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So-called company law everyone space denial theories, in reality is a kind of and related law in system in space in everyone in company law measure with theories, in company that admit premise had corporative personality nextly, to particular law relation the function of the company law everyone space takes into the denial, tracing company back the member's duty directly.

所谓的公司法人人格否认理论，实际上是一种与公司法人人格制度相关的法律措施和理论，即在承认公司具有法人人格的前提下，对特定的法律关系中公司法人人格的机能加以否认，直接追索公司背后成员的责任。

The words "Pai-Chang"or "Pai5 Tiunn5" have many meanings But when used in traditional opera or music and explained as a kind of formal musical performance they are only applied in Taiwanese Peguan and Nanguan cultural circle particularly in Peguan circle There are two kinds of characters of "Pai-Chang" in terms of the function of the performance namely artistry and folk custom In Tainian city "Pai-Chang" which refers to the formal vocal performance without makeup and acting; nevertheless is used by the amateur actors' organizations of Peking opera as well Such a phenomenon raises two questions: first of all Although Peking the origin of Peking opera has vocal performance of Peking opera "Pai-Chang" is never used either artistry or folklore therefore how does this jargon hand down to the Peking opera circle in Tainan city ?

「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)一词，用於戏曲音乐方面，做音乐的正式演出型态解释者，为台湾南北管文化圈所特有，其中又以北管最常使用。其以表演目的或弁郧荌粥洃嚏A可分为艺术性与民俗性两种。然而，在台南市及其周边的京剧文化圈内，亦使用有「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)此一语汇，也指京剧的「正式清唱演出」。本研究动机基於对目前仅见於台南市及其周边之民俗性京调排场的两点疑惑：其一，按京剧的形成地－－北京，虽亦有京剧的清唱演出，然不论为艺术性或民俗性，北京人都不称为「排场」，那麼台南市京剧圈的排场语汇是如何得来的呢？代表了何种意义？

People from Wenzhou are the Chinese Marco Polos, doing every kind of business in every corner of the globe, from mining in North Korea, to buying leather in Africa, to selling liquor in Iraq to soldiers, to exporting shrimp in Iceland.

温州人犹如中国的马可波罗，在世界各地的各行各业都有他们的足迹。从开发朝鲜煤矿，买卖非洲皮革，销售伊拉克美军用酒，到出口冰岛虾，温州人处处都能觅出商机。

People could see some new features during this period such as images going with events.Part Three probes into the themes and philosophy in Historical Ode. The diversity of poets" ideologies has resulted in complicated themes and intricate philosophy in their works. Generally speaking, themes and philosophy among the poems were expressed in three forms: Chanting in the Wind, that is, the poets give voice to their ambitions and concerns among the words with optimistic attitudes; Bitter of Lofty Ideal Frustrated: poems of this kind usually take up pessimistic themes expressing poets" bitter suffering and their failed ambitions and among these poems signing for the misfortunes of some female has taken a large portion; Detached Stance toward Fame and Wealth: Secluding from the world and seeking political ambitions are two opposing elements in an antimony which have coined the peculiarity of ancient literati.

第三章：咏史诗的主题哲思诗人带着对历史的主观感悟进行咏史诗创作，使咏史诗的主题哲思呈现纷繁复杂的现象，汉魏六朝咏史诗的主题哲思主要有：长啸清风—英雄抱负的乐章：在传统儒学熏陶下形成的历史责任感和积极入世心态往往使文人将其对国家、民族的关怀和对自身建功立业的渴望流露在他们所寄托的文学作品中；世事迪遣—壮志难酬的苦闷：入世受阻后诗人往往从对英雄的追慕转向对不幸人物的同情，悲情主题是咏史诗中较多的一种，表现作者壮志难酬的苦闷和怀才不遇的伤感的形式是多样的，其中又以对不幸女性的吟咏居多，这主要是因为诗人和悲剧女性命运和情感上的类同使然；遗荣守真—无与外物的逸响：遗荣守真的隐逸思想和政治关怀的入世态度作为一组对立面共同构筑古代士人的理想情趣，&仕&与&隐&的抉择冲突作为文人生活中不断上演的主旋律，常常通过咏史诗体现出来。

Our country establishes limitedly forms a partnership the system to be advantageous in consummating our country the legal framework, is advantageous invests and promotes the fund optimized disposition in the encouragement, is advantageous in realizing two kind of partnership enterprise.s form superiority supplementarily, is advantageous in solving our country venture capital enterprise, the privately operated small and medium-sized enterprise, the state-owned small and medium-sized enterprise, as well as the insurance money, society guarantees in the fund investment the question.

