查询词典 in the midst of

A man shall see, where there is a house full of children, one or two of the eldest respected, and the youngest made wantons; but in the midst, some that are as it were forgotten, who many times, nevertheless, prove the best.

在家庭中，最大或最小的孩子都可能得到优遇。唯有居中的子女容易受到忘却，但他们却往往是最有出息的。在子女小时不应对他们过于苛吝。

A man shall see,where there is a house full of children,one or two of the eldest respected,and the youngest made wantons;but in the midst,some that are as it were forgotten,who many times,nevertheless,prove the best.

在一个儿孙满堂的大家庭中，人们往往可以看到，最长的一两个子女往往受到重视，最小的子女则被过于娇惯，而处于中间的子女则似乎被淡忘掉。

A man shall see, where there is a house full of children, oneortwo of the eldest respected, and the youngest made wantons; but in the midst, some that are as it were forgotten, who many times, nevertheless, prove the best.

在家庭中，最大或最小的孩子都可能得到优遇。唯有居中的子女容易受到忘却，但他们却往往是最有出息的。在子女小时不应对他们过于苛吝。

In the east there is a shark which is larger than all other fish. It changes into a bird whose winds are like clouds filling the sky. When this bird moves across the land, it brings a drop from base. It drops into the midst of the SCers, like a seagull making its mark upon the beach. Then the bird mounts on the wind and, with the blue sky at its back, returns home.

在遥远的东方，传说有一只巨大的鱼，叫鲲，它变成了一只大鸟，叫鹏，鹏的翅膀可以遮天蔽日，这只大鸟经过陆地的时候，它带来了一次空投，扔在星际玩家之中，就象一只海鸥在海滩上做的记号，然后鹏背负蓝天，乘风而上，回家去了。

2 In the east there is a shark which is larger than all other fish. It changes into a bird whose winds are like clouds filling the sky. When this bird mov es across the land, it brings a message from Corporate Headquarters. This me ssage it drops into the midst of the program- mers, like a seagull making it s mark upon the beach. Then the bird mounts on the wind and, with the blue s ky at its back, returns home.

在遥远的东方，传说有一只巨大的鱼，叫鲲，它变成了一只大鸟，叫鹏，鹏的翅膀可以遮天蔽日，这只大鸟经过陆地的时候，它带来了一个消息，它把这个消息丢在程序员中，就象一只海鸥在海滩上做的记号，然后鹏背负蓝天，乘风而上，回家去了。

In the east there is a shark which is larger than all other fish. It changes into a bird whose winds are like clouds filling the sky. When this bird moves across the land, it brings a message from Corporate Headquarters. This message it drops into the midst of the program- mers, like a seagull making its mark upon the beach. Then the bird mounts on the wind and, with the blue sky at its back, returns home.

在遥远的东方，传说有一只巨大的鱼，叫鲲，他变成了一只大鸟，叫鹏，鹏的翅膀能够遮天蔽日，这只大鸟经过陆地的时候，他带来了一个消息，他把这个消息丢在程式员中，就象一只海鸥在海滩上做的记号，然后鹏背负蓝天，乘风而上，回家去了。

In the east there is a shark which is larger than all other fish. It changes into a bird whose winds are like clouds filling the sky. When this bird moves across the land, it brings a message from Corporate Headquarters. This message it drops into the midst of the program- mers, like a seagull making its mark upon the beach. Then the bird mounts on the wind and, with the blue sky at its back, returns home.

在遥远菂东方，传说有弌只巨大菂鱼，叫鲲，咜变成了弌只大鸟，叫鹏，鹏菂翅膀可以遮天蔽日，这只大鸟经过陆地菂时候，咜带来了弌個消息，咜把这個消息丢在程序员中，就象弌只海鸥在海滩上做菂记号，然后鹏背负蓝天，乘风而上，回家去了。

In the shadow of Heshbon the fugitives stand helpless, for a fire has gone out from Heshbon, a blaze from the midst of Sihon; it burns the foreheads of Moab, the skulls of the noisy boasters.

躲避的人无力站在希实本的影下。因为有火从希实本发出，有火焰出于西宏的城，烧尽摩押的角和哄嚷人的头顶。

In the shadow of Heshbon the fugitives stand helpless, for a fire has gone out from Heshbon, a blaze from the midst of Sihon; it burns the foreheads of Moab, the skulls of the noisy boasters.

躲避的人无力站在希实本的影下；因为有火从希实本发出，有火焰出于西宏的城，烧尽摩押的角和鬨嚷人的头顶。

In the shadow of Heshbon the fugitives stand helpless, for a fire has gone out from Heshbon, a blaze from the midst of Sihon; it burns the foreheads of Moab, the skulls of the noisy boasters.

躲避的人、无力站在希实本的影下。因为有火从希实本发出、有火焰出於西宏的城、烧尽摩押的角、和哄嚷人的头顶。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。