查询词典 in disguise

New bought a one likes to books, paper-based is kind of the Special is important to keep them lightly pico yellowed's original health certificate is the disguise of dictionary on a leash, and the light-blue hardware binders, is a share greatly windows the bedroom, blue-the floret shrug it off on a wooden the old on the floor,, streak 兰 masked whip up kicks exposed below a pure-white bed-linen, Pan Hu Hu the two big pillows rely on together, on one of the walls arbitrarily hung simple Photo Frame, the visibility of window, to clean the weather, the bluer sky and white-yun, the Green tree, there in sight for the garbageman Rope 松松, scattered and, scattered and Da Zhe the clothing, a pair of Silver SHOES IN, slender shoelace Shuan-in Rope, Feng Er Qingbai......

前一阵子，新买了一个喜欢的本本，纸质是那种特别轻巧微微泛黄的原生纸，包装成字典的样子，淡蓝色的硬封皮上，是一间有着大大窗户的卧室，浅兰的小花洒落在木制的老旧的地板上，条纹兰的被罩掀起一脚露出下面洁白的床单，胖乎乎的两个大枕头靠在一起，一面墙上随意挂着简单的像框，望向窗外，干净的天气，蓝的天，白的云，绿的树，还有近在眼前的纤细绳上松松散散搭着的衣物，一双银色的舞鞋，细长的鞋带拴在绳上，风儿轻摆。。。。。。

But if you go away from well-governed States to Crito's friends in Thessaly, where there is great disorder and license, they will be charmed to have the tale of your escape from prison, set off with ludicrous particulars of the manner in which you were wrapped in a goatskin or some other disguise, and metamorphosed as the fashion of runaways is- that is very likely; but will there be no one to remind you that in your old age you violated the most sacred laws from a miserable desire of a little more life?

但是如果你避开这些管理的井井有条的城市到你朋友Crito的Thessaly去，那里次序混乱，尽管人们会被你从监狱中逃跑的故事所吸引，你却只有遵循着那令人发笑的逃亡者的生活和习惯，整日包裹在羊皮中或者躲藏在其它的伪装中----这是非常可能的；但是就没有人会指责你吗，在这样大的年纪却因为贪图活的更长一点点而违反了最神圣的法律。

In 2000's "big momma's house" martin lawrenc had his "largest "role ever,as an FBI agent who is a master of disguise, to trap a brutal bank robber, lawrence went deep,deep undercover-impersonating a corpulent septuagenarian known as big momma.now,lawrence is back as the boldest,biggest, and baddest momma ever,in the other of all comedies;big momma's house 2.this time, lawrence transforms himself in big momma to avert a national ecurity disaster .but saving the country is the least of big momma's problems,as he takes on his ultimate challenge-being nannny/housekeeper to the suspect's dysfunctional family.

在2000年的"肥老妈"中，马丁。劳伦斯饰演了一个"大"角色，一个善于伪装的FBI探员，为了诱捕凶恶的银行大盗，劳伦斯冒充一个人人皆知的七十多岁超级肥胖的"肥老妈"。这次劳伦斯在续集中将更加粗壮，肥胖和恶搞，为了国家的安危拯救苍生，他不的不再次伪装成"肥老妈"到嫌疑犯残缺不全的家里当保姆。

Obviously, it seems that his intention is to make another kind of voice out of the deep water, which makes it fight against traditional phalloccntrism; while also entangle on the male dcsire peering at female bodies in his narrative words, using the supposing visual center in the film picture to disguise the ubiquitous male desire peering at female bodies, all which embody the desire to close the western cultural center regardless of the picture handling and cameral lens cutting. Finally, he spends every strain to alleviate visual pressure and catering to the visual feeling of the western audience using narrative tactics, while the real intention to fight for language right with traditional phallocentrism. So it"s safe to say that this is a right fight between traditional phallocentrism and marginal counterpart. Just as the sacrifice of women in Zhang"s films, the marginal women again betrayed in Lous, and women again become the punishing and desire subject and swapping subject between men.