我国确立有限合伙制度有利于完善我国的法律体系，有利于鼓励投资并促进资金的优化配置，有利于实现两种合伙企业形式的优势互补，有利于解决我国风险投资企业、民营中小企业、国有中小企业、以及保险金、社保基金投资中的问题。

Due to the complexity of the cell jitter, the NonSynchronous Tining Recovery methods are currently not mature With the emphasis being given to the Class A CBR traffic, this paper analyzes the performance of the queueing delay and cell jitter at the source node and intermediate nodes, and discusses the Source Timing Recovery at the destination node in ATM networks Firstly, this paper presents a description of the cell jitter of CBR traffic, and gives the definitions of two kinds of cell jitter regarding the Source Timing Recovery for CBR traffic Then, by using exact mathematical models and analysis methods, this paper analyzes the impact of the factors, such as the capacity of the queueing buffer, the randomness, the deterministic nature and the correlation in cell arrivals of the background traffic sources, on the queueing delay and cell jitter performance of the CBR traffic through Statistical Multiplexitng To obtain an insight into the power spectral distribution and look for better schemes for the depression and filtering of the cell jitter, within the analyses we succeed deriving the power spectrum of the cell jitter for CBR traffic Hence, not only the power spectral distribution of the cell jitter can in the frequency domain be qualitatively understood, but also can the rms (root-meansquare) value of the cell jitter be quantitatively obtained so as to more accurately measure the amplitude of the jitter In the end-to-end performance analysis of the queueing delay and cell jitter, we propose a kind of quasi-periodic cell stream model to characterize the jittered CBR traffic, and present an initial queueing analysis of the CBR traffic following such a model at a generic intermediate node Additionally, we briefly discuss the buildout/playout and Source Timing Recovery functions of the destination node Finally, regarding the Source Timing Recovery of CBR traffic, this paper systematically discusses several important principles of the cell jitter filtering and depression reported in the literature, introduces several implementation schemes of the Source Timing Recovery e.

由于信元抖动的复杂性，非同步定时恢复方法目前还很不成熟。本文针对A类CBR业务流在ATM网络源节点和中间节点的排队时延和信元抖动性能，以及在目的节点的源定时恢复问题作了较为全面的研究。首先，文中描述了CBR业务流的信元抖动，并具体地给出了两种与CBR业务源定时恢复有关的信元抖动的定义。然后，采用了精确的数学模型和分析方法，有针对性地分析了业务背景中信元到达的纯随机性、确定性和相关性以及排队缓存器容量等因素对CBR业务流经过统计复用后的排队时延和信元抖动性能的影响。为了了解信元抖动的功率频谱分布和寻求更好的抑制和滤除抖动的方法，在性能分析中，我们成功地完成了CBR业务流信元抖动的功率谱分析，使得不但可以从频域定性地认识信元抖动的能量分布特性，而且还可以定量地求出信元抖动的均方根值(rms：root-mean-square)，以更为准确地衡量抖动的大小。在CBR业务流的多节点端-端排队时延和信元抖动性能分析中，我们提出了一种准周期性(quasi-periodic)信元流模型来描述感染了信元抖动的CBR业务流，并基于这一模型进行了CBR业务流中间节点的初步排队分析。

At last, the goal is that devices between the field level and the baylevel is easy to interlink,in spite of voltage being l0KV or 500KV insPitC of GlS or trolly wire being used, in spite of oPtical voltage/currenttransducer or combined voltage/current sensors being used in the field level, in spite of devices produced by ABB or GEC being used, in case that the interface scheme (including adopting which kind of network and standard) between the field level and the bay level is confirmed.

