查询词典 incomparable in the contemporary era

This book is an in-depth study of contemporary Chinese art, touching upon modern ink painting, architecture, performance art, etc, The book is separated into five chapters: Modern consciousness and the establishment of a Chinese contemporary art methodology; The significance of the utopia of modern materials in contemporary Chinese architectural theory; the crisis in contemporary ink painting; maximalism, and artist case study with Xu Bing.

《另类方法另类现代——艺术大视野丛书》"Art Horizon Series： Special Method in Kind， Special Modernism in Kind"本书针对中国当代艺术进行深入的研究，内容涉及现代水墨、建筑、行为艺术等，分为五章：现代意识与中国当代艺术方法论的建立；现代物质乌托邦在中国当代建筑方法论中的意义；中国当代水墨的危机是缺乏方法论；极多主义：一种现代主义的幻觉；一个艺术家个案的研究：徐冰的艺术和方法论。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Image Existence" the 5th Shanghai Biennial 2004,"In the Deep of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Techniques of the Visible" the 5th Shanghai Biennial 2004,"In the Depth of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Micro-politics in Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

As collector of formerly Western contemporary art he now has formed the most substantial collection of contemporary Chinese art in the world. He also established 1997 the Chinese Contemporary Art Award, an art award for Chinese contemporary artists living in China. He is a member of the International Council of New York MOMA and International Advisory Councils of Tate Gallery, London, and documenta, Kassel.

作为收藏家和西方当代艺术的先驱，他是世界上到目前为止收藏中国当代艺术最丰富的收藏家。1997年他建立了中国当代艺术奖，专为生活在中国的当代艺术家设立的，同时他也是纽约现代艺术博物馆国际协会、伦敦Tate画廊国际咨询协会和卡塞尔文献展的一员。

SHADOWS PHOTOGRAPHY ART CENTER, 9 THEATER, 318, ASPACE, ANI GALLERY, ARARIO GALLERY, ART WALK, BEIJING ART SEASONS, CHEN LING HUI CONTEMPORARY SPACE, CHINESE CONTEMPORARY, CONTINUA GALLERY, DOART BEIJING -GALLERY HYUNDAI COMPANY, EAST PIONEER THEATER, GREEN TEA HOUSE, HOT SUN ART SPACE GALLERY, MARELLA GALLERY, MUST BE CONTEMPORARY CENTER, OFFICINA, PARIS-BEIJING PHOTO GALLERY, PLATFORM CHINA, RED GATE GALLERY, RED T SPACE, SANCTUARY GALLERY, SOUTH GATE SPACE, SPACE DA, TANG GALLERY, THEATRE IN MOTION, XINDONG CHENG SPACE FOR CONTEMPORARY ART, YAN CLUB GALLERY

合作伙伴 PARTNERS：三影堂摄影中心，9个剧场，318， A 空间，安妮画廊，阿拉里奥北京艺术空间，北京漫步，季节画廊，陈绫蕙当代空间，中国当代，常青画廊，都亚特北京-韩国现代画廊，东方先锋剧场，紫云轩茶社，炎午空间，玛蕊乐画廊，玛斯德比当代艺术中心，意中艺术工作室，巴黎-北京摄影空间，站台中国，红门画廊，红T画廊，圣所空间，南门空间，画廊大仓库，唐人画廊，动舞台，程昕东国际当代艺术空间，仁俱乐部画廊

In 2000 Gate of the Century: 1979——1999 the Exhibition of Chinese Art, Chengdu Modern Art Museum, Chengdu, China; Man+SPACE, Kwangju Biennial 2000, Kwangju, Korea; Messagers of the Hearth, Center of Contemporary Art of the LycEe Xavier Bernard in RouillE; Transcending Boundaries, Montclair State University, USA; Portrait de Chine Contemporaine, Espace Culturel Francois Mitterand, Perigueux; Les Passe —— Murailles, Contemporary Art of China, Picardie Museum Amiens, France; The First Collection Exhibition of China Contemporary Art, Shanghai Art Museum, China; China, Art in the Twentieth Century, Touring Show in Beijing and Shanghai, China; Asia Contemporary Art Exhibition, Japan.

