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in the works相关的网络例句

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与 in the works 相关的网络例句 [注:此内容来源于网络,仅供参考]

The emphasis in this analysis is on three subjects which Byatt very often approached in her works but never as poignant than in Possession: feminism, the nature of fiction and the overrating of literary theories.

本文分析的重点是拜厄特经常在其写作中探讨,尤其在《占有》中最为显著的三个主题:女性主义、小说的性质以及对文学理论的过分倚重。

The emphasis in this analysis is on three subjects which Byatt very often approached in her works but never as poignant than in Possession: feminism, the nature of fiction and the overrating of literary

本文分析的重点是拜厄特经常在其写作中探讨,尤其在《占有》中最为显著的三个主题:女性主义、小说的性质以及对文学理论的过分倚重。

In his works he combines the problems of soul and body in a special way.

从 20 年代中期起,爱的主题就成了他作品中的永恒主题。

Seeing himself as a messenger of the future, he ceased concertizing in the late 1840s to devote himself to composition and furthering the work of progressive composers. In the 1850s he wrote many of his most ambitious works, including A Faust Symphony (1854) and the piano sonata in B minor (1853). In 1865, abandoning hope that Princess Caroline de Sayn-Wittgenstein would marry him, he took minor church orders.

李斯特自视为未来的使者,在1840年代晚期停止了音乐演奏而专心作曲,并进一步影响了革新派作曲家的作品。1850年代,他写了许多最具野心的作品,包括《浮士德交响曲》(1854)和《B小调钢琴奏鸣曲》(1852-1853)。1865年他放弃了与赛因-维根斯坦公主成婚的希望,接受教会次级的神职职位。

This paper studied the ideas of karma , reincarnation and hell and their influence on novels that are related to Buddhism in the New Legend of Paper-cut Lantern. It also briefly explained the conventionalized Chinese views represented by ideas of reincarnation and hell in Buddism in those works.

本文从《剪灯新话》中与佛教有关的作品入手,分析了佛教文化中的因果报应、明心见性、转世及地狱等思想观念对小说的影响,简单说明了佛教转世观、地狱观在作品中呈现出来的中国世俗化色彩。

Vocal/Guitar: Heymy works in an upper level activities department of a public relations company and enjoys semi-distortion guitar. He dabbles in the study of supernatural phenomena and also wears glasses.

主唱吉他:黑麦,辛勤劳作在某公关公司活动部高层,缠绵于各类蹩脚的音乐,热衷于大量弱失真的吉他演奏,戴眼镜,沉迷于研究超自然现象。

In 2003 she realized during one month different performances in the solo exhibition "26 days in OK"; in 2005 she connected performance and installation in the solo exhibition "Playing with 14 rooms"; in 2006 she created performances that communicated with the other exhibited works of the group exhibition "Excellent" that dialogued with other artists; in 2007 she researched media performance and painting in the solo exhibition "Performance-Painting," where she interprets performance pieces onto painted canvasses.

2003年,在&OKS的26 天&的现场行为艺术个展中,她每天进行不同方案的现场行为艺术表演。2005年的&在14间房子里游戏&个展中,她进行了行为和行为装置艺术之间关系的研究。 2006年底,在&杰出&的群展中,她以行为艺术的方式,和其他19位通过不同媒体创作的艺术家进行对话。2007年初,在德国&和33位行为艺术家作品的油画对话&的个展中,她以油画的方式用自己的解释来和33为行为艺术家的行为艺术作品进行对话。

For the purpose of improving my linguistic skills, I have studied in many a literature classes,training classes for broadcasters and comperes/emcees, my works was published in Baoding Daily and gained the First-Class prize in Student Group in "the Compete of charming broadcasters and comperes" hold by Baoding TV Station.

为了提高自身修养,我积极参加各种社会实践活动,在很小的时候就获得过&文明小天使&称号,我注重德智体全面发展,多次被评为三好学生;为了提高语言表达水平,我参加过多种文学班的学习,我的作品曾在保定日报的征文中获奖,我参加过播音主持培训,在保定电视台举办的&播音主持风采大赛&中获得过学生组一等奖。

In Tang dynasty and Wu generation, character became an independent category in vast works, so the"high-level character"became an important studying object, an inditing standard and an inditing method.

偏向外在的审美,是六朝体物美学的特点。这时期绘画理论中&气韵&的出现对后来的诗学理论有重要意义,但此时还未进入到诗学理论中来。

In another set of works of the same series《Chairman》, Mao's statue on a pedestal assumes exactly the same waving posture. This posture is a classic image of Mao in the Nation's visual memory - as though he still stood on the Tiananmen Tower, proclaiming the establishment of People's Republic of China, or receiving thousands of red guards during the Cultural Revolution. But the artist tries to plot a difference in this iconic gesture. Mao's palm is painted in the shape of a hand gun. By doing so, he also instils a sense of violence in a solemn and imposing spiritual symbol. The replaced gesture evokes different kinds of historical memories - memories of civil war, memories of class struggles, as well as memories of total destruction.

他那挥手的姿态已经在有意无意之间模拟了领袖的举动;在这个系列的另一组作品《主席》之中,站立在雕像基座上的毛泽东正是一个挥手致意的姿态,这个姿态可以说是他留给整个中国的经典性的视觉记忆,仿佛他仍然站在天安门城楼上宣告中华人民共和国的成立,或者在文化大革命期间接见着从各地赶来的红卫兵们,而画家在这个手势中找茬,他将毛的手掌换成了一个手枪的样式,某种安详、伟大的精神象征被暴力感替换了,这个手势唤起的是另一种历史的记忆:内战的记忆,阶级斗争的记忆,打倒与毁灭一切的记忆。

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相关中文对照歌词
The Lord Works In Strange Ways
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