查询词典 in fear of

If you were a teardrop in my eye,for fear of losing you,I would never cry.

如果你是我眼中的一滴眼泪，为了不失去你，我将不再哭泣。

If you were a teardrop;In my eye,For fear of losing you,I would never cry

我的优点是：我很帅；但是我的缺点是：我帅的不明显。

If you are a teardrop in my eye,for the fear of losing you ,I would never cry.

做你的情人，是我的幸福，做我的情人，是你的幸运！

Liberation from the fear of hardship puts people in a better negotiating position towards their bosses.

将人们从苦难的恐惧中解放出来，让他们在与老板谈判时处于一个更有利的地位。

We, as confirmed Catholics, should also show the power of the Holy Spirit in our faith, by spreading the good news of the Lord without the fear of hardship or animosity.

我们领过坚振圣事的人也应该表现出圣神的力量，反映出自己的信德，不畏艰苦，不怕仇敌，传播基督的福音。

Filthiness of the flesh and spirit, perfecting holiness in the fear of God.

亲爱的弟兄阿，我们既有这等应许，就当洁净自己，除去身体灵魂一切的污秽，敬畏神，得以成圣。

I fear the day that all we do is sit in front of a flat screen monitor and forget to communicate.

我恐怕我们现在所做的是坐在一个显示屏前而忽略了交流。

In the panic and fear of punishment which followed, Chrysostom delivered a series of twenty or twenty-one (the nineteenth is probably not authentic) sermons, full of vigour, consolatory, exhortative, tranquilizing, until Flavian, the bishop, brought back from Constantinople the emperor's pardon.

在惊慌和恐惧的处罚之后，金口发表了一系列第二十二或21 （ 19 ，很可能是不真确）说教，充满干劲，安慰， exhortative ， tranquilizing ，直到弗拉维安，这位主教，带回了由君士坦丁堡国王的赦免。

"You will have no fear of the evil things of the night, or of the arrow in flight by day,"

你必不怕黑夜的惊骇，或是白日飞的箭。

If you are a teardrop in my eye,for fear of losing you ,I would never cry .

如果，你是我眼中的一滴泪，因为害怕失去你，我将永远不会哭泣。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。