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In the version of 1884 (London, 1906); RUBIE, The first Book of Kings (London, 1907); BARNES, I and II Kings (London, 1908); MACLAREN The Books of Kings (London, 1907-08); BURKITT, Fragments of the B. of Kings according to the translation of Aquila (Cambridge, 1897); LAGRANGE, L'Inscription de Mésa, etc., in Revue Biblique (1901), 522-45; PRASEK, Sennacharib's Second Expedition in the West and the Siege of Jerusalem in Expository Times, XII, 225, 405; XIII, 326; STEFFENS, The St;ructure and Purpose of the B. of Kings in The Bible Student, VIII, 153-60; DLLER, Geographische und ethnographische Studien zem III und IV Knige (Vienna, 1904); BURNHAM, The Mission and Work of Elijah in Biblical World, XXIV, 180-87; SCHULZ, Die Quellen z.
在1884年的版本,(伦敦, 1906年); RUBIE ,第一本书的国王(伦敦, 1907年);班,第一和第二国王(伦敦, 1908年); MACLAREN的书国王(伦敦, 1907年至零八年); BURKITT ,片段的湾国王根据翻译雕(剑桥, 1897年);拉格朗日,欧莱雅题词日梅萨等,在杂志Biblique ( 1901 ), 522-45 ; PRASEK , Sennacharib第二远征西部和围困的耶路撒冷说明性时报,十二, 225 , 405 ;第十三326 ;斯蒂芬斯,该街;结构和宗旨的湾国王在圣经学生,八, 153-60 ; DLLER , Geographische与ethnographische Studien零三和四节(维也纳, 1904年);伯纳姆的任务和工作的以利亚在圣经世界, 24 , 180-87 ;舒尔茨模具Quellen卓
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Th' expense of spirit in a waste of shame Is lust in action, and till action, lust Is perjured, murd'rous, bloody full of blame, Savage, extreme, rude, cruel, not to trust, Enjoyed no sooner but despised straight, Past reason hunted, and no sooner had Past reason hated as a swallowed bait, On purpose laid to make the taker mad. Mad in pursuit and in possession so, Had, having, and in quest, to have extreme, A bliss in proof and proved, a very woe, Before a joy proposed behind a dream.
把精力消耗在耻辱的沙漠里,就是色欲在行动;而在行动前,色欲赌假咒,嗜血,好杀,满身是罪恶,凶残,粗野,不可*,走极端;欢乐尚未央,马上就感觉无味:毫不讲理地追求;可是一到手,又毫不讲理地厌恶,像是专为引上钩者发狂而设下的钓钩;在追求时疯狂,占有时也疯狂;不管已有,现有,未有,全不放松;感受时,幸福;感受完,无上灾殃;事前,巴望着的欢乐;事后,一场梦。
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In the third chapter "Utterly exhausted", analysed expressly those long-lens and jump-cut; In the fourthly chapter "alpha city",analysed expressly the aesthetic purpose of black and white and simulacrum; In the fifthly chapter "Chinese girl",put emphases on the color and component line;In the sixth chapter "madman Pierrot",analysed expressly color and dissymmetry composition of a picture through psychology; In the seventh chapter "carbinier",analysed lens language from film semeiology; it researched Chinese film in eighth chapter,explained detailedly a successful Chinese films;"Yellow land",analysed presentation format of The sign "China".point out our Chinese film various problems in inditing concept as well as film system.
第八章是对中国电影的研究,提出戈达尔对我们中国电影一些有益的启示,分析了一部成功的中国影片《黄土地》,从电影符号学的角度去分析"中国"这个符号的呈现方式。还指出了中国电影目前存在的一些问题,有电影创作观念上以及中国电影体制等方面的原因。
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Ryan Kisor, one of the best jazz trumpeters in the world, was born April 12th, 1973 in Sioux City, Iowa. He began playing in a local dance band by the age of ten, began classical lessons at 12, met and was inspired by Clark Terry at 15 (while attending the latter's summer jazz camp) and played with various high school all-star bands. In November of 1990 he won the Thelonius Monk Institute's trumpet competition at the age of just 17, beating out the likes of Nicholas Payton and Marcus Printup. After graduating from high school in 1991, he went to the Manhattan School of Music and later studied with Lew Soloff among others. He has recorded fairly extensively both as a leader and sideman and with small and large groups. Among the highlights; the Mingus Big Band (which still plays every Thursday night at "The Fez" under Time Cafe in NYC's east village), the Michel Camilo Big Band (which although only existed for the purpose of recording the album,"One More Once," was arguably one of the best latin big bands recorded in recent memory), the Lincoln Center Jazz Orchestra, Gerry Mulligan, Wynton Marsalis, Wycliffe Gordon, Horace Silver, and Walter Blanding.
