查询词典 in fear

To sit still and observe that one is neither identical with one's thoughts and impulses as they arise continuously and discursively in one's mind, generating desire, anxiety, fear and guilt, nor indeed limited by them, is to be aware of the possibility of controlling one's thoughts and of moving toward a new kind of spiritual freedom.

只有纹丝不动地打坐并意识到自己既没有与内心持续杂乱地萌发着的致使产生欲望、焦虑、恐惧和内疚感受的各种思绪和冲动同一，也确信没有受制于它们时，方能感知到克制自己内心思绪和通往新的精神自由的可能性。

My conduct may, I fear, be objectionable in having accepted my dismission from your daughter's lips instead of your own.

我马上去找班纳特先生，我们一下子就会把她这个问题谈妥的，我有把握。

And we must pay attention to our action for fear of dissension with our mother-in-law.

我们必须注意我们的行为以免造成和婆婆间的纠纷。

Unlike those good old guys scared of nothing, skinny actors dissimulate neither their fear nor a slight tremble in the voice: they are not tamers but untamables.

不像那些优秀的无所畏惧的老演员，瘦削的演员毫不掩饰他们的恐惧哪怕是声音里的一丝战抖：他们是不可顺服的。

This began to distil a sense of fear in Marissa

这一点开始在玛莉莎心中产生一种恐惧感

I am teaching you to become yourself, fear nothing, not give in to the society's pressure, not follow rules docilely and not seek ease and convenience.

如果这是教育，那么他们不可能允许它发生。它是造反。我正教你成为你自己。

But try to explain the simple workings of finance, debt and economics to the uninformed, and you'll be accused of being a doomsayer, a pessimist, or — the worst insult in today's fear-based society — unpatriotic!

但尝试解释很简单，运作的金融，债务和经济向不知情，且您将被指控doomsayer ，悲观，或-最严重的侮辱，在今天的恐惧为基础的社会-爱国！

This athleticism coupled with the theatricality of a doppelganger or triplet existing on the same stage is designed to subtly evoke feelings of competition, fear and omnipotence- all in relation to performance anxiety.

在这些图纸我描绘的生活我的身体虽然大小的规模，在这些图纸的艺术空间是相当肤浅，与数字存在足够的空间和互动。

In view of marine liberalized double-faced influence, each country is admitting and comply with this one trend while, also support cautious attitude to this, because everybody is fear of,get hurt.

鉴于海运自由化的双面影响，各国在承认和顺应这一趋势的同时，也都对此持谨慎态度，因为谁也惧怕受伤。

In the long history, with the development of civilized society, man's exploration of dream evolve through from doubt, fear to rational analysis. Dream not only coexist with human thinking, but also closely concern with primitive religion and cultural development.

在漫长的历史演进中，随著文明社会的发展，人对梦的探索历经了从疑惑、恐惧到理性分析的过程；梦不仅和人类思维共存，其与原始宗教、文化发展都有密切的关系。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。