查询词典 inion

a variety of calligraphy works by a combination of body calligraphy title plaque is different from the broken body of Chinese Calligraphy in general, should it be more stringent; broken calligraphy inion issues to consider are the following points 1, to consider the overall - can not all be broken, because the plaque to be solemn, serious, Taiga, etc.; put it plainly, the book does not jump between the body is too large, but if the broken body 2, to consider the nature of classical Chinese - Chinese medicine, and culture Ko Ko sex is well known, therefore, choose material, pen and Italy also need to Ko Ko.

破体书法的题匾不同于一般的破体书法创作，应该来说要更加严格一些；破体书法题字要考虑的问题有以下几点：1、要考虑整体性——不能全破，因为牌匾要庄重、严肃、大雅等；说白了，书体之间不能跳跃过大，但又要是"破体"2、要考虑中国古典性——中国中医学、文化的"高古"性是人所共知的因此，选"材"、笔意等也需要"高古"。3、基于以上的要求，我的用字、笔意的出处：甲骨文三期、大盂鼎、散盘、毛公鼎、石鼓文、古隶等

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。