似乎让另外一种声音浮出水面是他的叙事意图，使它能够对抗传统中心话语权威；然而，在他影片的叙事话语中，仍然纠缠于固执的男性对于女性的窥视，利用设定影片画面中的表层观看&中心&，企图掩饰他影片中无处不在的对于女性的窥视欲，无论是在影片画面处理、影片镜头的剪辑上都显示出对西方强势文化中心的靠近，利用其中叙事策略来尽量减轻或者迎合西方观众的视觉接受，而其真正的叙事权威就是利用&边缘&来争夺西方观众的肯定，来与传统男性中心权威话语争夺话语权，这是一场传统男性中心话语权威与男性边缘群体争夺话语权的斗争，就如张艺谋的影片中以牺牲女性为代价，娄的影片中同样牺牲了边缘女性群体，女性再一次成为窥视、惩罚的对象，成为男性交换的对象。

We may say all this in terms of ideology as well: if that word has fallen on hard times, it is perhaps because in a sense there is no longer any false consciousness, no longer any need to disguise the workings of the system and its various programs in terms of idealistic or altruistic rationalizations; so that the unmasking of those rationalizations, the primordial gesture of debunking and of exposure, no longer seems necessary.

所有这些我们也可以从意识形态方面来讨论：如果意识形态这个词处于困难时期，也许是因为在某种意义上不再有任何错误的意识，不再需要以理性化的理想主义或利他主义来掩饰这种制度的作用以及它的各种计划，因此暴露这些理性化的问题，以及揭穿它们的基本姿态，似乎都再无必要。

In rich guest because of him you were put a few about " disguise or mask of an evildoer " the photograph of abbreviating camera lens, and he is in of Baidu stick with other rich leave a message in the guest, tell everybody to there is this picture over there him, the person that is interested naturally can link a dot to go in according to this.

因为他在博客你放了一些关于《画皮》的删节镜头的照片，并且他在百度的贴吧和其他的博客里留言，告诉大家他那里有这个的照片，自然感兴趣的人就会按照这个链接点进去。

This Planet X complex has appeared regularly on both the C2 and C3 images, when the automatic air brushing programs in place to disguise the presence of Planet X falter or when there is dithering or bobbling so it appears in an unexpected place in the images.

虽然有自动喷涂和清理程序在运行，以掩盖行星X的存在，但行星X的综合体还是在C2和C3卫星影像上经常出现；当有跳动时，行星X就出现在了影像上无法预期的位置。

The playfulness of "Digital Cubes" does not try to disguise its symbolic parallel to meaningful social interaction; while "Wave Bubble" examines the boundaries of privacy in a conglomerated, technologically intrusive environment,"Freedom Flies" proposes alternative models for social awareness and provides new ways for information freedom and democratization. In the same vain is a suit of software tools called "Open Government Information Awareness" designed to monitor government performances allowing everybody to access official data sets and build profiles of those in the government, reversing the course of big-brother's control on the individuals. Also included in MIT's exhibit is "ScreamBody", a wearable space for screaming. ScreamBody silences the screams so the person may feel free to vocalize without fear of environmental retaliation, and at the same time records these for later release where, when, and how the person chooses.

趣味十足的&数字立方&并不掩饰其社会互动的象征意义；而&飘动的泡沫&则检视了在科技日益无所不在的环境里个人隐私的存在界限；作品&自由飞翔&无疑为民众的信息自由意识和民主化提供了新的选择模式；同样，为监督政府行为而设计的以便于民众获取官方数据的成套软件工具&开放政府信息的觉醒意识&则是个人对政府信息强权控制的反叛；当然还有麻省理工学院的&呐喊的身体&，一个可佩带的用于呐喊的装置，&呐喊的身体&能够对喊叫进行消音处理，能够让喊叫者不必担心周围环境受到呐喊声音的打扰而自由地放声喊叫；并且能够同时记录这些声音，用户可以根据自己的需要任何时间、任何地点都可以再次释放这些喊叫声。

