查询词典 interactivity

This chapter, by using the theory of public interests of the government control, control-capture theory, the theoretical model of the government control, the minimum government control theory construed the basic contents covered by the government control, and discussed the interactivity and the nonnegligible effects of the government control and the industrial development model. Theses theories provide the convictive constructions to some practical economic problems that cannot be satisfactorily constructed by the traditional economic theories. Thus it makes possible for us to look on the reasons for control rules formulated by the government and some other institutional problems in the industrial evolvement, and analyze the costs of the government control and the restrictive factors and significances of the institutional changes whereof in a never-before-used angle.

第二章分别从政府管制的公共利益论、管制俘获理论、政府管制的理论模型、最小政府管制理论等方面解释了政府管制所涵盖的基本内容，探讨了政府管制与产业发展模式之间的的相互关联和不可忽视的影响，这些理论对许多传统的经济理论难于很好地解释的经济现实问题给予了具有说服力的解释，使我们能够以新的视角来看待产业演进中由政府建立管制规则的理由和其他一些制度问题，分析政府管制的成本及其制度变革的制约因素和意义。

Exaggerate toughens and body languages are the best way for me to attract students and to encourage their interactivity. Through games and activities, students get a lot of chances to practice their oral English skills.

我喜欢用夸张的音调以及动作表情--肢体语言来吸引学生，让学生们在游戏和练习中不断掌握英语口语技巧。

In one of the most interesting positions on the subject, Ryan agues that interactivity and narrative immersion work against each other.

这一课题最有意思的是，Ryan认为交互性与叙事性沉溺是相矛盾的。

Here's where we see an opening for a new approach to modeless interactivity. Toolbars are modeless, but they don't introduce the conundrums that modeless dialogs do.

我们在工具栏上看到一种新式的非模态交互活动的机会，工具栏是非模态的，但它们没有非模态对话框存在的问题。

MicroStrategy's dynamic dashboards have been significantly enhanced to contain even more information, interactivity, and analytical richness.

MicroStrategy的动态仪表盘已大大加强，以遏制甚至更多信息，交互性，丰富和分析。

In an age of interactivity, spawned by home computers and video games, and of hybrids, inspired mainly by hip-hop, TV is better able to make adjustments on the hoof, and the frenzied evolution of one genre into another - from, say, a trashy reality show such as Survivor to a stylish drama such as Lost - is dizzyingly fast.

在这个家用电脑和网络游戏奠定的互动娱乐时代，电视更容易适应潮流，甚至根据需要，彻底转变风格，比如从粗糙无聊的真人秀《幸存者》转变成时髦的情景剧《迷失》。

Lurkers and lurking span all types of online interactivity, yet the notion of lurking is perhaps misunderstood.

潜伏者和潜伏现象在各种类型的在线交互中都普遍存在，然而对潜伏的概念可能存在一定误解。

I'll describe a shot from the Exterior Brookfield sequence of an exterior of a row apartment on fire with an explosion blasting out the third story windows. The shot was composited on an Inferno by Bob Wiatr. We started with a live plate of the street scene. Our first task was to remove a foreground chainlink fence and camera crew. We recreated the fg matching the flashing ambulance lights. To create a snowy, misty look we used a number of logic ops of the bg with a mist plate which was basically the bg heavily blurred and multiplied back onto itself, graduating to create a sense of dimensionality. Glows were added around lights and flames using Sapphire plug-ins and light beams were added to streetlights. Four or five layers of 3d particle snow created in Maya were combined with practical elements varying in size and focus depending on distance from the camera.A miniature explosion element was incorporated into the comp, also with added glows, interactivity with the building, and rotoscoping of foreground objects. The entire comp was then time warped for editorial matching with the subsequent cut.

我可以描述一个Exterior Bookfield的几个镜头，那是一排的公寓着火，在三楼窗户引起爆炸，这个镜头是Bob Wiatr用Inferno合成的，我们用一个现场的街道镜头开始，我们的第一个任务是删除一个在前景中的链条状的篱笆和摄像人员，我们重新制作了前景以期与前景中的闪烁的救护车灯匹配，为了制作一个下雪的雾蒙蒙的效果，我们用了大量的logic ops，用了一个雾层，这个层基本上就是把背景尽量模糊然后再把它重新加到背景上面，渐变式的制作出一个层次感，自发光用Sapphire插件加在灯光和火焰的周围，而光线被加到路灯上，在maya中制作的四到五层的三维的粒子雪用来和不同大小的真实的素材混合在一起，焦距则依赖镜头的景深，同时在楼房爆炸的地方加入了一个缩小了的爆炸素材，以及爆炸的辉光效果，和重新放置的前景物体，整个的镜头接着匹配时间用来做最后的剪辑制作。

For the cognoscenti the Second Matrix it is too virtually interactive, too controllable, to seem real—at least compared with the more law-like external world. Real interactivity is the potential for interaction with others also engaged in virtual interaction, and real interaction is the extent to which this potential is realized.

对于评论家来说，相比更规范的外在世界，第二个Matrix中的交互作用太虚假了，太易控制了真正个体间的交互作用也对虚拟交互作用有潜在影响，真正的交感就是潜在交感被意识到的结果。

These rules reflect some inherent feature of self and nonself, and they are the basic detection criterion of GECISM.

这些规则反映了"自我"和"非我"的内在特征，是GECISM进行"非我"检测的判据。

Until today, the media from China and the outside world still uses the term "Post 89". Regardless to whether it is for commercial gimmick or convenience, everybody still remember "Post 89", a term which carries a strong Cantonese accent.

时至今日，国内外艺术媒体还是在沿用&后八九&这个称谓，不管当初是为了商业噱头还是容易上口好记，反正大家现在是记住了&后八九&这个广东口音很重的词。