Ryan Kisor,美国著名爵士小号演奏家,1973年4月3日生于美国爱荷华州,10岁开始学习小号演奏,1990年在美国竞争最为激烈的爵士乐比赛——Monk国际爵士乐大赛(International Thelonious Monk Jazz Competition)中击败像Nicholas Payton和Marcus Printup这样的高手获得优胜,当时年仅17岁。1991年中学毕业后,被著名学府曼哈顿音乐学院录取师从Lew Soloff先生学习小号,在学期间加入Mingus大乐队,年纪轻轻便以惊人的深厚实力成为独当一面的独奏小号手。19岁时以首张专辑《One For Miles》正式出道,而后自1994年至今一直为世界著名爵士小号演奏大师Wynton Marsalis领衔的林肯中心爵士乐团的常任小号演奏家,同时Kisor先生还受聘加入卡内基音乐厅爵士乐团以及David Matthews率领的曼哈顿爵士乐团,杰出的演奏技巧及艺术水准受到世界乐坛之瞩目,曾受邀多次出访全球各国,每次均毫无保留的展现了其精湛的演奏实力,让世界各地的广大乐迷感受到其小号的魅力。
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The line places thoroughly namely if with us person of Heibei laborious collect says be troubled by old~!But the jest in the human association with these buckish and Bacchic loose to mixing styles,we are indistinct saw neutral of even if film"overrun"but those who communicate is those sexes that are afoundation with love,perhaps be fundamental love with the gender,a variety of patting the result that drag,it is at least in afew kisses,exuding tenderness and love through eyes saw true love in afew dialogs,saw that situation of the intention.The film of Bmerican clique series exaggerated of purpose the to the gender understanding that those resemble our euqally big children in the Western Hemisphere and fumble,although be exaggerated,but mix after all the circumstance conform to of those Bmerican reality,believe to be in what had been our country learns in much and not been for the student of the college,but that is miserable in the ear that the thing has passed parents~!
但是在这些浮华喧闹的派对和荒诞乖张的人际交往中的笑话,我们隐隐约约观到了即便影片中性的&泛滥成灾&但是传达的是那些以爱为基础的性,或者以性为基础的爱,种种拍拖的结果,至少在一些吻中,含情脉脉一些对话中观到了真爱,观到了专心的那份情美国派系列的电影有意的夸大了那些在西半球像我们一样大的孩子们的对于性的认识和摸索,虽是夸大,但是究竟和美国那些现实的情况相符,相信在我们国家大部分中学和高校的学生来说已经不算是什么了,但是事情已经传到父母的耳朵里那就惨了~!
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It tells particularly the debris flow"s the encironment and the development characteristic by numbers . And according to its character , selecting the latest research results at present , the anthor calculates the debris flow"s the moving , dynamical characteristics and the scale , such as , the velocity of flow , the wallop , the peak value flux , and the total flux . And the anthor calculates density in different design frequency by the empirical formula method . In the text, the author uses the modle of evaluating a single gully to evaluate the risk of the debris flow . First , the author calculates the hazard degree in different design frequency , and forecasts the risk range of debris flow in Shenjia gully based on the maximum pile thickness and the total solid amount of a denbris flow . Then , on the basis of the risk range in different design frequency , the author carries out the damageability and risk assessment . The basic purpose of risk management is reducing risk or transferring risk , reducing the loss of life and property . The text constructs the system of risk management of debris flow in Shenjia gully , basis on the condition of Shenjia gully .
本文从地形地貌、地层岩性、地质构造、气象水文等方面系统地阐述了深家沟泥石流的发育环境及发育特征;分别从形成区、流通区、堆积区对深家沟流域特征进行描述;依据泥石流沟自身特点,选用现阶段最新的研究成果,推算了不同设计频率下的深家沟泥石流流速、峰值流量、总流量、冲击力等动力特征和规模数据;并且根据经验公式法来确定深家沟不同设计频率下的泥石流容重;本文采用单沟泥石流风险评价模型对深家沟泥石流进行风险评价,首先对不同的设计频率下的深家沟泥石流进行危险度评价,根据最大堆积厚度与一次泥石流冲出量来预测不同频率下的泥石流危险范围,然后,根据预测的评估范围,评价对应范围内的易损度,最后作出风险评价;城镇泥石流风险管理的根本目的是降低风险或转移风险,减少生命财产的损失,本论文根据泸定深家沟泥石流的具体情况,构建了深家沟泥石流风险管理体系。
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In that church, for the first time, I became aware of a system of belief in which individuals have value in themselves, in which there is a meaning and a purpose to life, in which feelings are considered important, in which the world is pictured as having discarnate beings, as well as those whom we can see and hear, and in which these discarnate beings are ever-ready to assist us.
