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Hunger, as a root of physical want, makes Mo Yan's writing become sensory with a personal colorful style. As Mo Yan said himself, he wanted to create a kind of "stomach perforation" work based on harsh realism. After some analysis and research, I found that there was a kind of writing style in abjection, sensory imagination, and instinctive bounce in his creation, which forms a kind of hunger satisfied/swell, absurd/violent, reincarnate/magical illusional narrative aesthetics.

而「饥饿」作为生理匮乏的根源，使莫言的创作开展出一种极具个人色彩感官式的书写，诚如莫言自陈的想写出立基於严酷现实主义「胃穿孔」的作品，经分析与研究后，发现在他的创作中确实以一种贱斥化观点、官能式想像及本能式跃动的书写特色，形成一种饱餍肿胀、荒诞暴力、轮回魔幻的叙述美学。

Based on the idea of "human-centered, personalized-design ", the company's design style shows "people oriented, natural primary" in design, furnishing and ornament, which include the modes of European village, Spanish, Italy, Santa Polo, as well as all kinds of floriculture, fine fabric, iron works, ceramic handicraft and sculpture in Southeast Asian, Indian, Chinese archaize and modern style.

公司以"人性化、个性化"为理念，在设计、陈设、配饰等方面均体现"以人为本、源于自然"的设计风格。目前，公司的设计涵盖了欧式乡村、西班牙、意大利、圣大保罗以及东南亚、印巴、中式仿古、现代等风格的各式摆件、花艺、布艺、铁艺、陶艺以及雕塑等。

The rhythmic proportion was an important precondition and foundation to the serialize rhythm and integral serialism later. The article analyzed Webern's two early compositions, the Six Orchestral Pieces, Op.6 (1909), and the Five Pieces for Orchestra, Op.10 (1913), both of them in the style of free atonality. From the relation principle of the rhythmic cell, the writer discussed Webern's way of organizing rhythm, technique of developing variate of rhythmic cell, as well as its score writing way, and summarized the Webern's early orchestral outputs rhythmic features and its impact on the rhythm style of the works in his later years.

文章以威伯恩早期自由无调性时期的两部管弦乐作品《六首管弦乐小品》Op.6和《五首管弦乐小品》Op.10为对象，从"节奏细胞"的形成以及关系原则着手进行剖析，挖掘、揭示作品中节奏的组织方式；并进一步用作品文本说明、论证节奏细胞的变值发展手法与节奏细胞的谱面组成方式；最后总结出威伯恩早期管弦乐作品中的节奏特征以及对作者晚期节奏风格产生的影响。

"October Rising" 2009 Chinese film made the strongest. 2,"Shinjuku Incident" reflects the real Chinese people smuggling syndicate in Japans life, the director depicts scenes between men, friend and brother, is inspiring. 3,"Banlieue 2: Ultimate" smooth continuation of the first Parkour action style, fast-paced, music is a lot of highlights. 4,"Hurricane rescue" retired agents thousands of miles to save women, clear-cut action style, the audience hooked. 5,"Ye ask," the best in recent years, the Hong Kong kung fu movies. 6,"race situation" sense of speed super "car action movie." 7,"accident" opening a surprising and exciting plot, the unique way the film temperament and camera work. 8,"the Rye" is no heroism, replaced by nothing, anxiety and loss, it is no longer a clear distinction between good and evil battle of good and evil, but at the edge of the good sorts of people and more poor people struggle. 9,"the prequel Underworld: wolf came again," a simple plot, gorgeous fight, perfect visual impact on viewers eye. 10,"Vengeance": a quiet burst of violence under the screen, slow-paced narrative images and game-like life and death among men, affection, Hong Kong director for the French meal on an Oriental.

《十月围城》2009华语影坛最强制作。2、《新宿事件》真实的反应了偷渡到日本涉黑中国人的生活，导演刻画出的一幕幕男人间情义，令人动容。3、《暴力街区2：终极》延续第一部流畅的跑酷动作风格，节奏明快，配乐也是很大的亮点。4、《飓风营救》退休老特工千里救女，干净利落的动作风格，让观众大呼过瘾。5、《叶问》近年来最好的香港功夫电影。6、《赛车风云》速度感超强的"汽车动作片"。7、《意外》开场惊艳，情节精彩，独特的电影气质与运镜手法。8、《守望者》它没有了英雄主义，取而代之的是虚无、焦虑与失落，它不再是正邪分明的善恶大战，而是处在边缘，勉强称得上好人的人与更糟糕的人的斗争。9、《黑夜传说前传：狼族再起》单纯的情节，绚烂的打斗，完美的视觉效果冲击观众眼球。10、《复仇》：安静画面下的暴力迸发，慢节奏的叙事画面和男人间游戏般的生死情意，香港导演为法国人上的一道东方大餐。

