查询词典 in fear of

There is an uncontrollable note of fear in her voice.

她的声音中有一种控制不住的害怕。

There was an uncontrollable note of fear in her voice.

她的声音中有一种控制不住的害怕。

As I slowly uncurl my fingers, he bends to look at the pea-size moth paralyzed with fear in the center of my hand.

我慢慢展开蜷曲的手指，让他弯身察看我手心中那只如豆般大、恐惧无力的蛾。

Personally, I would like to believe that the undressing of women in the 20th century was a one-time product of emancipation and reached its limits at the end of the millennium; but I fear undreamed-of indecency looms.

就我个人而言，我愿意相信，在20世纪，暴露躯体是女性解放后曾出现过一次的产品，并在世纪末达到了极限。但是我担心，人们难以想象的猥亵局面即将来临。

We pushed back on the undue influence of special interests. We didn't give in to mistrust or to cynicism or to fear.

我们向特殊利益的不正当压力发起反击，我们并没有向怀疑、恐惧、担忧和冷嘲热讽投降。

I was confused, but an overwhelming sense of fear and unearthliness rushed in nonetheless.

我很困惑，但绝大多数恐惧感和怪异赶来依然如故。

Because of the wrath of the Lord no one will be living in it, and it will be quite unpeopled: everyone who goes by Babylon will be overcome with wonder, and make sounds of fear at all her punishments.

50：13 因耶和华的忿怒、必无人居住、要全然荒凉，凡经过巴比伦的、要受惊骇、又因他所遭的灾殃嗤笑。

Fear is some of the unplanted acres never went in as farmers took the insurance.

市场担心这些当时没有种植的后来也没有种植。由于农民保险起见。

There shall be great confusion because of this utter darkness in which the entire earth shall be enveloped, and many, many shall die from fear and despair.

这会是一场极大的混乱，因为整个地球会卷入完全的黑暗。很多，很多人会死于恐惧与绝望。

In the fear and stale air and utter darkness of the blind labyrinth, however, I said my prayers to the Archangel Gabriel, and told him that I wanted to meet him some day, but not yet.

伴随着害怕，在迷宫腐臭的空气和黑暗中，实际上，我说过我想大天使加百利祈祷，告诉他有一天我想见到他，但是还没有。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。