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The main components of every ommatidium of compound eye were completed in the larval stages. An ommatidium composed of cornea, four corneagenous cells, four cone cells and retinular cells. The sensitization system of an ommatidium included 11 retinular cells, of which four located at the distal part of the ommatidium; seven formed the proximal main part of the retina. Their structures are different.

小眼的感光系统由11个小网膜细胞组成，且与成体一样，11个小网膜细胞已经分化成4+7两层，其中4个小网膜细胞构成了感光部分的远端，7个小网膜细胞构成感光系统的近端主体，远端和近端的小网膜细胞在结构上也有明显差异。

Said food container consists of open main body and cover matched with mouth of open main body.

该食品用容器包括一个设有开口0的容器本体1，和一个与容器本体的开口形状吻合的盖11。

It will forward for your main posts feed, and optionally your main comments feed as well.

它将提出您的主要职位，饲料，并选择性的意见，您的主要饲料，以及。

Constantly walk the Christ of main way many saint Tusk, hear in this world after getting to night boundary the person relieve the orison of calamity, will pass by for it prevent disaster in addition to E, develop for the main way glorious.

坚定不移地走主道的基督众圣徒，到冥界后听到世上人解除危难的祈祷，就会过去为之消灾除厄，为主道发扬光辉。

"Ormolu was first produced in France in the mid-17th century, and France re main ed its main centre of production."

17世纪中期法国最早制成仿金镀料始终保持其主要生产中心的地位。

Multipath is the main character of the mobile communication system. Multipath signal of the target user turn out to be the ISI of the main path signal, multipath signal of the other users cause severe MAI since the orthonormality among the spreading codes is destroyed.

多径干扰是移动通信系统中的常见干扰，目标用户的多径信号对主路径信号引入了码间干扰，其它用户的非同步路径信号由于破坏了扩频序列的正交特性而导致了强的多址干扰。

Based on the collected data from the investigation of otter trawl fisheries and of crab resources in South Fujian-Taiwan bank fishing ground during 1992 to 1995, main distribution area, fishing season, main reproductive season and characteristics of population of Portunus gradiator were discussed.

本文根据1992～1995年期间闽南、台湾浅滩渔场开展单拖渔业调查和蟹类资源调查中所收集的资料，阐述了该渔场拥剑梭子蟹主要分布海区、生产汛期、繁殖盛期以及群体组成特点，为今后合理利用和管理该资源提供科学依据。

Combined a large number of on -site investigate and survey data of loess area in the north of Shaanxi Province, the paper analyzed the influence factors and interrelationship of slope erosion, then put forward the main influence factors , the peculiarity of outwash destructions the main style and protective measures about slope erosion of highway in loess area. The first: the emphasis about protective measures of cut-slope are the selection of rate of grade, the place of plain stage of slope, the slope protection; the second: the emphases about drainage of cut-slope is the rational installation and mating of drainage establishment; And following this principle: the effective holding up , the rapid obviating, the smooth articulation, the seepage prevention and prevent erosion.

根据陕北黄土地区公路的大量现场调查和实测资料，分析了公路边坡冲蚀的影响因素及其相互关系，提出了黄土地区公路边坡冲蚀的主要影响因素、冲蚀破坏特点、主要类型与防护对策，得出：1、路堑边坡坡面冲蚀防护重点是坡率选择、边坡平台设置、边坡防护；2、路堑边坡排水重点是排水设施的合理设置与配套；并遵循有效拦截、迅速排除、衔接顺畅、防渗防冲等原则。

Through the analyses of "To perceive object voluntary and paint it" between main body and object, modeling of ancient scholars' painting between main body and object and Compare both of them, It finds that modeling of ancient scholars' painting falls away from "To perceive object voluntary and paint it".

通过对"应物象形"的主体与客体的分析，以及对文人画造"形"的主体与客体的分析，将两者进行比较。

During the detailed dissertation in this paper, it explains the meaning of the conception of "To perceive object voluntary and paint it" from the history and ideological background that make it be produced and considers that it is the principle of Chinese traditional painting ,relationship of main body and object which contained in it effect each other and being dialectic unity; Secondly, in the text it analyzes the characters of ancient scholars' painting between main body and object, then concludes that the characters of ancient scholar's painting are "not in pursuit of the similitude of appearance ","simple" and "formality".

在具体的论述中，本文从"应物象形"产生的历史条件与思想背景入手，还原"应物象形"概念的涵义，认为"应物象形"是关于中国传统绘画造"形"的准则，其中所包含的绘画创作主客体之间的关系是两相并举，互渗互化，辨证统一的；其次，文章对于文人画造"形"的特点和主客体进行分析，将文人画的造"形"特点归纳为："不求形似"、简约、程式化，并认为文人画造"形"严重偏向于主体，轻视客体；最后，文章分别将文人画造"形"的主客体与"应物象形"的主客体进行比较，得出结论：文人画造"形"不同于"应物象形"。

Now she was hungry and angry.She began to smoulder.

现在她又饿又气，她开始流露难以抑制的怒火。

You have placed our iniquities before You, Our secret sins in the light of Your presence.

诗90：8 你将我们的罪孽摆在你面前、将我们的隐恶摆在你面光之中。