Therefore Dai Shenghong's painting language has no predefined metaphors. Her direct narration transforms meaningful realistic scenario into simple image patterns "awkwardly" presented on the canvas. The painting style also goes hand in hand with the subject. In the reverberant sounds achieved by the rich and greasy black color, and forceful clumsy strokes by scrapers and brushes, these simple graphic elements break loose from academic style, and the early post-impressionism represented by Van Gogh and Gauguin vaguely emerges from behind.

因而，代生红的图像语言没有隐喻的"设定"，其通过直叙，将触动自身生活的现实情景转化为朴拙的图式，表露于画布，而其画风更是与主题相得益彰，在稚拙有力的刮刀、笔触与腻黑、饱满的色彩融合下，这些质朴的绘图语素，竟游离出了所谓学院的手法和派头，隐约浮现出早期后印象主义如梵高与高更的格调。

Byron Vineyard and Winery was founded in 1984, with the intent to make great wines in a Burgundian style and to introduce Rhone-style grape varieties to the area.

拜伦葡萄园和葡萄酒酿造厂座落在圣玛利亚山谷创建于1984年。1990年被罗伯特·蒙大菲家族兼并。

Of favour of ㄐ of brilliant of green Luan apprentice year in July, li Chenglin of minister of the Ministry of Communication starts new-style traffic trade in construction point out on working conference, construction starts new-style traffic trade, it is all to get with scientific progress view namely, the strategic base point that strengthens innovation ability to regard highway canalage traffic as development, innovation perforative each respects to traffic modernization, optimize industrial structure, change grows way, improve development quality, enhance service ability, build the culture atmosphere that is helpful for innovation and system environment, invoke the innovation spirit of entire industry, advance innovation of concept innovation, science and technology, system mechanism innovation and policy innovation energetically, take the way that develops with innovation hurried.

要害词之一：创新型交通行业2006年7月，交通部部长李盛霖在建设创新型交通行业工作会议上指出，建设创新型交通行业，就是以科学发展观为统领，把增强创新能力作为公路水路交通发展的战略基点，把创新贯穿到交通现代化建设的各个方面，优化产业结构，转变增长方式，提高发展质量，增强服务能力，营造有利于创新的文化氛围和制度环境，激发全行业的创新精神，大力推进理念创新、科技创新、体制机制创新和政策创新，走以创新促发展的道路。

Compound fiber is in carborundum of new-style carbon ／ success of development of university of national defence science and technology reports according to daily of science and technology, a few days ago carborundum of ／ of a kind of new-style carbon fiber material develops a success in university of national defence science and technology, pass expert appraisal.

新型碳／碳化硅复合纤维在国防科技大学研制成功据科技日报报道，日前一种新型碳／碳化硅纤维材料在国防科技大学研制成功，并通过专家鉴定。

This thesis focuses on male and female"s different strategies employed in criticism and criticism response. Through discussing their different strategies, this thesis tries to reveal the regularity of male and female"s speech style in criticism speech act, to expose difference in their speech style. Then the thesis tries to increase communicants" sensitivity to these regularity and difference, to help male and female communicants to explain, judge, evaluate each other"s speech act correctly, communicate with each other successfully and smoothly, and reduce misunderstanding between each other.

本研究关注男女性在批评和批评回应中使用的不同策略，试图揭示批评中男女会话风格的规律性和差异性，从而提高交际双方对此规律和差异的敏感性，帮助交际双方正确的解释、判断和评价对方的言语行为，顺利有效地进行两性言语交际，减少交际失误。

In Chapter Two,we make more effort on portraying the revolution of prose literature style of the 90s.At the lay of genre,polyphonic prose,long prose and a lot of essays have appeared in the 90s' prose.Cross-style writing became the general tendency and tide in this period.

第二章，有重点地描述了90年代散文的文体变革。90年代的散文，在文类层面，出现了复调散文、长篇散文及大量的随笔，跨文体写作成为这一时期散文总的趋势和潮流。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。