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The first part states in a comprehensive way the research on Zhou Zuoren so as to define the purpose, methodology and significance of the dissertation. The second part analyzes the experience of Zhou's self-culture creation from a personal angle-Yue culture in Zhejiang gave Zhou a perceptual knowledge of folklore, while the idea of world folklore gave him a rational cognition of folk' culture. The combination forms a dual folklore. The third part observes Zhou Zuoren's examination of literarure from folklore's perspective as well as its pioneering significance. The fourth part explores in a further way Zhou's perspective of folk culture, and analyzes the method he has established to conduct literary criticism from the angle of folklore as well as his research on Chinese Culture. The fifth part analyzes the impacts folklore theory and folk culture have on the formation of Zhou' literary ideas, focusing more his folklore interpretation and humanism perspective about the origin and hist ory of literature, also his literary aesthetic standards about "ordinary humanism" and "loving amusement" from the position of folklore. The sixth part expounds Zhou's achievement in combining literature and folklore and explores the consistency of their focus on human, thereby presenting a complete picture of Zhou's literature. The last part generalizes the revelation drawing from the research done in this dissertation.

本文分为六章：第一章综述周作人研究的历史与现状，从而确定本文的研究目的、方法及意义；第二章从社会、时代背景、区域文化传统和个人文化选择的角度，阐释周作人选取民俗学视角观照文学的原因，侧重分析周作人自我文化建构的心路历程——浙江越文化传统的浸润给周作人以民俗学的感性认识，而世界民俗学的理念赋予他注重民间文化的理性精神；第三章考察周作人的民俗学研究及先锋意义；第四章进一步探讨周作人的民俗文化观，分析他确立的从民俗文化角度进行文学批评的方法，兼及他从民俗学视角进行的中国文化研究；第五章分析民俗学理论及民俗文化观在周作人文学思想生成中的影响，着重论述周作人关于文学起源和文学发展史的民俗学阐释、文学的民俗人性观，以及从民间立场出发所具有的"平凡的人道"、"有情的滑稽"等文学审美原则；第六章从创作实践方面，探讨周作人文学作品的民俗文化意蕴，进一步论述周作人将文学与民俗结合在一起的实绩，并揭示二者以"人"为核心的内在精神的一致性，从而呈现出周作人较为完整的文学风貌；最后是余论，指出这一研究的启示。

Dis- Fly away lonely souls into the endless sky so far away When you're all alone Feeling down and lonely Tell me what you see deep inside your soul You only know who you are So don't be afraid Just open your heart to me You will spread your wings like an eagle Learning how to fly in the sky Just like the sun rises after the rain you'll shine in the air Take off your mask and be true to your heart trust yourself and fly away Into the light of joy and truth Where there's a grief there will always be a hope For a place where we can be who we wanna be Your tears may fade away But always keep the faith and live tomorrow Break through the night away into a brand new day Life's just begun Yeah, feelin' the melody of eternity It has the power to set us free Travlin' through the galaxy with only space around Follow the suns peaceful sound It's time for us to end this illusion Fightin' ourselves will only cause confusion Shinin' light is the key of life Let's all get together and make this better I don't know how but there has got to be a way There are times when I Wish I could just disapear Far from this place of pain and hurt If only I could be gone There's something in your eyes Pulls me back from running away Oh, yes it's hard sometimes But now I'm strong enough to tell the sadness goodbye Just like the moon fills the night with the stars I'll dance in the air Seek in the darkness there's nothing to fear I will stand and fly away Into the night I'll find the truth The pain never ends but there's always be a hope To be free eternally in this galaxy To live another day the sun will show the way and I will follow Break through the night away into a brand new day My journey goes on Into the light of joy and truth Where there's a grief there will always be a hope For a place where we can be who we want to be Your tears may fade away But always keep the faith and live tomorrow Break through the night away into a brand new day Your journey's begun

阴间的神-飞孤单的灵魂进入在如此远处的永无止境的天空之远之内当你全部很孤独的时候感觉下来和孤单的告诉我你在你的灵魂里见到起来深的你只知道你是谁如此不害怕仅仅对我开放你的心你将会像一只鹰一样传布你的翅膀学问该如何在天空中飞仅仅在雨之后喜欢太阳上升你将会在空气中发亮脱掉你的假面具而且忠于你的心信赖你自己和飞行之远进入欢喜和事实的光之内哪里总是有伤心事在那里意志是一个希望对于我们能是的一个地方我们想要当谁你的泪滴可能褪色离开但是总是保存信心和活的明天进入商标新的日子之内夜晚之久突破仅仅被开始的生活是的，feelin'永恒的曲子资讯科技有力量释放我们 Travlin'经过银河由于只在附近隔开跟随太阳和平的声音资讯科技是我们结束这一个幻影的时候 Fightin'我们自己只将会引起混乱 Shinin'光是生活的钥匙全部让我们聚在一起而且使这变成更好我不知道如何除了那里之外已经开始是一个方法有时代此时我希望我可以正直的 disapear 离痛苦和伤害的这一个地方很远如果只有我可能不见了某事在你的眼睛中从逃走把我拉回来哦，是的资讯科技努力地有时是但是现在我够强壮来告诉悲哀再见仅仅喜欢，月亮将夜晚装满星我将在空气中跳舞黑暗的找寻没有东西害怕，我将会站而且飞离开进入夜晚之内我将找事实痛苦从不结束但是总是有是一个希望在这银河中是自由地永恒地在另外的一个日子居住太阳将会表示方式而且我将会跟随进入商标新的日子之内夜晚之久突破我的旅程继续进入欢喜和事实的光之内哪里总是有伤心事在那里意志是一个希望对于我们能是的一个地方我们想要当谁你的泪滴可能褪色离开但是总是保存信心和活的明天进入商标新的日子之内夜晚之久突破你的被开始的旅程

