查询词典 ink and wash

He as well as one of the most important explorers and representatives of chinese modern ink and wash painting.

他是中国当代水墨画最重要的探索者和代表人物之一。

The subheading of the exhibition is "In the name of Ink-and-wash", which contains two aims: first, we hope the artists who don't use ink-and-wash as their vehicle of artistic expression such as those engaged in installation art, video art and sculpture will absorb some elements from traditional Ink-and-wash and other traditional resources; the second is to promote conversion and continuation of Ink-and-wash as a type of painting, thus it can pursue a new possibility in the contemporary era.

展览的副标题叫"以水墨的名义"，这里面包含有两个目标：首先是希望从事水墨以外媒介创作的艺术家——比如说从事装置、影像、油画、雕塑的艺术家，能从传统水墨或其他传统资源里吸收元素；其次是促进水墨画这个画种自身的转换与延续，使它能够面对当代，去寻求一种新的可能性。

Based on analyzing the art effects of Chinese ink and wash drawing, a novel graphical simulation algorithm for Chinese ink and wash painting based on Perlin noise was proposed.

为了实现中国水。墨画的计算机仿真，基于对水，墨画感性艺术效果的分析，提出了基于柏林噪声的中国水。

Product fault ink UN-uniform UN-uniform ink products were:(1) water and ink, ink and wash painting the rubber roll version of wear, spindle bearing wear, cots epiderm aging decline, ink, etc;(2) series water roll of layer debranning, cylindricity wear, a thin layer of shoulderpieces for intergradle monlchamus, a product of long a portion of the Ribbon, resulting in a roller 跞 movement oscillating anisotropism;(3) support by Edition of water, rollers, the cylinder, swayig stand, wear, resulting in version tiaodong Cot by cause pressure by version is unstable, produce ink imbalance, ink, ink plate, staves, relying on the old version (students'overloaded) version of COTS and pressure;(4) the water roll chemiluminscent set of aging or poor quality water decline caused by transmission;(5) does not have a regular check of the drum-and-ink roller and version by version-and-ink roller and pressures;(6) if the drum gear wear, and gear spacing is the same as the regular ink "" gear.

二、产物墨色不平均障碍产物墨色不平均的来因有：（1）传水、传墨、匀墨和靠版水墨各橡胶辊的圆柱度磨损超不差，拆轴承的轴脚磨损，胶辊不内脏嫩化，传墨本领回升等；（2）串水辊度层脱皮，圆柱度磨损超不差，暗地有薄积墨层，两脚长出局部有积墨带，变不败滚子跞不静串墨不不平衡；（3）撑持靠版水、墨辊的锁脚，摆不静支架，磨损惨重，变不败胶辊靠版时跳不静致使靠版不抬辛不安定，爆发水墨不不平衡，呈现墨色不不平衡、干版、水墨杠、嫩版等本体；（4）水辊绒套嫩化或质度不差变不败传水本领回升；（5）操纵按期校核各水墨辊及版滚筒与靠版水墨辊的不抬辛；（6）若滚筒传不静齿轮磨损超不差，呈现与齿轮间距不异的有次序的&齿轮墨杠&。不一、套印障碍 1。

In recent works I have been committing myself in developing an individualistic discourse in and from the fountainhead of the painting and in attempting to establish a new set of language for ink and wash painting expression, bringing the ornamentality, allegoricity, and narrativity of the painting into new play, making the ink and wash painting a genuinely open language that can truly be adapted with pluralistic expressions to meet the challenges of the current culture.

在近来的工作中，我致力于从绘画的本原出发，从那里展开并演绎个性的话语，并试图建立一套新的水墨表述语言，使绘画的装饰性、寓意性、叙事性得到新的意义上发挥；使水墨成为一种真正开放性的语言，真正适合观念多样性的表达而适应当下文化的挑战。

In recent works I have been committing myself in developing an individualistic discourse in and from the fountainhead of the painting and in attempting to establish a new set of language for ink and wash painting expression_r, bringing the ornamentality, allegoricity, and narrativity of the painting into new play, making the ink and wash painting a genuinely open language that can truly be adapted with pluralistic expression_rs to meet the challenges of the current culture.

在近来的工作中，我致力于从绘画的本原出发，从那里展开并演绎个性的话语，并试图建立一套新的水墨表述语言，使绘画的装饰性、寓意性、叙事性得到新的意义上发挥；使水墨成为一种真正开放性的语言，真正适合观念多样性的表达而适应当下文化的挑战。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是：立足于色彩绘画，分别从&色彩&、&水墨&两个角度出发，先对它们在中国古代画史论著中作一考证；分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路；着重分析色彩绘画中心&失落&亦即&水墨之变&的原由；及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。

At the same time, He uses all kinds of brushwork techniques and manners, dabs at the paint bravely, matches the meaningful lines, and gives full play to the brush and ink. And he makes his vase flower series general and deformation effect with dip-dye on the Xuan paper. These effects reveal his educated tastes in art for dealing with the traditional ink and wash paintings.

与此同时，袁野运用多种笔墨技法和手段，大胆泼彩，配合有意味的线条勾勒，干湿浓淡之间，充分发挥用笔与泼墨的能量，以及在宣纸上的晕染变化效果，造成了&瓶花&系列概括而变形的效果，显现着画家对于传统水墨和构成处理的多方面修养。

Chinese brush drawing; ink and wash paintingHe is trying to ink in a drawing .

他正在试着在画的铅笔底线上用墨水加描。

The content is change of ink on the rice paper that controlled by the spectators' sounds and airflows. Guests participate themselves in the whole process to form a flowing ink and wash painting.

影像的内容是墨在宣纸上的变化，观众亲身参与到创作的过程之中，使水墨的影像随声音或气流的变化而变化，从而形成一幅流动着的水墨画。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了