查询词典 in fear of

The phones, the caffeine, the boss, dinging faxes, deadlines, doubling up for laid-off colleagues, fear of being fired yourself—eek, pretty soon your body is a clenched fist and you haven't stoop up from the desk in hours!

电话、咖啡因、老板、没完没了的传真、最后的期限、由于同事被辞退你得一个人于几个人的活儿、担心自己被解雇……唉，很快，你的身体就像个紧握的拳头。几个小时过去了，你竟没有从桌前起来过一次！

He felt that it was a change in a happy life, a life so happy that he did not dare to move for fear of disarranging something.

他感到这是他幸福生活中的一种变化，他的生活过得那么幸福，以至使他一动也不敢动，唯恐打乱了他生活中的什么。

It is the caught in between that engenders anxiety, fear of

正是这种被摆布于中间状态的处境，产生出

He is unlikely to let his warships or aircraft bomb jihadist strongholds in Somalia for fear of enraging the civilian population.

现在的索马里政府受到与基地组织有关联的邪恶分子的威胁（他曾直言不讳的称他们为恐怖分子）。

He is unlikely to let his warships or aircraft bomb jihadist strongholds in Somalia for fear of enraging the civilian population.

由于担心激怒到索马里的平民，奥巴马不太可能会命令他的军舰和飞机轰炸恐怖分子要塞的。

He is unlikely to let his warships or aircraft bomb jihadist strongholds in Somalia for fear of enraging the civilian population.

由于担心激怒平民，他不会让军舰或飞机轰炸圣战分子在索马里掌握的要塞。

The idealized paintings of nature produced in the eighteenth century are evidence that the medieval fear of natural settings had been exorcised and that the outdoors now could be enjoyed without trepidation.

十八世纪对自然的理想主义绘画是一种证据，它显示了中世纪对自然环境的恐惧已经被驱散，而现在的人们可以毫无恐惧的享受户外环境。

The idealized paintings of nature produced in the eighteenth century are not evidence those the medieval fear of natural settings had be exorcised and those the outentrances now have to be enjoyed lacking trepidation.

十八世纪对自然的理想主义绘画是一种证据，它呈现了中世纪对自然环境的恐惧已经被驱散，而目前的大部分人没去外国疑问毫无恐惧的舒服户外环境。

Untouched food in front of them. They weren't gawking at me, unlike mostof the other students, so it was safe to stare at them without fear of

他们没有呆呆地看着我，不像绝大多数别的同学那样，所以，盯着他们看很安全，无须担心和那些非常好奇的眼神接触。

Those porcelain-made- of geckos and maggot,wrapped in ragged clothes crowd and squeeze each other, at the same time presenting power along with kind of invisible fear of destruction.

那些被包裹在衣服里的瓷质的壁虎和蛆，他们相互碰撞、挤压，扭曲的头颅与弯曲的尾巴弥漫出一种难以言喻的力量，甚至使人感到一种伴随着毁灭感的恐惧气氛。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。