查询词典 in his way

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

Darwin continued to research and extensively revise his theory while focusing on his main work of publishing the scientific results of the Beagle voyage. He tentatively wrote of his ideas to Lyell in January 1842; then in June he roughed out a 35-page "Pencil Sketch" of his theory. Darwin began correspondence about his theorising with the botanist Joseph Dalton Hooker in January 1844, and by July had rounded out his "sketch" into a 230-page "Essay", to be expanded with his research results and published if he died prematurely.

达尔文继续研究，继续全面地修改他的理论，同时专注于他的主要工作--发表小猎犬号考察的科研成果。1842年1月，他试探性的写出他的想法送给莱尔看；然后在6月，他用35页的&铅笔草图&大体描述了他的理论。1844年1月，达尔文开始就建立他的理论与植物学家约瑟夫·道尔顿·胡克通信联系；至 7月时，他已经将&草图&完善为230页的&随笔&，其中增加了他的研究结果；如果他过早死亡，这个&随笔&可以发表。

A householder has his duties to discharge, his debts to pay: his debt to the gods, his debt to his ancestors, his debt to the rishis, and his debt to wife and children.

在家居士有责任要履行，他有债务需要偿还：欠下神的债，欠下祖先的债，欠下圣人的债，还有欠下妻子和孩子的债。

How he had invented, with a nod to Truman Capote, the non-fiction novel and the novelised news report, through both of which strolled his best character, Mailer, with his crinkly electrified hair and his maudlin writer's hang-ups, continually "in an intimate dialogue, a veritable dialectic with the swoops, spooks, starts, the masks and snarls, the calm lucid abilities of sin...his tonic, his jailer, his horse, his sword".

在他的作品中，最佳角色梅勒带着烫过般的卷发和作家的多愁善感，持续地&和袭击、恐吓、惊吓、面具和咆哮、冷血无情的罪恶……他的兴奋剂、他的爪牙、他的马和他的剑耳鬓厮磨，实则是在做剧烈的激辩&。

At eight o'clock in the morning, on coming home after a sleepless night, he sent for hot embers, changed his rain-soaked underclothes, said his prayers, drank some tea, warmed himself, put things tidy in his corner and on the table, and with a wind-beaten, heated face, and with only his shirt on, lay down on his back, folding his hands behind his head.

早晨七点多种，他熬过一个不眠之夜后走回来了，吩咐把烧红的炭火拿来，换下一套被雨淋湿的衣裳，祈祷了上帝，喝足了茶，烤烤火取暖，把他自己的角落和桌上的东西收拾得整整齐齐，之后他就穿着一件衬衫，仰卧下来，把两只手放在脑袋下面，露出一张风吹日晒变得粗糙的脸。

The brother with whom he had quarreled returned to his own tent - his conscience would not permit him to offer his trespass offering, since he had not been reconciled to his brother, and he grieves the loss of his relationship with his brother and his God.

那个和他吵架的弟兄回到自己的帐篷——他的良心不容他去献赎罪祭，因为他并没有和他的弟兄和好，他为他和他兄以及和神之间关系的破灭和伤心。

This paper is divided into five parts: the first part focuses on the currentsituation of research, process of his thoughts and his determination to put it to practice.Thought this part, we can understand the background of his constitutional philosophy;In the second part, We recognize his ideological foundation, describe the awarenessand understanding of his culture about East and West, research his background of thecultures about East and West; In the third part, the writer discuss the history ofevolution about Zhang Junmai constitutional philosophy, describe the process, that isfrom Eucken's philosophy to kant's philosophy. In this process, we understand therole and significance of Zhang Junmai constitutional philosophy in building ademocratic constitutional government; Part IV , in which the writer describes thecharacteristics of Zhang Junmai constitutional philosophy, is important; In the end, thewriter thinks that Zhang Junmai political appeal hadn't achieved at the ideal result thathe expected, but, there were some reasonable factors contained in his thoughts, thatwhat we shouldn't be abandoned but be utilized and developed when constructing themodern nation.

