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Pieces of works, the Asia-Pacific Museum of California. 1989 should be invited by the University, Ohio fen to conduct academic exchanges and organized individual exhibitions. In July 1990 in Nepal's capital Kathmandu, large-scale exhibition held at the Museum. October 1990 New Delhi, India Baha'i Museum exhibition,"Chenming," a collection. On three occasions since 1991 in Florida, where Bo and other three cities held personal exhibitions. 1992 work,"Spring Bamboo" is Queen of the Netherlands Beja Therese collection. In Sydney, Australia in 1993, organized by city, the first Asia-Pacific Chinese ink painting contest winners, work "snowy's Island," a collection. In October 1994 the National Museum of the Netherlands invited to organize large-scale solo exhibition in December 1994 in Rotterdam invited Chinese literary weeks personal exhibition was held. 1995 Chinese Culture Week was mayor of Amsterdam, the Netherlands named after a famous Chinese artist. 1996 has been Noto City, He Luolin root City,拉登维斯林City, is an ink-Wei City, Amstelveen invited to organize large-scale exhibition city.

1986年起多幅作品被美国加州亚太博物馆收藏。1989年应美国俄亥俄州芬来大学邀请进行学术交流并举办个人画展。1990年7月在尼泊尔首都加德满都博物馆举行大型个展。1990年10月在印度新德里巴哈伊博物馆举行个展，《晨鸣》被收藏。1991年起先后三次在佛罗里达州、里勃等三城市举办个人画展。1992年作品《春竹》被荷兰女王贝雅特丽丝收藏。1993年在澳洲雪梨市举办的，首届亚太地区中国水墨画大赛获奖，作品《雪原之洲》被收藏。1994年10月被邀于荷兰国家博物馆举办大型个人画展，1994年12月在鹿特丹中国文体周特邀举行个人画展。1995年阿姆斯特丹中国文化周被市长命名为荷兰著名中国艺术家。1996年先后曾被乃登市、荷罗林根市、拉登维斯林市、乃墨卫市、阿姆斯特芬市邀请举办大型个展。

By metaphorically invoking the photographic terminology in the spirit of Bergsonian / Deleuzian time-movement interpretation as inspiration, the exhibition Timelapse in which a dozen artists from both Switzerland and China will participate, attempts to examine the fundamental constituent of digital media: the concept of time and its embodiment in space, its evocation of passage and memory, its movement of differentiation and its state of representation in diverse formal grammars to reveal the social implications of the fast in the disguise of the slow, the multiplicity in temporality and disparity in spatiality, both psychologically and geographically, stirring up a desire to scrutinize the nuances and ramifications in regards to the construct of cultural being in the disparate framework of time in distance and space in locality and the potential collapse of such time-space duality.

本次展览以柏格森以及德卢兹（ Deleuze，均为法国哲学家）有关时间－运动的解释为契机，含蓄地缓引"延时"这一摄影术语，在瑞士和中国两国艺术家的参与中，试图检验数字媒体的根本构成因数，及时间的概念以及其在空间中的体现，其对于过程和记忆的启示，其运动所产生的差异，以及其在运用形式语言时所呈现的不同表象，从而揭示被缓慢所遮掩的亟速之社会内蕴，其在时空中之心理与地理间的多样化和差异性，激起我们对于细察在不同的时空概念的框架下文化的构建，以及对于这种时空二元性之崩溃的可能性的欲念。

The event has been held in a different city and country every year. In 2004 it was held in Biel, Switzerland, 2005 in Berlin, Germany, 2006 in S o Paulo, Brazil, 2007 in Johannesburg, South Africa, 2008 in Paris, France, and 2009 in New York City, USA.

