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In the whole journey activity that nurses in medical treatment, be full of heart of enthusiastic, love, responsibility, set oneself an example to others, severe at the law already, be the first abide by discipline is abide by the law, be kind to every patient and the person that call in, in order to be not influence sex consequence, through be being made with the body duty, make paramedic is sincerely convinced, with exalted character charm is affected and driving whole family paramedic is in the job play first-rate efficiency. 2 good psychology quality and communication ability matron are basic level leader, bear job is trival, sister must handle multifarious day-to-day work everyday, the quality control of the order arrangement that if the patient goes out,reachs nurse of property management, section office into the article management of the courtyard, each order,...

在医疗护理的全程活动中，满怀热心、爱心、责任心，以身作则，严于律已，带头遵纪守法，善待每位患者和来访者，以非权力性影响力，通过以身作责，使护理人员心服口服，以高尚的人格魅力影响和带动全科护理人员在工作中发挥最佳的效能。2良好的心理素质和沟通能力护士长是基层领导者，肩负工作繁琐，护士长天天必须处理繁杂的日常事务，如患者出入院的物品管理及财物管理、科室护士的班次布置、各班次的质量控制、。。。

Through the experiments of three kinds of models mentioned above, the structural deformations of "outflow-extension","strike-slip-extension" and "uplifting-extension" are studied and some viewpoints involving that the plastic flow in the lower lithosphere controls the extensional structures are stated as follows:(1) Regional extensional structure does not result from the direct extension along the upper crust, but from the plastic flow in the lower lithosphere and its dragging and stretching the upper crust;(2) Deformation of continental extensional structure resulted from the active uplifting of mantle is conditional that the significant extension occurs only in the models with free- or outflow-boundary condition on both sides, whereas the passive uplining of mantle exists widely, because it is an inevitable consequence of the efiect of thermo-gravity isostasy;(3) Strike-slip shearing in the lower ductile lithosphere, including site-restricted and site-unrestricted shearing, can result in various types of extension structures;(4) The"graben-horst"type extensional structures can be formed in difierent mechanisms, including outnow-extension, shear-extension, uplifting-extension and their synthetical action.

通过上述三种模型的模拟试验，比较系统地研究了"泄流-伸展"、"走滑-伸展"和"上隆-伸展"等构造变形，提出岩石圈下层塑性流动控制了各种伸展构造变形的观点，主要包括以下几方面：(1)区域性伸展构造不是上层直接受到拉伸，主要是下层流动牵引上层伸展；(2)地幔主动上隆引起大陆伸展构造变形是有条件的，需要侧边伸展或不受约束的边界条件，而被动上隆广泛存在于地壳断裂或减薄部位，是热和重力均衡的必然结果；(3)下层塑性流动中的走滑剪切，包括限位剪切或非限位剪切，可以引起不同型式的伸展构造；(4)总结了"堑-垒"型伸展构造的多种成因机制，包括泄流、走滑、上隆及综合作用均可形成"堑-垒"构造，但组合形式不尽相同。

The group in A is potential too overmeasure their consequence on the network, think oneself have Alibaba to prop up, have the bang the drum for sb that cleans out treasure, have the support that pays treasure, still have the bully people by flaunting one's powerful connections of Yahoo, feel true in network ad group control the forces of nature, actually I see may not, because of popular the world, what is popular feeling, in A mom clicks Fu Feiru brazenly is returned to cancel to click unexpectedly below this circumstance pay fee, I do not know really is that nerve makes wrong spring, actually I think everybody should not ignore a very crucial fact is to be in A then advertising of mom skill network when, ad group is worth rectify energetically in China, make of a lot of in run out of rice and fuel of small head of a station, the mom in A changed direction in having how, after all of Gg clicking is to be in whole network group is highest, if not be he fathers,hit, have over there the wedding day that there is the mother in A that?

