查询词典 in one's opinion

However, energy crisis, environmental protection consciousness and new energy development have already become an important issue in the 21st century. In order to popularize the discussion of the domain of the social science, this research was at one's own expense by Dr. Tsai MeiYing of Shih Hsin University. In addition, United Nations Industrial Development Organization - International Centre for Hydrogen Energy Technologies (UNIDO-ICHET) sponsored the investigation. Planning to correspond with the orientation of dissemination and following the highlight of topics, such as global warming, oil price upsurge and Kyoto Protocol etc., which has caused the obviousness of the new energy media issues in recent years, we probe into how media reported the new energy issues and what the core frame of media's report was. Simultaneously, we discuss further the concern degree and viewpoint of new energy relevant domain's opinion leaders and innovators to this topic of media's report.

因应能源危机、环保意识、新能源发展已成为21世纪重要的议题，为推广社会科学领域的探讨，本研究由世新大学蔡美瑛博士自费，联合国工业发展组织-氢能源科技国际中心（UNIDO-ICHET）赞助调查，拟从传播面向切入，探讨随著全球暖化、油价高涨、《京都议定书》规范等议题的彰显，导致近年来新能源媒介议题的兴起，媒体是如何报导新能源议题以及报导的核心框架，同时进一步探讨新能源相关领域意见领袖及创新者对於媒体报导此议题的关注度及看法。

From Ji Cheng's attitudes towards"artificial"and"natural", we knew his opinion of"nature and man are in one"; from the material enjoyment, mentally joviality and the noble-minded virtue in his art of gardening, we saw his living philosophy and morality view; through the analysis of his aesthetic psychological constitution, we exposed Ji Cheng's criteria of gardening and sentiment of aesthetics in the book that simplicity and elegance were beauty, diversity and variability were beauty, flexion and circumbendibus were beauty, loneness and hiding were beauty and vacant and remoteness were beauty; summarized Ji Cheng's artistic pursue in gardening which combined changing and innovation, harmony in meaning and scenery sharing, and reached the effect of natural views though created by man.

从计成在造园中处理"人作"与"天成"的关系，揭示其"天人合一"的宇宙观；计成把物质享受、生活闲适和精神愉悦以及超然于世俗与崇尚传统正直人品的道德理想注入造园理念中，体现了他的人生观和道德观；考察计成的审美心理结构，彰显其以雅朴、遵时、清赏为美，变幻多端为美，曲折委婉为美，幽静隐僻为美，空灵远逸为美的造园审美标准和《园冶》雅趣、幽趣、逸趣等审美情致；归纳计成勇于求变创新、妙于意味和谐、巧于借景取胜，达到自然天成意境的造园艺术追求。

Even though one's external intent may be to improve their online 'business', the inner benefit is in my opinion a cathartically therapeutic one and can perhaps be even more beneficial to the blogger herself.

即使一个人的外在意图可能是，以改善他们的在线'业务'，党内的好处是，我认为一cathartically治疗之一，并或许可以更利于博客自己。

Even though one's external intent may be to improve their online 'business', the inner benefit is in my opinion a cathartically therapeutic one and can perhaps be even more beneficial to the blogger herself.

即使一个人的外在意图可能是，以改善他们的在线'业务'，党内的好处是，我认为一nin治疗一个或许可以更利于博客自己。

On the other hand one must also not mythicize public opinion surveys. Even the best surveys reflect people's opinion at specific points in time, they are not the only criterion for policy development.

当然，就算是以最科学化方法取得的民意数据，也只能反映市民大众在特定时空下基於某种认知下发表的意见，不能神化为主导社会发展的唯一规条。

Meditation Alone/ firefly译 The Moon Is Mine The moon is mine And the sundries I home mail It's thin, cool and dark Like me under an unlucky star Who stay out straying, with a sadly sorrowful look When facing it You should feel esteem--in my opinion Also you could Weep when looking at it, and Be put in a tight spot, or Behold a man in it coming out Lay Open the Loneliness Lay open the loneliness, perhaps There be no loneliness Under the alone lamp, in the empty room The whole world's dyed orange with rays Everything represents nothing As someone been far away The deserted heart still misses Only lonely is still lonely Wine for one, when wine round three times for one Think of the drip drops, the fallen leaves, and Some time, some seasons, some persons, some Sundries when warm Like I lay open the loneliness Then nothing to keep lonely The Tree All the leaves in this tree fall Its loneliness falls into a face It's limpid and bright Where the sun shines There are blares of colored glaze Exclaim occasionally, or profoundly Stride one's line of sight, such height and weald Straying there --Why there is no wild Divide the Rain Drips Divide the dense rain drip Then you may see decaying scene-- A man in the sun walking with vigorous strides In the shallow puddle Immerges half his nose, spraying Continuous ripples It's simply a groundless guess at daytime Or rather a dream, yet that's it And that I see Sun's weak, and see The sun and water turns to be blank in the air Nov.