这件盛事每年都在不同的国家不同的城市举办。2004年5月8日在瑞士的比尔，2005年5月21日在德国的柏林，2006年11月25日在巴西的圣保罗，2007年9月22日在南非的约翰内斯堡，2008年11月5日在法国的巴黎，2009年11月18日在美国的纽约。

Therapontigonus Miles could walk arm in arm with Vadeboncoeur the grenadier, Damasippus the second-hand dealer would be happy among bric-a-brac merchants, Vincennes could grasp Socrates in its fist as just as Agora could imprison Diderot, Grimod de la Reyniere discovered larded roast beef, as Curtillus invented roast hedgehog, we see the trapeze which figures in Plautus reappear under the vault of the Arc of l'Etoile, the sword-eater of Poecilus encountered by Apuleius is a sword-swallower on the PontNeuf, the nephew of Rameau and Curculio the parasite make a pair, Ergasilus could get himself presented to Cambaceres by d'Aigrefeuille; the four dandies of Rome: Alcesimarchus, Phoedromus, Diabolus, and Argyrippus, descend from Courtille in Labatut's posting-chaise; Aulus Gellius would halt no longer in front of Congrio than would Charles Nodier in front of Punchinello; Marto is not a tigress, but Pardalisca was not a dragon; Pantolabus the wag jeers in the Cafe Anglais at Nomentanus the fast liver, Hermogenus is a tenor in the Champs-Elysees, and round him, Thracius the beggar, clad like Bobeche, takes up a collection; the bore who stops you by the button of your coat in the Tuileries makes you repeat after a lapse of two thousand years Thesprion's apostrophe: Quis properantem me prehendit pallio?

米勒会挽着侍卫华德朋克尔的胳膊，达马西普会在旧货店里流连忘返，万森刺杀苏格拉底正如阿戈拉囚禁狄德罗，格利木·德·拉雷尼埃尔会做油脂牛排正如古尔第吕斯发明烤刺猬。我们见到普劳图斯著作中的高架秋千重现在明星门的气球下面，阿普列乌斯在普西勒遇见的吞剑人便是新桥上的吞刀人，拉穆的侄儿和寄生虫古尔古里翁是一对，埃尔加齐尔请爱格尔弗依把他介绍给康巴色勒斯，罗马的四个纨袴子弟阿尔色西马尔古斯、费德洛木斯、狄阿波吕斯和阿尔吉里帕乘着拉巴突的邮车从拉古尔第①出发，奥吕·热尔在孔格利奥面前没有比查理·诺缔埃在波里希内儿面前待得更长久，马尔东不是母老虎，但是巴尔达里斯卡也绝不是一条龙，滑稽人潘多拉布斯在英格兰咖啡馆里嘲弄享乐人诺曼达纽斯，埃尔摩仁是爱丽舍广场的男高音，并且在他周围有无赖特拉西乌斯扮成波白什②向人募捐，在杜伊勒里广场上掐住你的衣扣、不让你走的那个讨厌人让你在两千年以后还重复着忒斯卜利翁的那句话："在我有急事时谁突然抓住了我的衣襟？"

With the mention of the ghosts occurring in the traditional Chinese culture, it goes on to analyze the ghost images appearing in Amy Tan's novels in two categories, i.e., those on literal level, such as the ghosts stories told by Kwan in The Hundred Secret Senses, and the ghost lore in the family scenarios of Luth Luyi in The Bonesetter's Daughter, as well as those on figurative level, including the mention of ghosts by An-mei Hsu in The Joy Luck Club and the two spirit examples and Gan in The Kitchen God's Wife.

本章首先论述了传统中国文化中的一些与鬼有关的概念，继而分析了谭恩美小说中两种分类的鬼形象，即真实意义的鬼，以及比喻意义的鬼。前者包括《一百个神秘感觉》中邝所讲的鬼故事以及《接骨师的女儿》中鲁斯家族史中的鬼的故事；后者包括《喜福会》中苏安梅提及的鬼和《灶神之妻》中的两个灵魂形象。

A novel layout of IC transformer is proposed to achieve both high turn ratio and coupling coefficient in this paper. In order to discuss the coupling coefficient, the layouts are designed with different turn ratio. The thesis is mainly includes of three experiment topics. The multi-stack structure is proposed to achieve prior goal in first topic. Two groups of proposed devices are designed to maintain identical self- inductances in transformer's primary and secondary coils. Total six devices are fabricated in foundry 90-nm CMOS technology. Using the 9 and 5 metal layers in primary and secondary coils in a specific layout, measurement results show that the transformer has the largest benefit using the bottommost return layer in layout design. In one word, the adoption of more metal layers to construct different turn ratio transformer shows not only improving the N value but also saving the chip area in this experiment.