阿里集团可能太高估他们在网络上的影响力了，以为自己有阿里巴巴支撑，有淘宝的摇旗呐喊，有支付宝的支持，还有雅虎的狐假虎威，以为真的在网络广告界呼风唤雨了，其实我看未必，因为得人心的天下，什么是人心，在阿里妈妈点击付费如此的情况下居然还悍然取消点击付费，我真不知道是那个神经打错弦了，其实我想各位应该不要忽视一个很要害的事实那就是在阿里妈妈出手网络广告业的时候，广告集团正值在中国大力整顿，使得很多的中小站长断炊，无奈何中转向了阿里妈妈，究竟gg的点击是在整个网络界都是最高的，假如不是他严打，有那里有阿里妈妈的好日子那？

In The Big Typescript, this dichotomy is detailed in his analysis of the temporal, spatial and genitive expressions, resulting in the distinction between the unspeakable"memory-time"(Ged〓chtniszeit) and the speakable"physical time", and that between the unspeakable"visual space" and the speakable"Euclidean space", etc;(4) From another perspective, the destruction of the conception of the "phenomenological language"could also be seen as the logical consequence of the radicalization of the one and the same conception, since this destruction does reinforce rather than weaken RLF's original intention of distinguishing the physical system from what are given in phenomena by demonstrating the incompatibility between this intention itself and the insistence on the speakability of the phenomena, which gives birth to the illusion of the"phenomenological language";(5) Nevertheless, what the radical distinction between the sense-data and the physical language (as the unique possible language) implies, according to Wittgenstein, is not that the latter has nothing to do with the former, but that the association between the two does not follow the"original sample-copy"pattern but the"screen-presenting-filmoperation"pattern, which indicates that phenomenon itself can be aroused by or included in-rather than to be described by-the physical language/system;(6) Thus Wittgenstein leads us to depart from the obsolete ambition of representing the immediately given data perfectly for a new destination where a comprehensive "perspicuity" of the"grammar"should be required and where his later philosophy is coming into being.

在《大打字稿》中，这一二分法在他对于时间表达式、空间表达式与人称表达式的分析中得到了细化，并导致了他对于"记忆时间"与"物理时间"的区分，以及对于"视觉空间"与"欧几里得空间"的区分，等等；(4)从另一个视角来看，维氏对于"现象学语言"观念的拆解也可以被视为同一观念在被加以彻底化后所导出的必然后果，因为这一拆解工作实际上乃是加强了，而不是削弱了他在写作《略论逻辑形式》时就已怀有的信念，即：必须将物理系统严格地区分于在现象中被直接给予的东西。换言之，维氏在这一拆解工作中所做的，只不过就是暴露了这一信念本身与对于现象之"可说性"的坚执之间的固有矛盾罢了——而所谓"现象学语言"的幻相，亦正是导源于上述坚执；(5)然而，根据维氏的本意，感觉予料与物理语言之间巨大的逻辑差异却并不意味着后者与前者毫无关联，而只是意味着两者之间的关系并不遵循着所谓的"原本—摹本"模式，而遵循的乃是"屏幕呈现—胶片运作"模式。

In the first part, we will first deal with the strong Bonnesen-style inequality (2.1.3) for closed convex curves in the plane (the numbers of formulae and references are those of them in the context below). Bonnesen had first proved the weaker inequality (2.1.2) in [12] and several years later, he outlined in his monograph [13] various Bonnesen-style inequalities including (2.1.3), he considered, however,(2.1.3) as a direct consequence of Kritikos theorem for convex bodies in higher dimensional Euclidean spaces,. Here, we will give an independent proof of the existence for inequality (2.1.3), and by the way, give an estimate on the width of the bi-enclosing annulus of closed convex curves in the plane.

