查询词典 in fear of

It pointed to everything cowardly in me-- my fear of death and disease, even my claustrophobia when riding in a car I wasn't driving.

事实证明我很胆小—我害怕死亡和疾病，甚至于乘坐不是我驾驶的车的恐惧。

"Mercy on us, goodwife," exclaimed a man in the crowd, is there no virtue in woman, save what springs from a wholesome fear of the gallows?

"天哪，婆娘们，"人群中一个男人惊呼道，女人看到绞刑架就害怕，除去这种廉耻之心，她们身上难道就没有德性了吗？

I see they smile in fear and speak improperly anywhere at any time in refusal of the world.

他们在恐惧中微笑。他们在随时随地说错话。他们在拒绝。

This fear of retirement often shows up early in unwillingness or inability to engage in succession planning.

这种对退休的恐惧常常在很早的时候就表现出不愿意或不能够推行继承计划。

Thus, under circumstances the most unlikely and unforgivable, were his fears converted into boldness, and he, whom fear of the Jews had restrained from making open avowal of discipleship during the life - time of Jesus, not only professed such of the Crucified Christ,(2 At the same time I feel, that this might have been represented by the Jews as not quite importing what it really was, as rather an act of pietas towards the Rabbi of Nazareth than of homage to the Messiahship of Jesus.) but took the most bold and decide step before Jews and Gentiles in connection with it.

因此，的情况下，最不可能和不可原谅的，他的恐惧转化为勇气，和他，谁怕犹太人已受限制，从公开声明的门徒在生活-时间的耶稣，不仅p rofessed等的被钉十字架的基督，（ 2在同一时间，我觉得，这可能已为代表的犹太人作为不大进口什么，它真的是，作为，而不是行为pietas对拉比纳匝肋的比对参拜向messiahship耶稣），但上台最大胆的一步，并决定之前，犹太人和外邦人，他们涉嫌与它。

Product quality, performance has reached the level of similar products at home and abroad, the product is widely used in aircraft, automobiles, steam turbine and agriculture, engineering, chemicals, pharmaceuticals, textiles, appliances, transport and other mechanical systems can also be in high-temperature, low temperature, vacuum, fear of pollution to work under special circumstances.

产品质量，性能已达到国内外同类产品水平，产品广泛应用于飞机、汽车、汽轮机和农业、工程、化工、医药、纺织、起重、运输等机械系统中，也可以在高温、低温、真空、怕污染的特殊环境下工作。

Crane's The Red Badge of Courage, published in 1895 , follows a Union regiment during the Civil War and specifically concerns a recruit who, like the protagonist in The Things They Carried, struggles with his fear of cowardice and the red sickness of battle.

起重机的红色英勇勋章，出版于1895年，遵循联盟兵团内战期间招募专门涉及谁，如主角在这些飞机的事情，斗争与他的怯懦和恐惧红色疾病的战斗。

From this incident we know that demonstrations of signs and wonders do not always result in the truth or the fear of God being instilled in the hearts of the people, but makes the miracle worker the object of worship instead of God.

从这事，我们可以知道，神迹奇事并不一定能使人明白真理或敬畏神，而且它可能使人敬拜人而不是敬拜神。

Now, I have become hypocritical, I can not say I do not want the truth, just because selfish fear of injury ... in his own set of barriers in life with a mask ... Once I am naive, sometimes silly, no matter small or big, my friends are like lie to me, use me, have a boyfriend cheated on me with other girls contacts, since the occurrence of such incident, I can not believe that any , even I dare not touch it, I hate it when they lie ....

现在的我变得虚伪，我不敢也不愿说出我的真心话，只因为自私的害怕自己受伤…在自己设的屏障里带着面具生活…曾经的我很天真，有时还傻傻的，不管小事或大事，身边的朋友都喜欢骗我，利用我，曾经的男朋友背着我和其它女孩交往，自从发生这些事后，我不敢相信任何人，甚至我不敢接触人们，我讨厌她们说谎…。

Vincent de Paul has divinely traced the features of the Sister of Charity in these admirable words, in which he mingles as much freedom as servitude:"They shall have for their convent only the house of the sick; for cell only a hired room; for chapel only their parish church; for cloister only the streets of the town and the wards of the hospitals; for enclosure only obedience; for gratings only the fear of God; for veil only modesty."

味增爵在下面这几句名言里已经神妙地把一些作慈善事业的姆姆的面目刻画出来了，并且把她们的自由和劳役融成了一片：&她们的修道院只是病院，静修室只是一间租来的屋子，圣殿只是她们那教区的礼拜堂，回廊只是城里的街道和医院里的病房，围墙只是服从，铁栅栏只是对上帝的畏惧，面幕只是和颜悦色。&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。