛中最大的岛屿，在公元前 1000年被来自阿尔戈斯的多利安人殖民同化，且受克里特的弥诺斯文化的强烈影响。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。