具体地讲，在第一部分中，首先讨论平面上闭凸曲线的强Bonnesen型不等式(2.1.3)(公式的编号和参考文献的编号引自后面的正文)，Bonnesen在文[12]中先证明了较弱的不等式(2.1.2)，几年以后，在他的著作[13]中，讨论了多种Bonnesen型不等式，其中包括不等式(2.1.3)，不过，他把(2.1.3)作为高维欧氏空间中凸体的Kritikos定理的直接推论，我们这里对不等式(2.1.3)给出独立的存在性证明，并且还对平面闭凸曲线的bi-enclosing环的宽度给出了一个估计。

In the first part, we will first deal with the strong Bonnesen-style inequality (2.1.3) for closed convex curves in the plane (the numbers of formulae and references are those of them in the context below). Bonnesen had first proved the weaker inequality (2.1.2) in [12] and several years later, he outlined in his monograph [13] various Bonnesen-style inequalities including (2.1.3), he considered, however,(2.1.3) as a direct consequence of Kritikos\' theorem for convex bodies in higher dimensional Euclidean spaces,.

具体地讲，在第一部分中，首先讨论平面上闭凸曲线的强Bonnesen型不等式(2.1.3)(公式的编号和参考文献的编号引自后面的正文)，Bonnesen在文[12]中先证明了较弱的不等式(2.1.2)，几年以后，在他的著作[13]中，讨论了多种Bonnesen型不等式，其中包括不等式(2.1.3)，不过，他把(2.1.3)作为高维欧氏空间中凸体的Kritikos定理的直接推论，我们这里对不等式(2.1.3)给出独立的存在性证明，并且还对平面闭凸曲线的bi-enclosing环的宽度给出了一个估计。

I wondered desperedly how long this was going on, having the feeling it explained some other things from before, but not being able to logically update with my own thinking 42 years of my life in one sudden moment, this experience is the most totering, i was fully aware, of the fact my entire thinking failde to understand what was going on, and that is aswell in fact the most interesting part of it, but aswell the cruel one, the past is completely different than in my memories was linked in terms like cause and consequence, and suddenly all seemed different, but the thinking ability of a human is clearly too slow to update and relink those facts until aswell in the longterm memorie, that feeling is awfull and something that normally humanns can only know teoretically, but feeling it happening is amazing, but terrifying.

我很惊讶这是多么的卑鄙无耻，这持续了如此之久。从一开始就试图解释一些其他的事，但对于这个突然的时刻，这不合我一生42年的逻辑思维。这是最酷刑的体验，我充分意识到，事实是，我整个的思维在理解发生了什么时是失败的，那实际也是它最有趣的部分，但也是最残酷的一种，与我记忆中与这相关的原因和结果相比，过去是完全不同的，一切仿佛突然而不同。但一个人的思维能力显然太慢更新，并且重新联系到那些事实，知道也变成长期的记忆，那种感觉是非常可怕的，某些是普通人只能够理论上知道，但感觉这是很令人惊讶的事，也是很可怕的事。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

In this article, the primary discussion on self-admissions connotation and nature is in the first part, the constitution is in the second part and the consequence is in the next part. The fourth part is basic analyses on the condition and circumstances of the self-admission in our country. In the last part, the author gives some concrete ideas to improve this legal system in our country.

本文第一部分主要论及自认的含义及性质，第二部分主要讨论自认的构成要件，第三部分说明的是自认的法律效果及其例外，第四部分分析了自认制度在我国的规则现状及运行环境，最后在第五部分笔者提出了完善我国自认制度的几点具体构想。

The subsequent destinies of Christianity in those areas were shaped by the transfer (320) of the imperial capital from Rome to Constantinople by Constantine I. As a consequence, during the first 8 centuries of Christian history most major intellectual, cultural, and social developments in the Christian church also took place in that region; for example, all ecumenical councils of that period met either in Constantinople or in its vicinity.

随后的命运，基督教在这些地区形成的转让（ 320 ）的帝国首都从罗马到君士坦丁堡由君士坦丁一，作为一个后果，在第一八世纪的基督教历史上最重大的智力，文化和社会发展基督教教会也发生在该地区；例如，所有合一议会这一时期的会面，无论是在君士坦丁堡或在其附近。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。