最终要达到这样一个目的，一旦过程层与间隔层的接口方案确定（包括确定使用何种网络、依据哪一个标准），那么不管系统电压是10KV还是500KV，不管是GIS还是架空线，不管过程层使用的是组合式电压/电流传感器还是光纤电压/电流互感器，不管过程层使用的是ABB的设备还是GEC的设备，过程层的设备就可以同间隔层的设备很容易地实现互连。

However, in electric field computation, the BEM has not much unfould and most of them are limited in the conventional BEM. In the flow field computation, although some achievements have been gained in solving the constant and uncompressible fluid flow by using BEM, but to the inconstant, compressible, nonlinear, transonic flow, such as the flow in the arc quenching chamber in SF6 high voltage circuit breaker, no any report has been published up to now for the reason that the basic solution of this kind of flow has not been found.

目前，在电场计算领域所开展的工作相对较少，而且仅限于传统边界元方法的应用；在计算流体力学领域，近年来虽然一些学者应用边界元法，在解决定常、不可压缩等问题进行了相当深入的研究，获得了若干研究成果，但是对于像SF_6高压断路器灭弧室中存在的非定常、可压缩、非线性、跨音速、具有复杂而且变边界的气流场由于至今尚未找到基本解，而未见研究工作的报道。

But other side , Dark value of oneself yet possess underrating the point , In immediate future the real scenery that lived on the community upper levels at that time may be out of probe into out , Secondly abstracting the element differentiateed Si in the poetry seeps into and also reacts mankind's necessity to the art effect of thinking development , As to taut with dark to spring up is the best instance verse speaking walk but scenery with hills and waters verse coming , It produces the regression to the image as displaying the poetry , But make known the sublimation in the one kind taller step that the poetry was produced , In immediate future in some essence that adjust to conceal the scenery with hills and waters image after pursues , But hoop of this middle , Ought to be undoubtedly that the dark word verse adjust in the firsthand poetry natural abandoing of image , This is that the dark word verse is living at the value location on the history of poetry .

而另一方面，玄言诗自身的价值仍有不可低估之处，即一可以从中探究出当时社会上层生活的实景；二是诗歌中抽象思辨因素的渗入也反应了人类思维发展对艺术影响的必然，至于紧随玄言诗步履而来的山水诗的兴起就是最好的例子，它既体现了诗歌创作对物象的回归，又反映了诗歌创作的一种更高层次上的升华，即对隐藏在山水物象之后的某种精神上的追求，而这中间的一环，无疑应是玄言诗对原始诗歌中朴质物象的舍弃，这才是玄言诗在诗史上的价值所在。

But other side , Dark value of oneself yet possess underrating the point , In immediate future the real scenery that lived on the community upper levels at that time may be out of probe into out , Secondly abstracting the element differentiateed Si in the poetry seeps into and also reacts mankinds necessity to the art effect of thinking development , As to taut with dark to spring up is the best instance verse speaking walk but scenery with hills and waters verse coming , It produces the regression to the image as displaying the poetry , But make known the sublimation in the one kind taller step that the poetry was produced , In immediate future in some essence that adjust to conceal the scenery with hills and waters image after pursues , But hoop of this middle , Ought to be undoubtedly that the dark word verse adjust in the firsthand poetry natural abandoing of image , This is that the dark word verse is living at the value location on the history of poetry .

而另一方面，玄言诗自身的价值仍有不可低估之处，即一可以从中探究出当时社会上层生活的实景；二是诗歌中抽象思辨因素的渗入也反应了人类思维发展对艺术影响的必然，至于紧随玄言诗步履而来的山水诗的兴起就是最好的例子，它既体现了诗歌创作对物象的回归，又反映了诗歌创作的一种更高层次上的升华，即对隐藏在山水物象之后的某种精神上的追求，而这中间的一环，无疑应是玄言诗对原始诗歌中朴质物象的舍弃，这才是玄言诗在诗史上的价值所在。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。