16th， 2007 原诗：《独想》《那些月光是我的》那些月光是我的是我寄给家里的物什它薄薄的，凉凉的，暗暗的就像我的薄命流浪在外，神情悲悯你们面对它应该感到高贵——这是我的想法你们也可以看着它流泪，看着它一筹莫展，或者看着一个人从里面走出来《把孤独摊开》把孤独摊开，或许就没有孤独了在孤灯下，空屋里万物都染着桔色的光万事都不代表什么就像远去了一个人心中空荡荡的，却总有惦念但孤独还是孤独的一个人的酒，一个人酒过三巡想想窗檐的滴水，想想落叶，想想一些时间，一些季节，一些人物，一些那时感到有温度的物什就如同把孤独摊开了没什么可继续孤独的《这棵树》这棵树落光了叶子它的孤独就成了一张脸它清澈与明亮太阳光照的地方，全然是时空中一簇琉璃的光泽偶尔让人惊叹，偶尔骨感地跨入人的视线，那样的旷野和高度停留在那里——为什么没有荒芜《把雨点分开》把稠密的雨点分开就可以看到颓废的景观——一个刚在太阳下健步如飞的男人在浅水坑中浸入了一半的鼻子，喷着连续不断的涟漪这只是我白日的一个臆念有点梦，但就是这样我才看到了阳光的软弱，看到了阳光和雨水原来就是一场空中之茫

It is in the lack of safety and lack of love that your species harms and maims; whether such harmfulness is upon the battlefield or an unconscious and energetic phenomenon is of little difference in our opinion; it is only in finding one's safety and internal sense of being loved that one will exit such a dance and ascend beyond harmfulness.

在缺乏安全和爱中，你们的物种做出伤害并致残。不管这类伤害是在战场上，还是一种无意识的能量现象，依我们之见，几乎没有区别。只有在找到安全与内在被爱的感觉中，你们才会退出类似舞蹈并超越伤害。

For instance when the evicted tenants question, then at its first inception, bulked largely in people's mind though, it goes without saying, not contributing a copper or pinning his faith absolutely to its dictums, some of which wouldn't exactly hold water, he at the outset in principle at all events was in thorough sympathy with peasant possession as voicing the trend of modern opinion (a partiality, however, which, realising his mistake, he was subsequently partially cured of) and even was twitted with going a step farther than Michael Davitt in the striking views he at one time inculcated as a backtothelander, which was one reason he strongly resented the innuendo put upon him in so barefaced a fashion by our friend at the gathering of the clans in Barney Kiernan's so that he, though often considerably misunderstood and the least pugnacious of mortals, be it repeated, departed from his customary habit to give him one in the gizzard though, so far as politics themselves were concerned, he was only too conscious of the casualties invariably resulting from propaganda and displays of mutual animosity and the misery and suffering it entailed as a foregone conclusion on fine young fellows, chiefly, destruction of the fittest, in a word.

比方说，佃户被迫退租的问题当时刚刚冒头，引起民众极大的关注。不用说，他本人连分文也不曾捐赠给这一运动，而且其纲领也并非完全没有漏洞。他不能把信念绝对地寄托在上面。他认为佃户拥有耕作权符合当代舆论的趋势，起初作为一种主义他全面地赞成；及至发现弄错了，就部分地纠正了自己的偏见。由于他竟然比到处游说耕者应有其田的迈克尔。达维特的过激意见甚至还进了一步，从而遭到嘲笑。正因为如此，当这帮人聚在巴尼。基尔南酒馆露骨地讽刺他时，他才那么强烈地感到愤慨。尽管他经常遭到严重的误解，再重复一遍，他仍不失为最不喜欢吵架的人。然而他却一反平素的习惯，朝着对方的肚子给了一拳。就政治而言，他对双方相互充满敌意的宣传与招摇所必然导致的伤害事件及其不可避免的结果——主要是给优秀青年带来不幸与苦恼——一句话，对适者灭亡的原则理解得再透彻不过

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

Carry out one's ideas alone; act in disregard of other people's opinion; cling obstinately to one's own course; be hellbent on having one's way; follow one's bigoted course; bent on acting wilfully; do only what one wishes

成语不接受别人的意见，固执地照自己的意见行事。例句过去和现在都有这样的人，企图～，不尊重我们的意见，但是结果都不通。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。