查询词典 in reality

The new exploration of TV program brought by "Reality TV" is definitely an illumination for TV in China, but as for Chinese TV programmers, it is also necessary to appropriately treat the disputes also brought by "Reality TV" on human nature, morality, privacy and so on. Additionally, they also need to solve such problems as the moral evaluation and the cultural criteria for "Reality TV," shoulder the corresponding responsibility, and try their best to harmonize Chinese traditional culture, satisfy the audience indeed from both visional and audile perspectives.

真实电视"对节目样式进行的新的探索对中国电视来说不无启发，但是对于中国电视节目制作者来说，同样需要面对的是如何看待"真实电视"带来的关于人性，道德、隐私等方面的争论，如何解决"真实电视的道德评价、文化尺度等问题，担负起媒体应有的责任，如何使之与中国的文化传统相协调，真正从视听语言上满足观众。

On the basis of Earth surface space using reference ellipsoid as height basis, map space using Gauss-Kruger projection plane as height basis, a viewpoint is proposed that map projection actually establishes corresponding relationship between the height bases of two different spaces above. From the viewpoint of projection and visible representation, the relationships among earth surface space, RS imagery space and map space are analyzed; the differences among different representations of earth surface space are identified theoretically; virtual reality is applied to the representation of land surface space, and a prototype of real 3D virtual reality system based on spatial information is developed. By means of digital simulation, virtual reality representation of land surface space in visual image space is realized.

在以参考椭球面为高程基准面表征地表空间、以高斯-克吕格地图平面为高程基准面表征地图空间的思想基础上，提出了地图投影实质上是建立两个空间的高程基准面之间关系的观点；从投影和可视表达的角度，分析了地表空间、遥感图像空间、地图空间之间的关系，从理论上区分了对地表空间的不同表达方式之间存在的差别；将虚拟现实技术应用于地表空间的表达，研制了空间信息三维虚拟现实系统原型，利用数字模拟技术在视像空间实现了对地表空间的真三维虚拟现实表达。

The problem of the former is that China's contemporary art cannot achieve a real height in regard of cultural sense and spiritual expressions if it has not experienced the seedtime of modernism; while the latter's is that the interpretation of Vulgar Sociologism will overrun if the attention to the superficial reality is overemphasized-and that the so-called attention to the reality is nothing but the continuous reduplication of the symbols of reality.

前者的问题是，如果没有经历过现代主义的发展阶段，中国当代艺术不可能在文化意义、精神表达上具有真正的高度；后者的问题是，如果片面强调对表层现实的关注，则必然在庸俗社会学的阐释面前就范，而所谓的现实关注也无非是现实符号的不断复制而已。

The other side is the universal in the form of a tranquil essence; but it is for that very reason only something inner which, though not absolutely non-existent, still has no reality and can itself become a reality only by getting rid of the individuality which has arrogated reality to itself.

前一方面的普遍秩序，乃是一种静止的本质，但唯其如此，它是一种内在的东西；它并非什么都不是，但毕竟不是现实性；而且它只有扬弃了曾经自称为现实性的那个个体性，自己才能变成现实的。

It pains the reality of the age accurately analyses and animadverts the reality of the age rationally, apperceive the had of future bravely, and transcends the reality and as the in age logically.

只有&真正的哲学&才能体现出哲学的价值，即它能够正确地解释时代现实、理性地分析和批判时代现实、勇敢地洞察时代的未来趋势而合乎逻辑地超越现实和创造新时代。

It's no wonder that only people with rich aesthetic appreciation experiences have a physiological or psychological demand for tachisme, because in their eyes, what they expect most is a kind of pleasant sensation on aesthetic appreciation. They have seen too many delicate paintings, so their eyes are very particular and slashing. Especially, they can't bear ordinary paintings without mien. It has become impossible for those quotidian and easy descriptions about the reality without sound and colors to catch their eyes, to say nothing of touching their heartstrings. In their eyes, a good artwork "shall not get separated from the thought course of the reality to make an immediate response to various experiences and feelings in the life, and express them in a surprising manner with a breath-taking vigor, even make a crazy demonstration."

朱健甫：这也难怪，只有有着丰富的审美经验者，他才会对抽象绘画有一种生理和心理的需求，因为在他们眼睛里最为期盼的是一种审美快感，他们看了太多的精美绘画，因而眼睛是十分挑剔与苛刻的，尤其不能容忍平凡，没有声色的存在，对于那些司空见惯的对现实简单的描述，已不能打动他们的眼球，更无法触动他们的心灵，在他们看来，好的艺术品：&既不能脱离现实的思维进程，将生活中的种种经验与感受即刻的作出反应，并将它以出乎意料的方式表达出来，用一种摄人心魄的气势，做甚至是癫狂的展示。&

On the basis of the modern signalology,this papper relates what is the art beauty and what is the reality beauty and how to find and grab the spirts of plate creation from our the reality in order to give people better visual art beauty and make them go ahead of the reality.

摘 要：本文以现代平面设计中的符号学为基点，阐述了什么是艺术美与现实美，及如何从现实中寻找平面创作的灵感，更好的给人们带来视觉上的艺术美，并超越现实。

Twenty years ago Chinese paintings realism玩世those artists, had been expelled in the Yuanmingyuan, and later in the宋庄small flat, in the artistic production of geo-science are marginal, they had also very weak (in fact the reality that they can be used as soft and the source), if they did not have, there is no contemporary art in China face the reality and the quality of life!

二十年前中国画玩世现实主义的那些艺术家，在圆明园被驱赶，后来在宋庄蜗居，在艺术生产的地缘学上都是边缘性的，他们原先也是很弱小的（其实他们可以作为软现实主义的源头），如果没有他们，也就没有中国当代艺术的直面现实和生命的气质！

Some time, I often think if we can be friends in the reality that Gaichehao, not so much to be indisputable, so that we will be even more united, hateful 007,the mother than, soul-I see the growth of Shushan in the eyes, but beyond that some infarction, as I have not walk, and many have some time together, people are meat-long, but the reality!!! Reality ~!!!

有的时间，我常想如果我们能够是现实中的朋友，那该多好，没有这么多可以去争的，这样，大家会更加团结，可恨的007，妈比的，龙魂蜀山的成长我看在眼里，但是，今非昔比了，有些梗塞，作为我也不像走，在一起许许多多也有些日子了，人心都是肉长的，但是，现实！！！

Through a systematic outlining and description of the phenomenon that most characters in the narrative works of Musil are without full names, the paper considers that names in the literary works of Musil are of striking implication and the incomplete form of names suggests the demonstration of the mental crisis of characters. In his creations in the late stage, Musil highlighted spiritual exploration, strongly advocated criticizing reality and thought of the possibility to replace the then reality.

通过对穆齐尔的叙事作品里人物多数没有完整的姓名这一不被关注的现象的系统梳理，认为人名在穆齐尔的文学作品里有着非同寻常的意义，而姓名的残缺意味着人物心灵危机的凸现；穆齐尔在其后期创作中着重于精神探索，力主批判现实，并省思取代当下现实的可能性。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了