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From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Taiwan drove to the 21 line continued to visit on the 12th bridge, the entrance to a note card, that is, at the entrance to Mount Zion, according to indicators continued to turn left can see the door of Zion Holy Mountain, above the two white A winged cherubim (Mount Zion built cherubim door is symbolic of God Chapai angel guards the road leading to the tree of life, security guards God's sacred mountain, symbol of human life to the Eden tree has smooth the road), The mood is extremely beautiful; along the way can also see many of special significance to the beautiful scenery and attractions, such as the Tianchi Zion, David Castle, the Arc de Triomphe House, Victory Tower, the Monument of truth over power, Tianxiayijia, Meiyuan, Ting Li-jun, The altar, the Temple of Christ is the rock, flashing the tent, Zion tree house, and so on the beautiful scenery, as if your exposure in the nature of worldly paradise!

驱车前往台21线续行至12号桥头处，可以入口处有一说明牌，此即为锡安山的入口处；依指标左转续行可以看见锡安圣山的大门，上面安有两个白色著翅膀的基路伯(锡安山建基路伯大门乃象征神差派天使看守通往生命树的道路，护卫神的圣山，又象征人类通往伊甸生命树的道路已经畅通了)，意境极为优美；沿途也可以看见许多具有特殊意义的景物和美丽的景点，如锡安天池、大卫城堡、凯旋楼、胜利大楼、真理战胜强权纪念碑、天下一家、梅园、立君亭、祭坛、圣殿、基督是磐石、闪的帐棚、锡安树屋等等美丽的景致，让您置身在彷佛人间仙境的大自然中！

This theory was based on the philosophy of "unity of nature and man", expounded in the principle of ensuring the living right of nature: in which loving and acclimating nature is emphasized while not acclimating nature negatively like animal; ensuring the living right of nature is emphasized while using nature reasonably is approved.

这一思想以&天人合一&为基本取向，以保障万物的生存权利为原则展开：她主张尊重自然、顺应自然，但并不主张象动物那样消极地适应自然；主张保障万物平等的生存权利，但并不反对对万物的合理利用。

The nature of the binging site of the metal in these proteins has been partially elucidated by the electronic absorption and paramagnetic resonance spectroscopy.

The对这些蛋白的金属沉湎于吸毒用地的性质已经部分的电子吸收和鉴定顺磁共振spectroscopy。

When I had done this, I began to work my way into the rock, and bringing all the earth and stones that I dug down out thro' my tent, I laid ' em up within my fence in the nature of a terras, that so it rais'd the ground within about a foot and a half

做完这些工作后，我又开始在岩壁上打洞，把挖出来的土石方从帐篷里运到外面，沿篱笆堆成一个平台，约一英尺高。

When I had done this, I began to work my Way into the Rock, and bringing all the Earth and Stones that I dug down out thro' my Tent, I laid 'em up within my Fence in the Nature of a Terras, that so it rais'd the Ground within about a Foot and a Half; and thus I made me a Cave just behind my Tent, which serv'd me like a Cellar to my House.

做完这些工作后，我又开始在岩壁上打洞，把挖出来的土石方从帐篷里运到外面，沿篱笆堆成一个平台，约一英尺高。这样，帐篷算是我的住房，房后的山洞就成了我的地窖。6小时掌握学英语的秘诀！

When I had done this, I began to work my Way into the Rock, and bringing all the Earth and Stones that I dug down out thro' my Tent, I laid 'em up within my Fence in the Nature of a Terras, that so it rais'd the Ground within about a Foot and a Half; and thus I made me a Cave just behind my Tent, which serv'd me like a Cellar to my House.

做完这些工作后，我又开始在岩壁上打洞，把挖出来的土石方从帐篷里运到外面，沿篱笆堆成一个平台，约一英尺高。这样，帐篷算是我的住房，房后的山洞就成了我的地窖。6小时掌握学英语的秘诀！——点击看答案

When I had done this, I began to work my Way into the Rock, and bringing all the Earth and Stones that I dug down out thro' my Tent, I laid 'em up within my Fence in the Nature of a Terras, that so it rais'd the Ground within about a Foot and a Half; and thus I made me a Cave just behind my Tent, which serv'd me like a Cellar to my House.

做完这些工作后，我又开始在岩壁上打洞，把挖出来的土石方从帐篷里运到外面，沿篱笆堆成一个平台，约一英尺高。这样，帐篷算是我的住房，房后的山洞就成了我的地窖。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

But if morality is rooted in the nature of things, then it should be accessible to the inquiring mind, whether that mind be divine or human

但是，如果道德观植根于事物的本性之中，它就应该被进行探索的理智所认识，而不管那是神的理智或是人的理智。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。