查询词典 in the interest of

Can not be each business nevertheless so prosperous ↓ 3, just arrived of new city I, seek new view everywhere, the station takes camera to overflow in house of bubble steamed bun aimlessly a chaos is patted, do not let off even eaves ↓ 4, in the street alley of lane of whole the Huis, probably only I just can am opposite there is grumous interest ↓ in the take a walk cock hen of roadside 5, going, see the ancient Buddhist templeput on the brakes with one beautiful place and compound, it is one saves in good condition big mosque so this screen wall on ↓ or front door most the look ↓ that attracted me first 6, go in to look, the building distinguishing feature of each place is so attract my ↓ 7, boosting watch for a chance, to any one place in compound Gu Xianggu's lubricious construction details does not let off ↓ 8, also be to see a new world in the compound on the side of main hall ↓ 9, room apical moon, beautiful here is authentic mosque building ↓ 10, go out courtyard, better of a few the Hui nationality people sitting in the sun next prattle,↓ of good envy letting a person 11, this clever animal on mosque gate pier looked a long time, also doing not have differentiate to go out is what animal ↓ 12, come out from the Huis lane, along the town god's temple that the ave went to Xi'an toward westing again on the west, light is a card these upstairs woodcarving had let me admired a head to pat ↓ a long time 12, what main hall of town god's temple saves is not very good, xi'an municipal government also uses contemporary carpentry to come alive without sedulous ground it seems that overhaul, then ability sees audience hall two side this former juice raw ingredient woodcarving gate ↓ 13, the eaves of audience hall also follows pailou same distinctive ↓ 14, the gravelstone lion of two side of pailou looks to also resemble antique ↓ is breathed out, photography homework of the first day is explained end, will stick other again tomorrow...

不过可不是每一家的生意都这么红火↓3、刚到一个陌生城市的我，到处寻找新鲜的景致，站在泡馍馆拿起相机漫无目的地一通乱拍，连房檐都不放过↓4、整个回民坊的街巷里，大概只有我才会对在路边的散步的公鸡母鸡都有着浓厚的爱好↓5、走着走着，就看见一处漂亮的古刹和院落，原来是一间保存完好的大清真寺↓还是正门对面的这个影壁最先吸引住了我的目光↓6、走进往看，每一处的建筑特色都是那么吸引我↓7、捧着相机，对院落里的任何一处古香古色的建筑细节都不放过↓8、正殿旁边的院落里也是别有洞天↓9、房顶上的月亮，标致着此处是正宗的清真寺建筑↓10、出得大院，几位回族长者们正坐在太阳底下闲聊，好让人羡慕↓11、清真寺门墩上的这个灵兽看了半天，也没辨出是什么动物↓12、从回民坊出来，沿着西大街再往西走就到了西安的城隍庙，光是牌楼上的这些木雕就已经让我仰头拍了半天↓12、城隍庙正殿保存的不是很好，西安市政府似乎也没有刻意地用现代木工活来翻修，于是才能看到大殿两侧这原汁原味儿的木雕大门↓13、大殿的房檐也跟牌楼一样有特色的↓14、牌楼两侧的小石狮子看上往也像古董呢↓哈，第一天的摄影作业交代完毕，明天再贴其它的

About two weeks ago when I was head over heels in love with Neruda's poetry, I came across this poem. It was written for his object of affection, Albertina Rosa Azócar in his youth. They met when studying French in Santiago's Pedagogical Institute at the age of 16 or 17. Soon the morose and quiet Albertina sparked passionate flames in the young boy. She was his muse for many lyrical texts and poems for more than 10 years. The most famous ones would be Veinte Poemas de Amor y Une Cancion Desesperada, Twenty Love Poems and a Desperate Song . Even in 1927, after he traveled to countries like Burma, Ceylon, Java and Singapore to work in dark consular positions, he kept writing to Albertina in postcards, hotel letter paper, napkins, loose-leaf pages. She didn't respond to his love with as much passion. In 1930, he began to form a friendship with Mary Antoinette Haagenar from Holland when transferred to Java. Despite her coldness and lack of interest in poetry, he decided to marry her in December of the same year out of solitude in the remote island. It was not known how Albertina felt about Neruda's marriage, but she was married to ngel Cruchaga Santamaría, who was also a poet, five years later.

前几周当我不可自拔地沉迷於聂鲁达的诗作之际，偶然发现了这首诗，这是诗人写给年少时爱恋的对象阿贝蒂娜(Albertina Rosa Azócar)，他们在十六七岁就读於圣地牙哥师院的法文系时相识，之后聂鲁达便展开了长达十多年的爱恋，他为阿贝蒂娜写下许多情诗、文章和信件，其中包括最有名的「二十首情诗和一首悲歌」，甚至在1927年之后，他去到许多亚洲国家如缅甸、锡兰、爪哇和新加坡担任秘密外交特使，他把对阿贝蒂娜的思念写在明信片、餐巾纸、活页纸、旅馆信纸上，但是内向沉静的阿贝蒂娜并未回以同等的热情，於是在1930年，身处异乡的聂鲁达遇见来自荷兰的玛莉哈格纳，虽然她是冰山美女，也无法分享聂鲁达对诗的喜爱，他们在同年12月结婚，阿贝蒂娜对聂鲁达婚事的反应没有任何记载，不过五年之后她也迈入婚姻，嫁给同为诗人的圣塔马利亚(ngel Cruchaga Santamaría)。

Pyrazolyl alkenyl Fischer carbene complexes have both the virtues of multiple reactivity in carbene fragment and high bioactivity in pyrazole fragment, which attracts our interest in their synthesis and application from a theoretical and applied viewpoint.