本文主要分为五个部分，在绪论中主要叙述了张君劢宪政哲学思想之研究现状以及张君劢宪政思想历程，把张君劢的宪政活动和思想认识做出了初步的概括，使我们能更加清楚的理解他的宪政哲学思想背景；第二部分主要是对其宪政哲学思想形成之基础进行归纳与总结，叙述张君劢对中西文化的认识和理解，研究其宪政哲学思想之中西文化的理论背景；第三部分则是对张君劢宪政思想之哲学演变的探讨，叙述了其宪政哲学思想从倭伊铿哲学转向康德哲学的演变过程，从其思想演变过程来理解张君劢宪政哲学在中国民主宪政建设中的作用和意义；第四部分主要是从张君劢各种宪法草案以及宪政活动中概括其宪政哲学思想之特征，从而得出其民族意识、德法合一与精神自由的宪政哲学核心内涵，并且在时代的背景下对其社会主义思想与马克思主义社会主义观进行了比较研究；第五部分则是对张君劢宪政哲学思想的一种再认识，指出了其宪政哲学思想在当代仍饱含着建设性的意义，并且赞同其复兴儒家文化的主张，认为这一主张在当代社会发展中仍有十分巨大的现实意义，在这些认识基础上，笔者认识到我们仍要保持一种批判与继承的态度去看待张君劢宪政哲学思想。

Whether he believed on the rational grounds put before him by the freemason, or believed, as children do, through the intonations, the conviction, and the earnestness, of the mason's words, the quiver in his voice that sometimes almost broke his utterance, or the gleaming old eyes that had grown old in that conviction, or the calm, the resolution, and the certainty of his destination, which were conspicuous in the whole personality of the old man, and struck Pierre with particular force, beside his own abjectness and hopelessness,—any way, with his whole soul he longed to believe, and believed and felt a joyful sense of soothing, of renewal, and of return to life.

他是否相信共济会员言谈中合乎情理的论据，或者像儿童一样相信共济会员发言的语调、坚强信念和热忱、相信嗓音的颤抖有时几乎会打断共济会员的发言，或者相信老年人这对由于信仰而变得衰老的闪闪发亮的眼睛，或者相信从共济会员整个内心世界中闪耀出光辉的那种沉着和坚定以及对自己使命的认识；与皮埃尔的颓丧和失望相比照，共济会员的这些特点使皮埃尔大为惊讶，他诚心地希望确立自己的信念，而且也这样做了，他体会到一种安泰、更新和复活的快感。

But obviously, from many of his writings, we can see his thinking on this issue and his attempt to solve the problem. We can go after his thoughts, study what he had achieved to retrieve an ethics as his one in the middle way. Towards the second question, my answer is both "yes" and "no". The reason I give a positive answer is that it is an undeniable fact that Sartre handed down a considerable quantity of writing on ethics. The War Diaries (1939-1940), Being and Nothingness (1943), Anti-Semite and Jew (1946),"Existentialism is a Humanism"(1946),"Materialism and Revolution"(1946), Notebooks for an Ethics (1947-1948), Search for a Method (1954), Critique of Dialectical Reason (1960), and "Notes on Ethics"(1964-1965) are representative examples.

我承认，因为萨特没有找到一个令人满意的解决之道调和他的个人绝对自由和团体自由以及社会自由之间的矛盾，他对有生之年发表他的伦理学专著犹豫不决，但是，从他的许多作品，我们能够窥见他对伦理学思考的端倪和想要完成这本著作的心愿，因此我们有可能沿着他思想的路径，捡起他撒落的花瓣，走完他走到半途的路程。

I will drop in his way some obscure epistles of love; wherein, by the colour of his beard, the shape of his leg,The expressure of his eye, forehead, and complexion, the manner of his gait, he shall find himself most feelingly personated.

在他走过的路上丢了一封暧昧的情书，里面活生生地描写着他的胡须的颜色、他的腿的形状、他走路的姿势、他的眼睛、额角和脸上的表情；他一见就会觉得是写的他自己

The production moved off-Broadway to New York City, where she won the Joseph E. Calloway award for her performance, and was profiled in American Theater Magazine as one of ten young theater artists to watch.

生产提出过百老汇的新的纽约市，在那里她赢得了约瑟夫calloway奖，她的表现，并于异型在美国的战区杂志之一， 10战区的青年艺术家观赏。

It's a risk tradeoff, and I believe that adding test support code usually wins.

这是一个风险的权衡，我相信添加测试代码通常会占上风。