查询词典 in the character of

It thinks tracing right under common law is just the form for the beneficiary to enforce the trust agreement, it is realized by the form of constructed trust which can not decide the character of beneficial right; This chapter combines the most important rule in common law-the essence of common law is common axiom in people\'s conscience, and demonstrates the contractual character of beneficial right; at last, combines the cancellation right under civil law, thinks such right has the feature of contractual character completely.

第六章首先从现代信托的功能定位着手，认为现代信托契约性的增强，不但揭示出了现代信托的价值取向，即对效率的追求与关注，同时，也反映了现代信托法根本为任意法的特点。

The credibility of a witness may be attacked or supported by evidence in the form of opinion or reputation, but subject to these limitations:(1) the evidence may refer only to character for truthfulness or untruthfulness, and (2) evidence of truthful character is admissible only after the character of the witness for truthfulness has been attacked by opinion or reputation evidence or otherwise.

对证人的可靠性可以通过意见证据或名声证据的形式予以质疑或支持，但受下列限制：(1)证据只能针对可信或不可信的品行，并且(2)关于可信品行的证据，只能在该证人的可信品行已受到意见证据或名声证据或其他证据的质疑之后，才具有可采性。

Specific instances of the conduct of a witness, for the purpose of attacking or supporting the witness' character for truthfulness, other than conviction of crime as provided in rule 609, may not be proved by extrinsic evidence They may, however, in the discretion of the court, if probative of truthfulness or untruthfulness, be inquired into on cross-examination of the witness (1) concerning the witness' character for truthfulness or untruthfulness, or (2) concerning the character for truthfulness or untruthfulness of another witness as to which character the witness being cross-examined has testified.

出于攻击或支持证人可靠性的目的，除规则609所规定的定罪判决外，关于证人行为的具体实例不得以外在证据予以证明。但若是为了证明证人可信或不可信，则根据法庭的自由裁量，可以通过对该证人交叉盘问以下两方面事项，予以调查关于证人行为的具体实例：(1)关于该证人可信与不可信的品格，以及(2)关于其他证人可信与不可信的品格，后者的品格在对该证人交叉盘问时曾得到证实。

In a graphic-character, character meaning is the basis of graphic form, and graphic makes the character more living and individual, so a graphic character is much better than an ordinary character in the aspect of descriptive function.

在英文图形文字中，文字是图形意义确立的支持因素，图形化的特点则让文字的意义不再枯燥，而是变得生动、直观、明朗，从而超越了普通文字的叙述功能。

Certainly you can get a leg up on leveling an alt by doing a milk run through an easy instance, but that doesn't mean that character will be as powerful as the character of someone who has no alts and focuses all of their time in game on one character.

它们确实能让你的升级之路更加轻松，让你轻松通过小副本的挑战，但这可不意味着人人都必须要有一身牌子装和强力附魔。

Chapter one is "Introduction". On the basis of summarizing the history of the study of the pictophonetic characters, we suppose some theoretical principle, such as the principle of the correspondence between the form and the meaning of the individual graph of Chinese characters, the principle of the total graphs of Chinese characters being a character-formation system, and the principle of the optimum development of the character -formation system in the history, and som analytic methods, such as the methods of structrue-function analysis, form-position analysis and meaning factor analysis, in the study of the pictophonetic characters. Chapter two is titled"General knwledge of the pictophonetic character." We discuss their origins, nature and some standards of distingnishing them, introduce the knowledge about the editions of SHUO WEN JIE ZI, analyse the functions of the modules of pictophonetic characters in detail, discuss concretely the function of phonetic graphs showing origins and pronunciations, the function of meaning graphs showing meanings and analogies, and the function of distinguishment when the two kinds of graphs are conbined. Chapter three is"The system of meaning graphs of Xiao Zhuan system."After we describe the structure of the meaning graph system, the relations between meaning graphs, the distributions of the function of meaning graphs showing meanings, and the frequency of all this kind of graphs, we get a table of all meaning graphs, a table of the frequency. Chapter four is"The system of phonetic graphs of Xiao Zhuan system."We describe the structure of the phonetic graph system, the relations between phonetic graphs, and between their function showing origins and their function showing pronunciations, and their frequency, then we get ageneral table of phonetic graphs and table of their frequency. Chapter five is "conclusion". We think that systematical methodology is useful in describing and analysing the formation system of Chinese characters. The methodology is adaptable in describing the formation system of modern Chinese characters as well as the historical character systems, adaptable in describing horizontally as well as comparing vertically. Only when we finish the systematical vertical compare on the base of systematical horizontal decription, could we know the true history of the system of Chinese characters, recover the rule of the system's development, and supply the theoretical supports for the scientifical arrangement of modern Chinese characters.