Jermaine hear the prayer of this supplicant For two scarlet women, Black Madonna Hey I am not in your way Hey no need to push me again I know it's your day in the sun I know it's your day in the sun Hey I am not in your way Hey no need to push me again I know it's your day in the sun Last time I checked he came to light the lamp for everyone

Jermaine 听到 supplicant 的祈祷对二个深红色女人，黑色的圣母玛利亚嗨我不是在你的方法中嗨不需要再一次推动我我知道它在太阳下是你的日子我知道它在太阳下是你的日子嗨我不是在你的方法中嗨不需要再一次推动我我知道它在太阳下是你的日子上次我检查他来为每个人点燃船搬运灯

The molecular sieve is prepared in the steps: at the room temperature, hexadecyl trimethyl ammonium bromide is mixed and dissolved with the sodium hydroxide, and is added with TEOS in dropping way, and simultaneously added with Me metal salt water solution and lanthanum nitrate solution in dropping way; the pH value of the mixed solution is adjusted by acetic acid to be 10 to 11, and is mixed for 1 to 2 hours after being stabilized; the sol is moved into a polyfluortetraethylene bottle to be heated and crystallized for 2 days in the oven at the temperature of 100 DEG C; after filtering, washing and drying for nights, and being calcined in a muffle at the temperature of 550 DEG C for 3 to 7 hours, the dual-metal-atom improved MCM-41 mesoporous molecular sieve is obtained.

该分子筛的制备为室温下，将十六烷基三甲基溴化铵和氢氧化钠混合溶解，搅拌并滴加入TEOS，同时滴加入Me金属盐水溶液和硝酸镧溶液并搅拌，用乙酸调节pH值至10～11，稳定后搅拌1～2小时，溶胶转入聚四氟乙烯瓶中在100℃下烘箱水热晶化2天，经过滤、洗涤、干燥过夜，马弗炉550℃焙烧3-7h，得双金属原子改性MCM-41介孔分子筛产品。

Among of those,"Fruit Candies" would remind everyone, by tasting candies as knowing candy culture, of their utter innocence with their memory of sweet taste from candies;"Girls in mountain town" would concentrate in studying and packing of gifts from 18 towns in Maioli;"Inkstone" then would assist Art House which has stood in Erhshui City Government, Changhua for 80 years by way of a new design for four elements of Chinese ancient writing tool in manner of both being practical and beauty as well as by way of a new creation of Corporation Identification System;"Farming and Moon" would design for local stylish restaurants, including image post, business card, flags and package of gifts etc.;"Emi Township's Tourism Industry" would re-design popular specialty giving different values on farm products: oriental beauty tea, dry persimmon, flavored vinegar and tangerine to aim at drawing tourist coming to this town in the mountain.

本次展出作品件件充满不一样的惊奇，其中「菓子糖」用记忆中甜蜜蜜的糖果滋味，唤起大家的童心，边吃糖边了解糖果文化；「山城细妹」专注於研究并包装苗栗十八乡镇的伴手礼；「董坐石砚」则是协助彰化二水已有八十年历史的艺术馆，用实用与美感兼具的方式包装文房四宝并建立企业识别系统；「耕野月眉」则是为地方特色餐厅设计形象海报、名片、旗帜与礼盒包装等；「峨嵋乡观光产业」将地方名产：东方美人茶、柿饼、调味醋、桶柑重新包装，赋予农产品不同的身价，吸引游客莅临山城，欢迎大家一同前来观赏。

Within the limits of genera, most of the parts as a rule exhibit differences through contrast of the property or accident, such as colour and shape, to which they are subject: in that some are more and some in a less degree the subject of the same property or accident; and also in the way of multitude or fewness, magnitude or parvitude, in short in the way of excess or defect.

