查询词典 industrial art

Cultural itself has the value, is one kind of very important resourcesit is one of one economical industrial or said it is social or obviously has not obviously is one kind which some national wealth but this kindof value has manifests latent but potential, for instance a national folk custom thing, its manners and customs, its folk custom holiday, folk custom art, the poetry and so on all is needs to develop, the development and excavates unceasing.

文化本身是具有价值的，是一种很重要的资源它是一种经济产业之一或者说它是社会的或者某个国家的财富而这种价值有的体现的明显有的不明显是一种潜在的但是可开发的，比如一个国家的民俗的东西，它的风俗习惯，它的民俗节日，民俗艺术，诗歌等都是需要发展，开发和不断发掘的

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

He delves into every possibility offered by his material, whether it be hand-worked porcelain and earthenware or the slumping and cutting of industrial ceramics using computerized water-jet technology. His practice also extends to other materials and techniques such as stone and wood. With his numerous murals, he is well known for his contribution to Public art.

无论是手工制作的瓷器，陶器，亦或是运用计算机的水喷技术制作的坍塌工业陶艺品，他努力钻研每一种材料可以创造出的可能性，他的艺术品还运用到其他的材料和技术，比如石头和木头，他对壁画艺术做出了如此多的贡献，因此而闻名于世。

The ambitious, quasi-industrial release Outside (1995), conceived as the first volume in a subsequently abandoned non-linear narrative of art and murder, reunited him with Brian Eno.

雄心勃勃的，准工业释放外（1995年），作为一个后来被遗弃的非第一货量艺术和谋杀线性叙事回归布赖恩伊诺他设想。

Aesthetics can be the beauty of creation, such as literature, dance, music, art, etc; it can also be the beauty of flower, grass, tree, wood, flower and sea; it can also be beautiful industrial goods; it can also be appearance beauty, beauty of language and behavior, beauty of the mind; and it can also be the civilization advancement beauty of human society, etc.

美可以是文学、舞蹈、音乐、美术等创作之美；可以是体育运动的健美、优美、潜能美；可以是大自然的花草树木之美、雪花之美、大海之美；也可以是漂亮的工业品，也可以是人的仪表美、言行美、心灵美，还可以是人类社会的文明进步美等等。

This course also provides students with visual elements, design principles, applied media material, and techniques including charcoal drawing, water-colored painting, oil painting, graphic art, compound material, sculpture, architecture, advertisement, packaging, fashion design, industrial design, and photography.

探究式觉元素和设计原理以及应用媒材、使用技巧，涵盖素描、水彩、油画、版画、混合媒材、雕塑、建筑，广告、包装、服装设计、工业产品设计及摄影等。

On the one hand, it marks the mature of 798 as the city's creative center district; on the other hand, it is the turning point of the movement of capital replacing art in this historical abandoned industrial zone.

因为一方面它是城市创意中心的成长关键点；另一方面，它也是金钱在和艺术混杂对抗的第二轮战斗中的无硝烟的胜利。

In industrial products, in addition to art and collectibles category, all other products have all graduated.

在工业品中，除了收藏品和艺术品类之外，其他所有产品已全部毕业。

A graduate from the University of Art and Industrial Design, Linz, he created a number of products for traditional manufactories and craft enterprises and received international design awards.

毕业于大学艺术与工业设计，林茨，他创造了一系列产品，为传统的制造厂和工艺的企业和获得国际设计大奖。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。