参加在法国班里哥弗郎索瓦·密特郎国际文化中心举办的&当代中国肖像&；参加在法国阿密庇加底国家美术馆举办的&中国当代艺术邀请展&；参加在中国上海上海美术馆举办的&首届中国当代艺术收藏展&；参加在中国美术馆，上海美术馆举办的&20世纪中国油画展&参加在日本宇都宫美术馆，新汤县民会馆举办的&亚洲当代艺术邀请展&。2001年作品分别在上海美术馆，四川省美术馆，广东美术馆展出；参加在法国巴黎法兰西画廊举办的&是我，是我们&展；参加在中国上海艺博画廊举办的&学院与非学院&展；参加在中国上海艺博画廊举办的&最初的形象——当代纸上作品展&

Four aspects are studied in this paper: the study of non-linear syllable theory of the analysis ofdengyunxue of the syllabic structure of Chinese character, the study of the distinctive feature theory of the four types of the articulation of initials, the study of the markedness theory of the devoicing of the fully voiced initials and the study of the feature geometry theory of the correlates between the devoicing of the fully voiced initials and tonal change. Through our studies, conclusions can be drawn as follows:(1) Contemporary phonological theories can be used to elucidate the principle of Chinese dengyunxue;(2) Contemporary phonological theories can be used to explain the historical phonetic change of Chinese;(3) Different theories and methods of contemporary phonology should be applied to deal with different problems of Chinese phonology;(4) The application of contemporary phonological theories to the study of the historical phonetic change of Chinese is helpful to test and verify the universalizability of these theoretical hypotheses

通过对等韵字音结构分析的非线性音节理论研究、声纽四等的区别特征理论研究、全浊声母清化的标记理论研究和浊音清化与声调演变相互关系的特征架构理论研究等四项初探，揭示了：（1）当代音系理论可以阐明汉语等韵学学理；（2）当代音系理论可以解释汉语历史音变现象；（3）不同的汉语音韵问题，应该用不同的当代音系理论方法来研究；（4）当代音系理论在汉语历史音变研究中的运用，有助于验证其理论假设的普适性

Starting with the analysis of the evolution of contemporary ceramic of China in more than 2 decades and the background of Chinese contemporary ceramic ,hackling and analyzing the westernization progress and the development situation of contemporary art education, this paper attempts to put forward an opinion that the development of Chinese contemporary art education is actually the progress to verify the global applicability of western art by our own art practice.

本文试图从二十几年来现代陶艺在中国的演进和中国现代陶艺的背景分析入手，通过对中国艺术理论&西化&进程及现代艺术教育发展状况的梳理和分析，提出中国当代艺术近几十年的发展过程，实质上是以自己的艺术实践，验证西方艺术的&全球&可应用性的过程。

Self bring to bear analects of confucius study 、 demotics class correlation exoterica , frae korea marriage family of develop change proceed with, embed anatomy end the contemporary era korea marriage family of transmutation and be confronted with of apiece grow challenge , bring forward end bases age change, build propriety the contemporary era korea marriage family request of ethic moral, aim be look after new korea marriage family ethic moral build of conformity go route .

本人运用伦理学、社会学等相关理论，从朝鲜族婚姻家庭的发展变化入手，深入剖析了当代朝鲜族婚姻家庭的嬗变及面临的各种挑战，提出了根据时代变化，建设适应当代朝鲜族婚姻家庭要求的伦理道德，旨在寻求新的朝鲜族家庭伦理建设的整合之路。

The last part of article discusses love modes influencing on the contemporary era novel, which led to lifelikeness, plurality, philosophized in love novel in contemporary era.

本文在最后论述了现代言情模式对后世小说的影响，导致后世小说言情的生活化，多元化，哲理化，畸形化。

No complex distressful things on your mind but only our love and care for each other.

无复杂痛苦的事情，对你的心，但只有我们的爱和照顾对方。

At first light, on his own initiative, Vick located the enemy emplacements andfired on them, using 15 rounds.

破晓时分，维克主动地去查找敌军的炮位并向它们开火，打了15发弹药。