在属的范围内，大多数部分通常都通过属性或意外的对比表现不同；例如他们从属的颜色和形状，在属性中，动物在同一属性中程度不同，有的多，有的少；同样适用于多或少大或小，简短说，就是在优点和缺点方面。

The special thing about Liu's art is that his works are not expressions of general emotions (what is commonly known as 'follow the feelings'), or graceful skills, or utilitarian interpretations of practical questions the latter is originated from France in the 18th century and its revolutionary tradition, namely political and utilitarian behaviorism tradition. French didacticism philosophers in the 18th century, just like the early renaissant civic humanists, advocated active and vibrant way of life and fought against ruminative way. They were not interested in metaphysics, and cared about practical issues—moral, mental and social--in their lives. They were confident of human future and held undoubted faith in history progress.

刘永刚的艺术的独特之处，就在于其作品中的表现性，不是一般性的情绪化的表现，不只是我们通常认为的&跟着感觉走&，也不是技巧性的优雅表现，或是对现实问题的功利性的主题解释，后者来源于18世纪的法国及法国革命传统，即政治化、功利化的行动主义传统。18世纪的法国启蒙主义哲学家，像文艺复兴早期的公民人文者一样，崇尚积极活跃的生活，不赞成沉思默想的生活，对形而上学没有兴趣，关心此时此地的人生中的实际问题——道德的、心理的、社会的问题，他们对人类的前途充满了信心，对历史的进步具有毫不怀疑的信念。

Although we associate tulips with Holland and windmills, the history of the word takes us on an odyssey to the Middle East, where the tulip is associated with turbans and whence the flower was brought to Europe in the 16th century. The word tulip, which earlier in English appeared in such forms as tulipa or tulipant, comes to us by way of French tulipe and its obsolete form tulipan or by way of Modern Latin tulo, from Ottoman Turkish tülbend,"muslin, gauze." Our word turban, first recorded in English in the 16th century, can also be traced to Ottoman Turkish tülbend.

尽管我们把郁金香和荷兰以及风车联系在一起，但该词的历史却带我们踏上通往中东的漫长旅途，在那里，郁金香与缠头巾相关，并在16世纪传到欧洲。tulip 一词在英语中的早期形式是 tulipa 或 tulipant ，它源于法语tulipe 和其废词形式 tulipan ，或是从奥斯曼土耳其语tulbend而来的现代拉丁词 tuloa （我们的turban 一词在英语中首次记录于16世纪，它也可追溯到奥斯曼土耳其语tulbend 。

Although we associate tulips with Holland and windmills, the history of the word takes us on an odyssey to the Middle East, where the tulip is associated with turbans and whence the flower was brought to Europe in the 16th century. The word tulip, which earlier in English appeared in such forms as tulipa or tulipant, comes to us by way of French tulipe and its obsolete form tulipan or by way of Modern Latin tul o , from Ottoman Turkish tülbend,"muslin, gauze." Our word turban, first recorded in English in the 16th century, can also be traced to Ottoman Turkish tülbend.

尽管我们把郁金香和荷兰以及风车联系在一起，但该词的历史却带我们踏上通往中东的漫长旅途，在那里，郁金香与缠头巾相关，并在16世纪传到欧洲。tulip 一词在英语中的早期形式是 tulipa 或 tulipant ，它源于法语tulipe 和其废词形式 tulipan ，或是从奥斯曼土耳其语tulbend而来的现代拉丁词 tul o a （我们的turban 一词在英语中首次记录于16世纪，它也可追溯到奥斯曼土耳其语tulbend 。

Research result indicated that the cooperative effect between swell and precursor is main factor for the nanoparticle loaded in Nafion, and moreover, polarity of solvent and water content in Nafion also affects the load largely. To improve away the surface concentration of CdS nanocrystal on two side of membrane for general preparation, thioacetamide was first used as a precursor instead of inorganic sulfur source(H2S and Na2S) in synthesis of CdS nanocrystal. The assembly mechanism for several sulfur source had been studied, and CdS/Nafion with the character of homogeneous disperse had been prepared, which is fit for mass transmission in photocatalitic reaction. Following the investigation of several crystallizing way, simple and reliable hydrothermal-crystallizing was found. According to this way, maximal TiO2 load in Nafion achieved 43%. Activity of TiO2/Nafion or CdS/Nafion as a photocatalyst was explored initially for disintegrating liquid contamination. Maximal decompose rate achieved 86% under condition of this research.

研究结果表明：Nafion膜对纳米粒子负载量的主要影响因素是溶胀作用与前驱体协同效应，同时溶剂极性和薄膜含水量对负载量也影响相当大；本课题首次使用硫代乙酰胺代替传统无机硫源（H2S、Na2S）合成CdS纳晶，研究了各种硫源的组装机理，克服了常规技术存在的CdS纳晶趋于膜表面富集的缺点，得到了有利于光催化传质需要的体相均匀分布CdS/Nafion；研究了多种Nafion膜内纳米粒子晶化途径，找到了简单可靠的水热晶化法，TiO2纳晶最高负载量达43％；初步探索了TiO2/Nafion、CdS/Nafion作为光催化剂降解水中模拟污染物的活性，在本实验条件下最高降解率达86％。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。