中文摘要本文是针对不同圈数比变压器探讨其耦合量的变化，并且期望其变压器能同时达到高圈数比及高耦合系数的特性，本论文主要可分为三个实验主题，首先第一个主题提出以90nm CMOS制程技术实现的多层金属层的布局方式，并以相同的一、二次侧自感值分为两组，利用不同返回层来达到不同的圈数比，且从量测结果可以得知，在变压器布局设计上使用最底金属层来作返回层会得到较好的特性，最后从此实验得知一结论，利用合适的多层金属架构达到不同的圈数比，不仅可以改善圈数比，还可以缩小晶片面积。

Blood were obtained for blood RT and plasma endotoxin concentration check. 6 All data underwent ANOVA analysis. Results: After 3hrs of LPS injection, 1 in hypermetabolic sepsis group, the average HR went to 334/min, the average body temperature went to 41.0℃, while in control group they were 274.9/min and 38.2℃ respectively. p=0.000, presented significant statistical differences. The average BP and breath rate in HS group were 97.1mmHg and 94.3/min , while they were 95.9mmHg and 76.4/min in control group, respectively presenting no statistical differences. 2 In HS group plasma endotoxin concentration was 0.088EU/ml while it was 0.013 EU/ml in control group presenting statistical significance, p=0.002. 3 Blood white cell ratio and total white cell counting were 82.73% and 1.90×109 in HS group, while they were 64.39% and 7.58×109 in control group presenting very significant statistical differences(p=0.001). There was no statistical significances in RBC counting and hemocrit between two groups.

结果：LPS持续灌注3h后，结果如下：1）高代谢脓毒症组的心率升高至334.0次/min、体温升高至41.0℃，而对照组则分别为274.9次/min和38.2℃，两组间有显著的统计学差异，p=0.000；血压在高代谢脓毒症组是97.1mmHg，而对照组为95.9mmHg，两组间无统计学差异；脓毒症组的呼吸加快至94.3次/min，对照组则提高至76.4次/min，两组间无统计学差异(p=0.212)；2）其血浆内毒素含量为0.088EU/ml，而对照组为0.013 EU/ml，两组间有显著的统计学差异，p=0.002；3）血中性粒白细胞比值升高至82.73%，对照组则为64.39%，两组间有显著的统计学差异（P=0.001）；白细胞总数则明显下降至1.90×109/ml，而对照组则为7.58×109/ml，p=0.001，两组间有显著的统计学差异；两组间的红细胞数及血细胞比容均无统计学差异。

Let us not weary of repeating, and sympathetic souls must not forget that this is the first of fraternal obligations, and selfish hearts must understand that the first of political necessities consists in thinking first of all of the disinherited and sorrowing throngs, in solacing, airing, enlightening, loving them, in enlarging their horizon to a magnificent extent, in lavishing upon them education in every form, in offering them the example of labor, never the example of idleness, in diminishing the individual burden by enlarging the notion of the universal aim, in setting a limit to poverty without setting a limit to wealth, in creating vast fields of public and popular activity, in having, like Briareus, a hundred hands to extend in all directions to the oppressed and the feeble, in employing the collective power for that grand duty of opening workshops for all arms, schools for all aptitudes, and laboratories for all degrees of intelligence, in augmenting salaries, diminishing trouble, balancing what should be and what is, that is to say, in proportioning enjoyment to effort and a glut to need; in a word, in evolving from the social apparatus more light and more comfort for the benefit of those who suffer and those who are ignorant.

