查询词典 in fear

Crystal healers believe that Chrysocolla helps to bring out the best of one's creativity by calming and releasing fear and in expressing feelings both verbally and artistically.

水晶医疗学者深信，硅孔雀石可以通过静心和对恐惧的释放、以最负有诗情画意地表达将一个人的创造力发挥至极限。

Imbued with images from eastern traditions, the training programs teach Neo the concept of "stillness," of freeing the mind and overcoming fear, cinematically captured in "Bullet Time"(digitally mastered montages of freeze frames / slow motion frames using multiple cameras).

教导Neo"静止"的训练程序渗透了东方传统的画面，释放了思想，战胜了恐惧，体现在了"子弹时间"之中。

The fear in the City is that heavy European regulation will stifle the financial centre's flair for innovation, and indeed drive business offshore.

伦敦金融城所担心的是，严格的欧盟监管会遏制伦敦的金融创新才能，并且事实上只会将原本的这些金融业务驱逐到离岸市场上。

This classical conditioning paradigm is used in our research to investigate the molecular mechanism underlying temporal associative fear learning.

因此，在许多文献中认为海马回可能在痕迹恐惧制约中扮演连接制约性刺激与非制约性刺激的角色。

Talking health wise, it may be possible that most people who have claustrophobia or fear of being in a tight or enclosed space are Sagittarians.

谈到健康聪明，有可能，大多数人有幽闭谁或在狭窄的或封闭的空间是Sagittarians被恐惧。

Dear, riches and honour is flourishing be like cloud drift, human society is the most painful it is Sai Lian, actually I very fear to be in flashy lose you!

亲爱的人啊，富贵繁华若浮云，红尘最痛是思恋，其实我很害怕在一瞬间失去你！

The other day, as I stood in a cloudburst on a muddy hill above the train tracks that cut through Kibera and looked out on a landscape of rusted tin roofs, I couldn't shake the rising fear that I was looking into the future.

一天，我站在一座坐落于贯穿吉贝拉的火车轨道之上的泥泞的山上，暴雨中看着那些生锈的锡屋顶，我不能消除升起的恐惧-我看到了未来。

Now in this follow-up book, he and coauthor Wendy Millstine present a series of daily meditations you can use to overcoming fear, anxiety, and panic.

如今在这本书中，他和合著者温迪·米斯亭教授了一系列日常冥想法去战胜恐惧，焦虑，和恐慌。

Those in extreme fear can be put into a comatose type state.

那些极端恐惧的人可能会被安放进一种昏迷状态。

Through the deep-going investigation and superficial analysis to the grotesque phenomenon in some literature works of the world,the paper expounds that grotesqueness is an unfixed notion with consistent changes and provides an initial summary and analysis on the characteristics of aesthetic judgment on grotcsqueness,including the formation principles of abnormality,astonishment mixed with fear and comicality,and the duality of grotesqueness.

曾耀农(1959-)，男，汉族，湖南师范大学文学院教授、博士，主要研究方向文艺学和美学；湖南师范大学文学院中文系，湖南长沙 410081肖莉(1980-)，女，汉族，湖南师范大学文学院学生，主要研究方向文艺学和美学。湖南师范大学文学院中文系，湖南长沙 410081本文通过对中外文学艺术作品中的怪诞现象的探源和浅析，认为怪诞是一个流变的概念。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。