查询词典 in the original

As furniture workers in China, we are in duty bound to introduce cultural concepts to develop the furniture industry in China, enhance people's knowledge, consciousness and aesthetic level concerning furniture, impel the furniture industry in China to improve the original design level, upgrade the popularity and status of Chinese furniture design in world furniture circles, and input boundless power into the furniture industry of China for long-term development.

作为中国家具人，我们有责任为中国家具业的发展注入文化的理念，提高人们的家具文化知识、意识和审美水平，推动中国家具产业提高原创设计水平，提升中国家具设计在世界家具业界的知名度和地位，为中国家具业的长远发展输入无穷力量。

They are only needed in the second stage, if we have an application in our original culture.

他们只需要在第二阶段，如果我们有一个在我们的原始文化的应用。

The structures of solid a phase of original billet, pierce block in the chamber of die-casting machine, ingate block in die-casting mould and specimens atdifferent locations in a semi-solid die casting component were observed.

实验观察了原始料坯，压铸机压室内的冲头料坯以及压铸模内的内浇口和半固态压铸零件中不同部位的固相α组织的形貌。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Following this context and along different viewpoints of personality-character arrangement and music interpretation for love and death, this research is trying to explore: firstly, comparing the characters of Jago Otello and Desdemona separately in original text with them in opera text, the specific aesthetic viewpoints of conflict and evil in nineteenth century would in this way be clarified. Hence, basing on the ending of the act IV in the opera, the representation of different viewpoints of death in nineteenth century from that in the era of Shakespeare will be musically interpreted.

对此，本研究没要从人物性格的设计以及音乐里如例诠释爱与死的看法两方面进行探讨：首先比较原著与歌剧文本在Jago、Otello、Desdemona三人情格刻划方面的差异，藉此突显属於十九世纪时代的对立冲突性以及恶的美学观；尔后，再以歌剧中第四幕的结束场景为出发点，探究音乐手法如何同样地反映出十九世纪有别於莎士比亚时代的死亡观。

In the second place, Teaching of appreciation that is lacking in its original meaning goes to extreme with showy jollification, even entertainment preference.

这种改革时至目前呈现出两种态势：一是老调重弹，其改革并无实质性的效果，究其根源，在于教学的根本理念没有动摇；二是欣赏教学走向浮华热闹的极端，甚至出现欣赏教学娱乐化倾向，欣赏教学丧失了它本身的意蕴。

Chongqing Jiangdong mechanical limited liability company (the original Koto Machinery Plant in Chongqing) in the Wanzhou District of Chongqing Municipality, began in 1937, is a medium-sized state-owned holding enterprises, covers an area of 300,000 square meters, more than 1,200 employees, including 168 engineering and technical personnel, There are four branches, eight plants, a technical center, 10 functional departments.

重庆江东机械有限责任公司位于重庆市万州区，始于1937年，现为国有中型控股企业，占地面积300000平方米，职工1200多人，其中工程技术人员168人，有4个分公司，8个分厂，一个技术中心，10个职能部门。

When he heard the sound of gunfire then get down to 20 gallons of liquor, a stove spade, a Huoqian, two Tonghu, Tongguo and Grill when the shuttle is in Cluj read "Bible" when , Seems to be the wizard finish spell want the same thing as a coincidence of magic, here is novel in this second stage of reference to "Bible", here is Kru shuttle by a gift of God, when the third novel to And "Bible", in Cluj shuttle by the threat of terrorism and disease, the precarious life of the time, it seems that the author of a demon Satan for a guest, is the Kru people of the shuttle Buxiao the "original sin" Another penalty, or is he received the last of God's gift to God and not the consequences of Thanksgiving, when he is determined to be more devout starting point, this echoes the "Bible" in the words "in trouble when you call for me I will Laijiu you, and you have to praise me,"Mingmingzhizhong Defoe who arranged a deal with the integrity of God, but Kru shuttle in this transaction in the integrity of performance is not very good, so in God Pre-paid to the equivalent of his wealth, its very credibility of not giving a penalty.

当他听到炮声随后顺着枪声得到二十加仑地酒、一把火炉铲、一把火钳、两个铜壶、铜锅和烤架的时候，正是克鲁梭在读《圣经》的时候，好像精灵念完咒语得到想得到的东西一样巧合一样具有魔力，这里是小说在这一阶段第二次提及《圣经》，这里便是克鲁梭得到的上帝的馈赠，当小说第三次提及《圣经》时，是在克鲁梭受到恐怖和疾病的威胁，性命岌岌可危的时候，好像是作者安排的一场恶魔撒旦的一次客串，是克鲁梭为人子而不孝的"原罪"的又一次惩罚，抑或是他得到上次上帝的馈赠而对上帝感恩不够的后果，此时也是他下决心会更加虔诚的起点，这便呼应了《圣经》里的话"在你患难时呼唤我，我就会来救你，而你要赞美我"，冥冥之中笛福安排了一次人与上帝的诚信交易，但是克鲁梭在这次交易中表现的诚信不是很充分，所以在上帝预先付给他那些等价财富后，对其的不很诚信给予了惩罚。

Our other two founders, Judy Zhu and Lande, are some of the original CSR consultants in China - and has extensive experience in cross-cultural understanding, Chinese labor law, local Chinese labor practices, managing Multi-national corporate interests, worker and management training, and effective conflict resolution techniques.

联合国际另外两位创始人朱红芬小姐和蓝德先生是中国最早的企业社会责任顾问，他们在跨国文化差异、中国劳动法、中国当地劳动法规、跨国组织的利益管理、劳资培训、高效的冲突解决技巧等方面有丰富的经验。

Ou r other two founders, Judy Zhu and Lande, are some of the original CSR consult ants in China - and has extensive experience in cross-cultural understanding, Chinese labor law, local Chinese labor practices, managing Multi-national corp orate interests, worker and management training, and effective conflict resolution techniques.

联合国际另外两位创始人朱红芬小姐和蓝德先生是中国最早的企业社会责任顾问，他们在跨国文化差异、中国劳动法、中国当地劳动法规、跨国组织的利益管理、劳资培训、高效的冲突解决技巧等方面有丰富的经验。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。