第一部分—绪论，在总结形声字研究历史状况的基础上，提出了研究形声系统的理论原则和分析方法，即汉字个体字符形义统一的思想，汉字字符集合构形系统的思想，汉字构形系统历史演变系统优化的思想等三项理论原则和结构功能分析法，形位分析法，义素分析法等三种分析方法，还扼要地介绍了具体的工作程序和论文的主要内容；第二部分—形声字概述，论述了形声字的来源、性质和鉴别标准，介绍了对《说文解字》正篆形声字说解中的传抄讹误，版本异文，说解错误校勘和考证的经过，详细分析了形声字构件的功能，具体讨论了声符的示源功能与示音功能，义符的示意功能与类化功能以及声符与义符组合中的相互区别功能；第三部分—小篆字系的义符系统，从义符系统的构成、义符间的相互关系，义符示意功能的分布及义符的构字频度等不同侧面，对义符系统进行了全面的描写，产生了义符总表、义符间意义关系总表和义符构字频度总表；第四部分—小篆字系形声字的声符系统，从声符系统的构成、声符间的相互关系，声符的示源功能与示音功能的关系以及声符的构字频度等不同侧面，对声符系统进行了全面描写，产生了声符总表和声符构字频度总表；第五部分—结束语，在全面测查小篆字系形声字的基础上，对研究汉字的方法和现代汉字发展方向的问题提出了一些看法，认为系统论的方法是描写和分析汉字构形系统行之有效的方法，系统论方法，不仅适用于历史上文字系统的描写，也适用于现代汉字构形系统的描写，不仅适用了断代描写，也适用于历史比较，只有在对汉字断代系统描写的基础上进行系统的历史比较，才能认清汉字系统历史演变的真相，揭示汉字系统发展的客观规律，为科学地整理现代汉字提供理论上的依据。

However, if and only if, the new character set is a strict superset of the current character set, it is possible to use the ALTER DATABASE CHARACTER SET to expedite the change in the database character set.

如果，仅仅是如果，新的字符集是当前字符集的一个严格的超集，使用ALTER DATABASE CHARACTER SET命令是一个可行的方法。

Mao Dun absorbs Taine"s views of character and individuality to develop the theory of figuring typical character, and presents the view of " literature of Man is literature of the real to explain the relation between literature and man, that is he maintains describing typical character in the unity of individuality and commonness.

茅盾吸取了丹纳的特征说和个性论，发展了塑造典型人物的理论，提出了"人的文学即真的文学"的论点来阐释文学和人的关系，主张在个性和共性统一中描写典型性格。

This article starts form carding the formation and development of the animations in the United States, Japan and Europe, in their respective national television animation style characteristics. In the second chapter, from the national culture, folk customs and ways, the character and geographical four conditions explore the United States, Japan, Europe, ethnic style animation in the film formation due to the dynamic; Chapter III trays to find the common aesthetic features of the Television Animation factors in United States, Japan, Europe, also this part describes the characters from four aspects, such as to find truthfulness, to find kind and so on. Chapter four is the key of this article, this part colludes several parts , such as film animation level, the way how animation to present to the concept of integrity, the character and language of the text character and so on . This end of this article is a summary of papers, down from globalization understanding of the vision of China Television Animation, the theoretical study of the ultimate goal is to practice creative services, what is more important is a comparative analysis, which received some of reference, identify China Television Animation and the gap between other countries, in order to learn from foreign advanced development of the film and television animation experience in the domestic film and television animation themes and concepts updates, in the localization of the close integration with the international on the road to the former OK, can have a more far-reaching significance.

论文首先从美、日、欧、中影视动画各自民族风格的特点出发，对其民族风格的形成与发展进行系统的梳理；进而在第二章中，从民族文化、民风民俗、民族性格和地域条件四个方面探究美、日、欧、中影视动画民族风格形成的动因；第三章是对美、日、欧、中影视动画的同质性因素进行比较，论文从启真、扬善、弘美、尚趣四个维度来寻求其共通的美学特征；第四章中外影视动画民族风格的异质性因素比较是本文的重点，也是论文的难点，这一章涉及到许多影视动画本体性的层面，拟从动画的观念品格、文本品格和行为品格三个方面进行把握、比较；最后一章是论文的总结，从全球化的视野下来认识中国影视动画，理论研究的最终目的是要为实践创作服务的，因而，论文更主要的是通过比较分析，从中获得一些借鉴性意见，找出中国影视动画和其他国家之间的差距，更好的学习国外影视动画先进的发展经验，以期对国产影视动画在题材和观念的更新上、在本土化与国际化紧密结合的道路上如何前行能够有更为深远的指导意义。

Firstly, this thesis lucubrates in the method theory of character space and does a lot of experiments and researches in the two steps, character expressing and measure of similarity. Realize the object recognition system based on the character subspace, which adopts the effective and ameliorative means to solve the problems existing in the course of recognition such as illumination and pose estimation, so enhances the robustness of recognition.

首先深入研究特征空间方法原理，并对识别过程中的两个关键步骤：特征表达和相似性度量做了具体实验和研究工作，实现基于特征空间目标识别系统，其中采用了几种有效的改进方法，有效的解决了识别过程中存在的诸如光照以及3D目标姿态估计等问题，提高了识别鲁棒性。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。