查询词典 in fear of

At the Approach of Night, I slept in a Tree for fear of wild Creatures, but slept soundly tho' it rain'd all Night.

但又想到那些失散了的伙伴，这使我倍感悲伤。

His fear of snake trace back to an experience in his childhood.

他对蛇的惧怕溯自他孩童时的一次经历。

E.g. His fear of dog traces back to an experience in his childhood.

他对狗的恐惧可以追溯到童年的一次经历。

He went to the front of the classroom in fear and trembling.

他忐忑不安地走到教室的前面。

Showing no fear of trichinosis, guests ate the raw pork, served in a garlic sauce.

客人们不怕旋毛虫病，都是醮着蒜泥生吃猪肉的。

It is therefore not to be entered upon unadvisedly, lightly, or wantonly: but reverently, discretely, soberly, and in the fear of God, dully considering the purpose for which this was ordained.

因此，它不是鲁莽、轻率之举，也不是放纵、嬉闹，它是虔诚、谨慎和严肃的，怀敬畏上帝之心，由主婚牧师来主持。

It is her love life that dies first in the fear of undesired pregnancy.

因为害怕再次怀孕，是她们的爱情生活最先窒息。

In some cases the spur is even the fear of social unrest.

而在有些情况下，甚至是对社会动荡的恐惧刺激了意识形态。

"Discovering you've been a victim of video voyeurism puts you in fear and unrelenting anxiety, and you are suspicious then everywhere you go," said Susan Howley, public policy director at the National Center for Victims of Crime.

发现你曾是一个窥淫狂症的受害者在害怕和紧张焦虑的心情下提出，并且你是多猜疑的，当时你到四处走走， Susan Howley说到，政府的策略主任在国际犯罪受害者中心。

And here I speak particularly of the myriad cottage or apartment homes where the wage-earner strives amid the accidents and difficulties of life to guard his wife and children from privation and bring the family up in the fear of the Lord, or upon ethical conceptions which often play their potent part.

在此，我要特别的提到：那些数不清的小屋和共有寓所的家庭，那些雇佣劳动者身处各种意外和麻烦之中努力来保护他的妻子和孩子们免于贫困，在对上帝的敬畏中或基于那些有效的影响了他们的道德概念去推动整个家庭的境况好转。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。