第一次进入那座教堂,我开始得知个人在其中具有自身价值的信仰体系,在其中生命具有意义和目的,在其中情感被认为是重要的,在其中世界被描绘成有着无形的生命,同样有着我们能够看见、听到的生命,这些无形的存在随时准备帮助我们。
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In this paper, four sections located respectively in Yadong-ZhergerLa in central Himalaya, Pai-Zaqu reach of Yalung-Tsangpo River, west slope section of NamuLa and east slope section of DuoxiongLa in Eastern Himalaya Syntaxis were chosen, and conventional and laser ~(40)Ar/~(39)Ar methods were used to build the framework of thermal evolution history of central-east part of Himalaya orogen, for the purpose of revealing the secret of uplif of central-east Himalaya.In Yadong district in central Himalaya, a retro-metamorphic high-pressure granulite and its country rock were focused and conventional ~(40)Ar/~(39)Ar tests were done.
本文选择位于喜马拉雅中段亚东地区的亚东—哲古拉剖面以及位于东喜马拉雅构造结的雅鲁藏布江沿岸派乡—扎曲段、那木拉峰西坡以及多雄拉峰东坡等四条剖面,利用精细的阶步加温和单次全熔~(40)Ar/~(39)Ar年代学方法,试图构建喜马拉雅中段及东喜马拉雅构造结岩体热史演化的年代学框架,以期解开喜马拉雅造山带中东段的抬升之谜。
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In short, this explorative study for self-identity concept, theory and practice is for the purpose of (1) trying to unitarily understand self-identity concept, in turn to minutely examine the new development of self-identity theory, and to introduce self-identity theories and research methods in western psychology to domestic psychology in order to cause the interest of domestic psychologist to self-identity thesis; and (2) through the empirical study on self-identity of college student, revealing the meaning of self-identity to student development, and the personality characteristics of self-identity status of student, and the characteristics and influential factors of student self-identity development, and the relationship between student self-identity status and mental health condition in order to provide the measurement of empirical study and systematic study data for self-identity researches, in turn to provide basis of theory and method for setting up the theoretical model of Chinese students self-identity; and (3) making up the gaps in empirical researches on self-identity in domestic psychology, opening up a new research domain in colleges and universities student psychology, and enrich the theory on student development researches.
总之,本文对自我同一性概念、理论和实践进行探索性研究,旨在(1)尝试对自我同一性作整合统一的理解并在此基础上,详细考察自我同一性理论的新发展,试图将西方心理学自我同一性理论的发展引入国内心理学,以引起国内学者更多的关注;(2)通过对大学生自我同一性的研究,揭示自我同一性对大学生发展的含义、大学生自我同一性状态的人格特征、大学生自我同一性发展的特征和影响因素、大学生自我同一性状态与心理健康水平的关系,进而为自我同一性的研究提供实证研究的测量工具以及系统的实证资料,为建立中国大学生自我同一性的理论模型提供理论和方法上的基础;(3)弥补国内自我同一性实证研究的空白,开辟大学生心理学研究的新领域,丰富大学生发展研究的理论;(4)当代大学生自我同一性问题的研究既是青年心理学、教育心理学和学校心理学的重要课题,也能为大学生发展和大学教育实践提供心理学依据,特别是在强调创新教育和推进大学素质教育的今天具有重要的实践意义。
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While the morning-band has not beclouded my eyes While the cord of the Fates is still dimly evident In the dusk, I am busy In twining the life in dust Mosquitoes are not tired of reciting doggerels again and again I am immaculate to respectively listen to them Moths are looking for sunshine in sunshine I am not intent to bluntly point it out Time is like starlight Soundlessly trickling from reticulations I only hold the undivided attention To weave the life in dust Oh, when will the silk thread As long as a dream be ended In my bustling steps Where is the unchangeable purpose A gigantic beetle Has destroyed my dream that is as long as the silk thread What has dropped from the sky to the earth also includes The life I am weaving in dust
趁黑纱尚未蒙蔽我的眼睛昏黄中这一线命运的绳索还依稀分明,我要忙着织完这尘埃中的生活蚊子不厌其繁地朗诵打油诗我无暇聆听飞蛾在光明中寻找光明我无心点破时间如星光从网眼里无声地滴漏我只一心一意纺织这尘埃中的生活梦一样长的丝线啊何时才有个尽头在我忙乱的脚步里哪里有不可更改的目的一只巨大的甲壳虫摧毁了我丝线一样长的梦从空中坠落在地的,还有这我正在尘埃中编织的生活
- 相关中文对照歌词
- Purpose In Your Storm
- 推荐网络例句
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The split between the two groups can hardly be papered over.
这两个团体间的分歧难以掩饰。
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This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.
这种做法不仅鼓励了更多的反应,而且减少跟风的可能性。
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The new PS20 solar power tower collected sunlight through mirrors known as "heliostats" to produce steam that is converted into electricity by a turbine in Sanlucar la Mayor, Spain, Wednesday.
聚光:照片上是建在西班牙桑路卡拉马尤城的一座新型PS20塔式太阳能电站。被称为&日光反射装置&的镜子将太阳光反射到主塔,然后用聚集的热量产生蒸汽进而通过涡轮机转化为电力