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The writer takes Rubato as the targeted object, mainly applying the following theories, including musical analysis, musical performing, musical historiography, musical aesthetics, phonetics and something like to carry out researches and give an in-depth analysis from such three fronts as melody, rhythm, phonetic features in vocal music. In doing so, the writer concludes Rubato, as a flexible elements in the rhythm-organizing structure, is mainly used to bring out the balanced proportion of the musical works and finally to keep the balance of the mu...更多sical development, through filling up the missing parts of rhythm-organizing structures, on the basis of the logical dividing of the time on the musical part.

本文将以自由节奏Rubato为研究对象，主要运用音乐分析学、音乐表演理论、音乐史学、音乐美学、语音学等相关知识展开研究，从旋律、节奏、声乐语音几个方面进行全面而深入的剖析，从中认识到自由节奏作为节奏组织结构中的自由体，它的主要目的是：以音乐作品时间段的逻辑划分为基础，通过对节奏组织结构缺失部分的填补、塑造出音乐作品的匀称比例，从而达到音乐发展的平衡。

Data are collected from in-depth interviews conducted with 5 adolescents who have had self-injurious experiences in this study. The results show that there are five stages included in the developmental process of adolescents' self-injurious experiences.

本研究以五位曾有多次自伤经验之青少年为对象，运用个别深入访谈之方法进行资料收集，并依内容分析步骤来分析资料，而逐步建构出青少年自伤经验之发展历程。

In the next time, four major areas in turn, general manager of the stage, on their respective regional market conditions, competitors and potential opportunities for a more in-depth analysis.

在接下来的时间里，四位大区总经理依次登场，就各自区域的市场状况、竞争对手及潜在机遇进行了较为深入的分析。

Mr. Liu Guozheng early years with the German system of highly reputable Guoqin William Hu·×study, emigrated to the United States in 1958 after he studied at Julliard School of Music·×study, the sixties with the twenty-first century×HU Li-Edwards and Simon·many Sakhong Friends of Niger and teacher, has the opportunity to guqin especially Italian Stradivari Stratfordevery detail, such as conduct in-depth analysis, which mastered the identification, repairexperience. 1965 57 Street, 140 in New York opened the violin studio, the history of the United States to become the first Chinese production of a violin and bow, and identification of home.

刘国正先生早年随极具名望的德裔制琴家威廉胡芬雷特学习，1958年移居美国后，在朱丽叶音乐学院师从路易帕辛格学习，二十世纪六十年代与伦勃特胡力兹和塞蒙费尔迪纳多萨空尼亦师亦友，有机会对意大利古琴尤其是斯特拉底瓦里等名琴的每一细节进行深入的剖析，由此掌握了鉴定、修复名琴的丰富经验。1965年在纽约五十七街140号开设小提琴工作室，成为美国有史以来第一位华人提琴和琴弓的制作家、鉴定家。

Author Stan Britt presents a selection of modern masters of the guitar giving an in depth profile of twelve leading jazz guitar players and even includes an eight bar phrase of their music, in tablature notation, to give the reader a brief passage in the style of each master, that can be played on their own instrument at home.

作者斯坦布里特提出了对在深入12领先爵士吉他手的文件给现代吉他大师的选择，甚至包括了他们的音乐8栏短语，在指法符号，让读者在每一段简短的风格主，可以制作自己在国内的工具。

But analyse the characteristic having summed up a customer serving and managing occupation post on basis being in progress surveying in depth in the talented person supply and demand current situation serving and managing to our country the present stage customer,the market demand having made clear that the customer serves and manages talented person continues for exuberantly, the prospect is vast, train current situation but be the ultimacy lagging, have brought forward constructive idea establishing a customer serving and managing special field in advanced occupation universities and colleges.

在对我国现阶段客户服务与管理的人才供求现状进行深入调研的基础上，分析归纳了客户服务与管理职业岗位特征，明确了客户服务与管理人才的市场需求持续旺盛、前景广阔，而培养现状却是根本性的滞后，提出了在高等职业院校开设客户服务与管理专业的建设性意见。

The thesis analyzes specifically the importance of free psychology state in painting from the aspects of imagination, immanent resonance and its forms, and free unbosom of affections, by giving in-depth analysis on the factors of children's free painting and combining the practice of artists. The thesis points out that art works should be produced in an involuntary state with self-consciousness.

文章通过对儿童绘画的自由因素分析，并结合艺术家的实践经验，从想象、内在的共鸣与形式、内在因素情感的自由宣泄中，具体分析了这种没有羁绊的自由境界的重要性，指出艺术家作品的显现过程应该处在一种自觉中的非自觉状态中。

In general, large-span cable-stayed and suspension bridges require bridge towers with a length of more than tens or hundreds of meters. Due to the unproportionate slenderness ratio, the bridge tower becomes vulnerable to air and thus easy to be distorted or to vibrate, which will affect the stability of the entire bridge structure. Therefore, it is of great significance to carry out an in-depth research on the force feature of the bridge tower in a flow field.

大跨度的斜拉与悬索桥，往往都需要建造数十米甚至上百米的桥塔，过大的长细比，使得桥塔在流场中受到气体的作用容易发生变形或振动，从而影响了整个桥梁结构的稳定性，因此，深入细致地研究桥塔在流场中的受力特性非常有必要。

Learning, thinking and creating will be exhibited, including his important sketches as well as literatures about his inspiration and actions at each critical juncture of mindset transformation. This part will be organized according to three key clues: the changing times in China and its great impact on personal existence; the influence of Mr. Fang's experience in such an era on his art creation, and how he has developed his self identity; discussion of the "process" and "back end" of his art creation, revealing his observation of and reflection on the era, his in-depth thoughts about art, and unquantifiable language changes, etc.

展览包括两个部分，一是文献部分，展览精选了艺术家在不同阶段，如学习、积累过程和创作实践中的关键资料，全面介绍和展示艺术家重要的创作手稿，各个思想转折点上的作品构思和行动的重要文献；此部分的内容将按照三条重要的线索进行：即中国面临的时代变迁的巨大背景和时代对于个人生存的深刻影响；时代境遇对艺术创作的影响和艺术家自我身份的建立进行梳理和展示；旨在讨论艺术家创作中的"过程"和"后台"——在其中隐现着的艺术家对时代的观察和思考，对艺术的真知灼见以及不可量化的语言变化等等。

The past, some real estate development enterprises in the selection of investment projects, due to the pressure of no funds, few make the feasibility of in-depth and meticulous analysis, often blind investment, especially in the open land linked to strokes and beat the market, some development of enterprises, especially Some investors, in order to access to land, often far more than the upset price bid, the successful tenderer to seek cooperation after the units, often the floor is too high and difficult to land development and construction, causing the land idle.

过去，一些房地产开发企业在选择投资项目，由于没有资金压力，只有少数的可行性作出深入细致的分析，往往是盲目投资，特别是在开放的土地联系杆和殴打市场，一些企业的发展，特别是一些投资者，为了获得土地，往往远远超过底价的出价，中标者，以寻求合作的单位后，往往发言太高和困难的土地开发和建设，造成土地闲置。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。