查询词典 incomparable in the contemporary era

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

Cool confused and incomparable battlefield will let more elementary and other player experience the glamour of incomparable battlefield on the west, more money and valuables of precious low level battlefield waits for you to take; Tiger firm Guan Qunying sends the incomparable shiver that will let a player experience taller difficulty, when side-by-side the player of struggle hard, break through a tight encirclement from inside the foeman like tidewater, let old enemy Dong Zhuo finally fall below your foot, lofty sentiments of lofty or bottomless is sure to rise and rise!

西凉缭乱无双战场将让更低级别的玩家体验无双战场的魅力，更有珍贵的低级别战场财宝等你来拿；虎牢关群英传将让玩家体验更高难度的无双之战，当并肩苦战的玩家，从潮水般的敌兵中突出重围，并最终让老贼董卓倒在你的脚下，万丈豪情必将升腾而起！

Must Be contemporary art center is by digging and coordinating contemporary art civilian video as the most important project in 20 years recently. It set up documentary in 2005, and will hold on experimental drama 、 Avant-courier poetry 、 show the geography of Beijing contemporary art 、 Chinese contemporary construction BBS 、 contemporary dance etc for one year, these activities present the first theme of literature exhibition, and in all corners of the country's various sorts of multiplex no mainstream group and strength of folk art.

更重要的是玛斯德比当代艺术中心还以挖掘和整理中国近 20 年当代艺术的平民化影像为重要项目，在 2005 年设立了文献展，将用 1 年的时间以举办实验戏剧、先锋诗歌、展示北京当代艺术地理、中国现代建筑论坛、现代舞等活动，来呈现第一届文献展的主题，'江湖'中的中国各种多元化的非主流的民间艺术团体与力量。

Selected Exhibitions : 2008 /"The Third Guangzhou Triennial : Farewell to Post-Colonialism", Guangdong Museum of Art, Guangzhou,China / 2007 /"Alchemy of Shadow : 3rd Lianzhou International Photo Festival", Lianzhou, China / 2006 /"A Yellow Box In Qingpu: Contemporary Art and Architecture in a Chinese Space", Shanghai /"Micrology, the Politics of Realism Chinese Contemporary Art Exhibition, Macao / 2005 /"In the Depth of Reality : China Contemporary Art Exhibition", Hangzhou /"Gift, Contemporary Art Invited Exhibition", Hangzhou / 2004 /"Formatting: New Media Art Project", Hangzhou /"Labyrinth : the Second Chinese New Media Art Festival", Hangzhou / 2003 /"Experimental Art Project in White Pagoda Mountain", Hangzhou /"Links: Contemporary Art Exhibition", Hangzhou /"Exhibition of Chinese Young Artists, Hangzhou

郑端祥，1977年生於中国福建，现任教於中国美术学院造型基础学部。作品《时间的横截面III》於2006年展出於澳门艺术馆"显微境。观：中国当代艺术展"，同年影像装置《时间的横截面之夜游记》展出於"黄盒子在青浦"，2007年於连州国际摄影展展出《失忆系列》和《工厂系列》。重要展览有： 2008年/雕塑中国，香港汉雅轩/广州三年展：与后殖民说再见，中国广东美术馆、中国第三届媒体艺术节：四季，中国杭州，2007年/中国当代艺术展：在瓦伦西雅55天，西班牙瓦伦西雅、首届今日文献展：能量－精神。身体。物质，今日美术馆，中国北京、夜间摄影，香港汉雅轩，2006年/。盒子，中国上海、显微境。观：中国当代艺术展，中国澳门当代美术馆

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

The author expounds the concept of Ecozoic Era and of Community, the origins of Ecozoic Era thoughts, the relations between Ecozoic Era and religions and other cultural factors, forgiveness and Grace, and probes into the foundations of future Ecozoic Era and social communities, which reveal the essence of Ecozoic Era stressing a mutually favourable balance that should be established between ecological nature and the future forms of social communitie...

作者论述了生态时代和共同体观念、生态时代观念的思想来源、生态时代与宗教等文化因素的关系、宽恕和恩惠，探讨了未来生态时代和社会共同体的基础。其主要的思想内容是强调未来的社会共同体形式应该与生态自然之间建立起相互有益的平衡，改造我们的文化以使生态时代的生活成为现实。

They are incomparable in color, and they are incomparable in design.

它们无论在色彩上还是在样式上都是无与伦比的。

The rolling tide of information and globalization with incomparable power has brought humankind into the span-new 21st century and a span-new era—knowledge economy era.

滚滚而来的信息化与全球化浪潮以无与伦比的巨大力量把人类带进崭新的 21 世纪，带进一个崭新的时代——知识经济时代。

We can't be with easy self-sufficient and self-confident in the judgment mode of "the more is of a race, the more is of a world". And we will never consider it as high as to climb when get into the exchanges and have a conversation in the modern world. National art has to be with open and contemporary character, be able to face the grand humanities background and appreciate the contemporary aesthetic standard. Meanwhile, it can dig the contemporary significance of the race and region life. The art can represent the contemporary Chinese culture, as well as that of the world.

这样，既不可以在"越是民族的就越是世界的"的判断模式中轻易地自足自信，也决不应该将进入现代世界的交流、对话视为高不可攀之事，而是要求我们的民族艺术必须应具备当代性和开放性，亦即能够面对宏阔的人文背景，理解当代人的审美标准，对于民族性、地域性生活作当代意义的开掘，并能够站在当代中国文化乃至世界的高度去表现。

To insouciant; From the elegance of the 18th century contemporary glass coffee Table furniture contemporary glass coffee Table furniture - modern contemporary coffee table contemporary glass coffee Table furniture.

以漫不经心；从优雅的18世纪当代玻璃茶几当代家具玻璃茶几家具现当代咖啡桌|当代玻璃咖啡桌家具。

Wenxing consistently adheres to the principle of "trict Management,All Member Participation,Quality First,Users Foremost" and follows the business philosophy of excellent quality,highly active and pursue excellence,thus outdoing its counterparts in terms of technology,production scale and administration.

文兴一贯秉承&严格管理、全员参与、质量第一、用户至上&的企业方针，遵循优质、高效和追求卓越的经营理念，从而实现在技术上、规模上、管理上处于同行领先地位。

The left atrium of the guinea pigs was innervated by the two afferent system.

豚鼠左心房受心脏的两个传入系统的双重支配。