我们应当不厌其烦地反复提出：要最先想到那些没有生计的痛苦民众，为他们减少困难，让他们得到空气和光明，爱护他们，扩大他们的视野，使他们感到灿烂辉煌，用种种形式为他们提供接受教育的机会，为他们提供劳动的榜样，而不是游手好闲的榜样，减轻他们个人负担的压力，增加他们对总目标的认识，限制穷困而不限制财富，大量创造人民共同劳动的天地，象布里亚柔斯①那样，把一百只手从四面八方伸向受压迫和软弱无力的人，为这一伟大职责运用集体的力量，为所有的胳膊开设工厂，为所有的才能开办学校，为所有的智力设立实验室，增加工资，减轻惩罚，平衡收支，也就是说，调整福利与劳动之间和享用与需求之间的比重。总之，要使社会机器为受苦和无知的人的利益发出更多的光明和更多的温暖，使富于同情心的人不忘记这些，这是人间友爱的第一义务，使自私自利的人懂得这些，这是政治的第一需要。

Let us not weary of repeating, and sympathetic souls must not forget that this is the first of fraternal obligations, and selfish hearts must understand that the first of political necessities consists in thinking first of all of the disinherited and sorrowing throngs, in solacing, airing, enlightening, loving them, in enlarging their horizon to a magnificent extent, in lavishing upon them education in every form, in offering them the example of labor, never the example of idleness, in diminishing the individual burden by enlarging the notion of the universal aim, in setting a limit to poverty without setting a limit to wealth, in creating vast fields of public and popular activity, in having, like Briareus, a hundred hands to extend in all directions to the oppressed and the feeble, in employing the collective power for that grand duty of opening workshops for all arms, schools for all aptitudes, and laboratories for all de GRE es of intelligence, in augmenting salaries, diminishing trouble, balancing what should be and what is, that is to say, in proportioning enjoyment to effort and a glut to need; in a word, in evolving from the social apparatus more light and more comfort for the benefit of those who suffer and those who are ignorant.

我们应当不厌其烦地反复提出：要最先想到那些没有生计的痛苦民众，为他们减少困难，让他们得到空气和光明，爱护他们，扩大他们的视野，使他们感到灿烂辉煌，用种种形式为他们提供接受教育的机会，为他们提供劳动的榜样，而不是游手好闲的榜样，减轻他们个人负担的压力，增加他们对总目标的认识，限制穷困而不限制财富，大量创造人民共同劳动的天地，象布里亚柔斯①那样，把一百只手从四面八方伸向受压迫和软弱无力的人，为这一伟大职责运用集体的力量，为所有的胳膊开设工厂，为所有的才能开办学校，为所有的智力设立实验室，增加工资，减轻惩罚，平衡收支，也就是说，调整福利与劳动之间和享用与需求之间的比重。总之，要使社会机器为受苦和无知的人的利益发出更多的光明和更多的温暖，使富于同情心的人不忘记这些，这是人间友爱的第一义务，使自私自利的人懂得这些，这是政治的第一需要。①布里亚柔斯，神话中的巨人，是天和地的儿子，有五十个头和一百只手。

In his first ten years in the business, he handled a great number of criminal cases, with many of which bring great social impacts. For example, a deliberate murder case in Jiangxi province in 1989, where a husband killed his wife for her extramarital love affairs, which brought great impact that time in Jiangxi; a bribery case (1990,Jiangxi), a brigandage case(1991,Jiangxi); two bribery cases(1993, Jiangxi); a deliberate injury case(1994,Jiangxi), a robbery case(1995, Jiangxi). He also dealt with an illegal drug holding in 1995 in Guangdong, a drug dealer case in 1997 in Zhejiang.

从业初十年，承办过大量刑事案件，其中不少案件产生过较大的社会影响，如：余某某故意杀人案（1989年，江西），这是一起因婚外情引发的杀妻案件，当时在当地曾轰动一时；孙某某贪污案（1990年，江西）；秦某某盗窃案（1991年，江西）；范某某受贿案（1993年，江西）；陈某某受贿案（1993年，江西）；李某某失火案（1993年，江西）；张某某故意伤害案（1994年，江西）；陈某某抢劫案（1995年，江西）；范某某非法持有毒品案（1995年，广东）；李某某贩卖毒品案（1997年，浙江）等。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。