Who's there? I've got your number Oh no, no I'm back to haunt you No, stay away Ha ha ha ha ha It's Friday night So creepy outside It's is thundering and lightning There's nobody home Cause I'm all alone It's scary and it's frightening The sound of shoes A shadow that moves Something odd is tic tac ticking Someone's in here I'm so full of fear The telephone is ringing Now I can see you Oh no, please no Now I can touch you Oh god, please go I am right here now Oh please, tell me where Ha ha ha ha I'm in a nightmare You better run I'm back to haunt you down Halloween, in the death of the night, hear me scream I'm coming, I'm coming Halloween, is the fear that I fight, in my dream Keep running, keep running Just keep running - oh, keep on running, yeah Just keep running Just keep running - oh, keep on running, yeah Just keep running Hell broke out On this Friday night Zombies passing deadly My Candyman, from Bountyland Is coming here to get me Now I can see you Oh no, please no Now I can touch you Oh god, please go I am right here now Oh please tell me where Ha ha ha ha I'm in a nightmare You better run I'm back to haunt you down I'm coming, I'm coming Halloween, is the fear that I fight, in my dream Keep running, keep running Just keep running - oh keep on running, yeah Just keep running Just keep running - oh keep on running, yeah Halloween, in the death of the night, hear me scream Just keep running It's squeaking and creaking I move silent in the night, hahahahaha Could be the boy from next-door You'll never guess my disguise Hahahahaha!

谁在那儿？我有你的电话号码哦，不，不我回过头来困扰着你不，远离哈哈哈哈这是星期五晚上因此，爬行外这是雷鸣和闪电有没有人在家原因我独自这是可怕的，它的可怕健全的鞋影子的动作一些奇怪的是啲嗒滴答有人在这里我是如此充满恐惧的电话响起来现在，我可以看到你哦，不，请不现在，我可以帮你联系哦，上帝，请访问我现在在这里噢，请告诉我在哪里哈哈哈哈我在一场噩梦你最好运行我回过头来困扰你失望万圣节，在夜间死亡，听我尖叫我来了，我来了万圣节，是怕我打，我的梦想继续运行，继续运行只要继续运行-哦，继续运行，嗯只要继续运行只要继续运行-哦，继续运行，嗯只要继续运行地狱爆发在这个星期五晚上通过致命的僵尸我的Candyman，从Bountyland 是来这里把我现在，我可以看到你哦，不，请不现在，我可以帮你联系哦，上帝，请访问我现在在这里噢，请告诉我在哪里哈哈哈哈我在一场噩梦你最好运行我回过头来困扰你失望我来了，我来了万圣节，是怕我打，我的梦想继续运行，继续运行只要继续运行-哦继续运行，嗯只要继续运行只要继续运行-哦继续运行，嗯万圣节，在夜间死亡，听我尖叫只要继续运行它的尖叫和吱吱作响我谨在夜里，hahahahaha沉默可能是从男孩隔壁你绝对猜不到我的伪装 Hahahahaha！

By metaphorically invoking the photographic terminology in the spirit of Bergsonian / Deleuzian time-movement interpretation as inspiration, the exhibition Timelapse in which a dozen artists from both Switzerland and China will participate, attempts to examine the fundamental constituent of digital media: the concept of time and its embodiment in space, its evocation of passage and memory, its movement of differentiation and its state of representation in diverse formal grammars to reveal the social implications of the fast in the disguise of the slow, the multiplicity in temporality and disparity in spatiality, both psychologically and geographically, stirring up a desire to scrutinize the nuances and ramifications in regards to the construct of cultural being in the disparate framework of time in distance and space in locality and the potential collapse of such time-space duality.

本次展览以柏格森以及德卢兹（ Deleuze，均为法国哲学家）有关时间－运动的解释为契机，含蓄地缓引&延时&这一摄影术语，在瑞士和中国两国艺术家的参与中，试图检验数字媒体的根本构成因数，及时间的概念以及其在空间中的体现，其对于过程和记忆的启示，其运动所产生的差异，以及其在运用形式语言时所呈现的不同表象，从而揭示被缓慢所遮掩的亟速之社会内蕴，其在时空中之心理与地理间的多样化和差异性，激起我们对于细察在不同的时空概念的框架下文化的构建，以及对于这种时空二元性之崩溃的可能性的欲念。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。