吡唑基烯基卡宾化合物同时具有高反应活性的卡宾基团和高生物活性的吡唑基团，因而其反应研究具有一定的理论意义和应用价值。

China accept brother is appetent with bribe of this one price " true person is hit quickly " brand and Midway are mixed in Chicago Xiyatu's atelier, but the copyright of two atelier to Siteer getting stuck in Santiago and button and series of tumble game TNA does not have interest.

华纳兄弟意欲以这一价格收买《真人快打》品牌以及Midway在芝加哥和西雅图的工作室，但是对于在圣地亚哥和纽卡斯特尔的两个工作室和摔跤游戏TNA系列的版权没有兴趣。

Today, in the United States, money used in transactions is mainly of three kinds - currency (paper money and coins in the pockets and purses of the public); demand deposits (non-interest bearing checking accounts in banks); and other checkable deposits, such as negotiable order of withdrawal accounts, at all depository institutions, including commercial and savings banks, savings and loan associations, and credit unions.

今天，在美国，在交易中使用的货币主要有三种-货币（公众的口袋和钱包中的纸币和硬币），活期存款和其他支票存款，如在所有存款机构，包括商业银行和储蓄银行、储蓄和贷款协会和信用合作社中可转让的提款单的帐户。

In this context, we have reported recently that the volume of myocardial tissue occupied by perimysial and endomysial collagen was lower in hypertensive patients with HF and depressed ejection fraction, than in hypertensive patients with HF and preserved ejection fraction and normotensive subjects.56 Of interest, the interstitial and perivascular accumulation of collagen fibres was abnormally high in the two groups of patients.

在这种情况下，我们已经说了占用体积perimysial心肌组织人肌内膜胶原水平低的高血压患者用高频和沮丧的射血分数在高血压患者的心力衰竭和保存被罚出场分数与正常血压subjects.56舒张压的利息、间质和血管堆积过高的胶原纤维是在两组病人。

The people and objects floating through Gao Bo's works are without roots - perhaps they come from a momentary memory or a spark of interest. Looking at Gao Bo's works brings pictorial information stored deep in the mind to light, yet within a second these mind-images fade again, leaving behind a memory of all the images that lie underneath Gao Bo's warm and languid sketching. In Gao Bo's consciousness, these images don't stop at realism or simply exposit like some historical legend - in the end they reach towards the fringes of nothingness.These images can call up rich associations in our minds yet often these are false associations. For example, in "Gray Face" this is not the mystical dog of the god Erlang in Journey to the West; the rickety bridge in "River Bed" is certainly not a reference to a rainbow in Heaven; the story of "Contest" is not about two dogs running and pretending to be in love but a story of race dogs controlled by humans.

散漫在高波作品中的人与物没有根源，也许它们是源于个人瞬间的兴趣和记忆，有关知识的、情感的和在脑子里存储的图象信息随之而来，也可以随之而去，只是在温和缓慢的描绘背后还有一丝对所有形象匆匆停留过后的怀念，它们在高波的意识之中并不是一次停留于现实或者历史神话般司空见惯的陈述，它们的结果最终都是通向虚无的边缘，尽管那些形象似乎可以唤起我们丰富的联想，比如《灰色的脸》，它绝不是西游记中二郎神的天犬，在《河床》中不牢靠的拱桥，肯定不是寓指天堂里的彩虹，《竞赛》讲述的故事并不是两只在假装为爱情奔跑的狗，而是被人为所驱使的赛狗。

It is general rule that procuratorial organs sue illegal acts which infract the public interest in other country. That is consistent with the character of law-supervision of procuratorial organ in china , and in favor of people's beneficence .

尤其对于我们国家来说，检察机关担当公益诉讼主体，既与我们社会主义国家检察机关法律监督的性质相一致，又有利于维护广大人民的根本利益。

After mobile opening ceremony, housing and Chou Baoxing of undersecretary of ministry of urban and rural construction and David Garman of international film institute Chairman IWA are in before establishing to exhibit a stage, be full of interest ground understanding to establish litre of PVC shade type to exceed the function of filter film and characteristic, enquired film of Li Shengchao filter extends a case in domestic and international application.

活动开幕式后，住房和城乡建设部副部长仇保兴和国际膜协会IWA主席David Garman在立昇展台前，饶有兴趣地了解立升PVC帘式超滤膜的性能和特点，并询问了立升超滤膜在国内外应用推广情况。

In "Dislocated Modernity: A Retrospect on Narratives in Contemporary Chinese Art," Gao Minglu pointed out that contemporary Chinese art is characterized by the prevalence of realist reflectionist theory, including works that have made their way into the Western exhibition circuit. Specifically citing photographic works to illustrate this point, he writes that Western interest in Chinese photography is explained by their use of it to observe concrete changes affecting China. As such, in this article is an excerpt of Gao Minglu's brilliant analysis

高名潞在《现代性错位：对中国当代艺术叙事的反思》一文中提示了中国当代艺术中的一个事实，即这种艺术中普遍存在着现实主义反映论的特征，就是进入西方展览系统的中国当代艺术也主要是现实主义反映论的作品，他还特地举了图片，来说明这个问题，即西方对中国的图片关注是西方人通过这些图片来看中国现实变化，所以在这篇文章中，高名潞有一段非常精彩的论述

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。