查询词典 in fear

Elephants are so terrified of the trainers that they begin urinating, defecating, and trumpeting in fear at the sound of their voices.

大象是如此害怕训练员，每当听到训练员声音的时候，它们都会吓得大小便失禁，发出害怕的嘘声。

The new Arms talent called Disarming Nature will make successful disarms cause the target to cower in fear for 5/10 seconds.

新的叫做缴械天性的武器天赋会让成功的缴械使目标在恐惧中畏缩5/10秒。

The new Arms talent called Disarming Nature will make successful disarms cause the target to cower in fear for 5/10 seconds.

新的名为卸除本性将能成功地使得目标畏缩在恐惧中5/10秒。

What more unbelievable was that the killers didn't flee in fear of being captured, nor did they seek medical attention for their victim, instead, they left Dr Cao dying and continued their crime spree by attacking and severely injuring another victim within a few hours.

所以我的建议是，English version的倡议书最好不要按照中文的逐字逐句翻译。一般English version都是按照英文的习惯来写的，简单的办法就是调整一下段落的顺序，并在语句上做一点修改。毕竟这个English version是希望native speakers看到的吧，按照他们的方式写也许更好一点。

Our hearts quaked in fear and we came back home when it was night.

我们吓得心跳。到了夜里，我们都回家去了。

Her voice yields to our silences like a faint light that quivers in fear of the shadow.

她的声音波动在我们的沉默中，犹如一道弱的光在对阴影的恐惧中颤抖。

Her voice yields to our silences like a faint light that quivers in fear of the shadow.

她的声音沉浸在我们的寂静中，正如一抹微光在阴影的恐惧中颤抖。

Her voice yields to our silences like a faint light that quivers in fear of the shadow.

它的声音溶入我们的沉默，就像微弱的光因惧怕影子而发抖。

Her voice yields to our silences like a faint light that quivers in fear of the shadow.

&她的声音波动在我们的沉默中，犹似一道微弱的光在对阴影的恐惧中颤抖。&

Her voice yields to our silences like a faint light that quivers in fear of the shadow.

她的声音在我们的沉静中流转，宛如一缕微光因畏惧阴影而颤动。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。