查询词典 in confidence

Parenthetically, if you are interested in having a picnic in your own backyard, you may want to place confidence in fixing volleyball net or playing other fun outdoor sports.

附带，如果你有兴趣了野餐在自己的后院，您可能会想要把固定的信心排球网或玩其他有趣的户外运动。

Another new development is in his attitude to ueing dialogue.'in the past, it was always the visuals which moved me emotionally, never words, so I tried to reduce dialogue to a minimum ,and didn't put much effort into it. I thought using words showed a lack of confidence in what could be expressed pictorially.

他观念中的另一个新的发展是想应用对话，"过去，总是视觉的因素在影响着我的情绪，而不是文字，所以我把对话减少到最少，并不在这上面做很多努力，我认为运用对话是对运用绘画语言的一种不自信的表现。"

1 Put no trust in a friend, have no confidence in a companion; Against her who lies in your bosom guard the portals of your mouth.

你们不要信赖邻里；不要依靠朋友，连对躺在你怀中的妻子，你也要坚守口舌

In a word, he was to repose a blind confidence in her in everything.

但是，她的头脑很单纯，复仇的想法并没有坚持多久。

For the first requisite in business as in social life is confidence in yourself- knowledge of your power .

因为现代社会生活中经商的首要要求就是这个人必须有自信，必须了解自己的能力。

The western artists pay close attention to reality and assail malpractices in the society. However, they do these not in pessimistic ways, but in aloof and amusing ways. They point out serious and even critical social problems gently, resourcefully and even recreationally. When dealing with those contradictions and dilemmas, they display extraordinary relaxation, confidence, and aloofness.

西方艺术家关注现实，抨击社会弊端，但并未挟带过去那种悲悲切切的沉重，而是以超越的姿态、戏谑的方式，将严肃的甚至严重的社会问题，以轻松出之，以机智出之，甚至以游戏出之；在处理矛盾和困窘时，心态更加放松，更加自信，更加超脱。

"10 Moves in the stock market is the most direct and effective role in reversing the market's confidence in the economy."

"10股市动作是扭转市场对经济的信心，最直接和有效的作用。"

Whether it is our army, friendly forces, people in base areas or in enemy-occupied areas, or puppet troops, we must instil national patriotism, self-confidence and self-respect in them, and be always ready to scathingly denounce the enemy's policy of enslavement.

无论对本军、友军，根据地和敌占区的人民，以及伪军，都需要灌输以民族的爱国的思想，提高其民族自信心与自尊心，随时给敌人的奴化政策以有效的打击。

Nowadays, what human being long for in their hearts are those great arts, which can play greater supportive roles in people's lives, which can reflect the confidence and the great psychological behavior and the relatively bright value part of human being. The art in the 20th century simply expressed the schizophrenia, mania, uneasiness and vacuity as well as insignificant depiction of personalization. This kind of art has serious deficiencies and limitations. Should the 20th century be proud of schizophrenia and self-torture? Should the 20th century use a narrow language to cope with art achievements of the past thousand years?

在这个时代，人类内心渴望的，就是这些伟大的艺术，她能够在人们的生活之中起到更大的支撑作用，艺术依然能够反映人类所应有的那种自信、伟大的心灵生活以及人的所有比较光明的价值部分。20世纪的艺术单一地表达人的精神分裂、迷狂、不安和无聊，以及琐碎的个人化的描写，是有很大不足和局限性的。20世纪是不是应该为自己的梦呓、精神分裂、自虐等价值骄傲，以及用狭隘的个人语汇来面对几千年的艺术成果呢？

All may casual, you said I all am willing to go, the small trainswings the melody, all may be really, you said I all can believe,because I completely trust you, exquisite liking, the wool blanketsincere feeling, has exposed to the sun the solar familiar securitysense, shares the hot soup, a our two soupspoon bowl, left atrium warmgood full, I want to say actually you very good, you actually did notknow, sincerity to me good, does not request the repayment, likes aperson hoping he better, is warm since the heart in, You are moreimportant than oneself,In recollection satisfied melody, your palm of the hand thick truefeelings, any difficulty all thinks hopefully, my humph song, younatural are receiving a section, I knew warmly warms on in the chest,always all very the low key, the self-confidence is not high, you aremore important than oneself, I also hoped changes

都可以随便的，你说的我都愿意去，小火车摆动的旋律，都可以是真的，你说的我都会相信，因为我完全信任你，细腻的喜欢，毛毯般的厚重感，晒过太阳熟悉的安全感，分享热汤，我们两支汤匙一个碗，左心房暖暖的好饱满，我想说其实你很好，你自己却不知道，真心的对我好，不要求回报，爱一个人希望他过更好，打从心里暖暖的，你比自己更重要，回忆里满足的旋律，你手掌的厚实感，什么困难都觉得有希望，我哼着歌，你自然的就接下一段，我知道暖暖就在胸膛，从来都很低调，自信心不高，你比自己更重要，我也希望变更好

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。