查询词典 in fear

If the side QS, imagine, we should be more simple, after all, very good protection of the expense of freedom, you can hurt a lot of relief, after all, not tried, is not discussed here first. 3DPS years, in fact, fear of the law or riding thieves, treatment with control of both the opposite of death, as well as the outbreak of terrorism, premeditated ambush attack kidney + shadow dance + sanctions + blood wizard silent + disappeared + disappearing again Garrote Garrote, think about how terrible is that.

如果本方有QS，想像下，应该可以更简单吧，毕竟保护牺牲自由都很不错，可以减免很多的伤害，毕竟没尝试过，这里先不讨论了。3DPS里，其实最怕的还是贼法骑，治疗控制致死对面都具备，还有恐怖的爆发，预谋伏击肾+影舞偷袭+制裁+血精灵沉默+消失绞喉+消失再绞喉，想一下就是多么的可怕。

Rather, fear him who is able to destroy both soul and body in Gehenna .

惟有能把身体和灵魂都灭在地狱里的，正要怕他。

If not, never fear, there are plenty of gender-neutral themes and designs to use in a nursery.

如果没有，从来没有恐惧，有很多性别中立的主题和设计使用在一个托儿所。

The fear was that some rogue scientist would take the work a step further, gestate the embryo in a woman's womb, and make the birth announcement that no one wanted to hear.

他们担心一些居心不良的科学研究工作者会得寸进尺，在女性的子宫中孕育克隆胚胎，从而宣布克隆人类的诞生，这是没有人愿意听到的。

Terry Gilliam's Fear and Loathing in Las Vegas is a Wagnerian movie," he says."

特里·吉列姆的《恐惧拉斯维加斯》是部瓦格纳式的电影。

Live action films usually don't boast this degree of aesthetic density and coherence all at once, though you can see Pecorini's previous collaborations with Gilliam for more examples, particularly the similarly extraordinary colourscapes of Fear and Loathing in Las Vegas .

现场动作电影通常不会因为这种审美密度和连续性而大吹大擂，因为你会在Pecorini之前和Gilliam合作的作品中见到更多相似的例子，尤其是使用了同样非凡色彩范围的《恐惧拉斯维加斯》。

"Give effect to your word to your servant, in whose heart is the fear of you."

你向敬畏你的人所应许的话，求你向仆人坚定。

A GNAT came and said to a Lion, I do not in the least fear you, nor are you stronger than I am.

有只蚊子飞到狮子那里，说：「我不怕你，你也并不比我强多少。

He and the other men extended their hands in appreciation and to say good-bye. The women embraced them lightly and spoke softly-"Muchas gracias"."Estamos muy agradecidos." They conveyed their understanding of the bravery and innocence of the men, and also their fear that nothing can take away the night, neither the long night of war and abiding hatred nor the short, bitter nights of the soul.

在教堂前的广场上，他们看到大概有10到15个人正聚集在一起干着什么，其中一个年长者示意5个人顺便过来一下，这些人非常尊敬地与5个人握手告别，女人们则轻轻地拥抱他们，并温柔地说："Muchas gracias"、"estamos muy agradecidos"，他们表达了对5个人的勇气和率直以及对5个人无法战胜黑夜的恐惧的理解。

You live in the grip of fear.

你生活在恐惧中

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。